Journal Article
| Teniswood-Harvey, A, Art about art: Whistler's Portrait of Pablo de Sarasate, The Burlington Magazine, 153, (1294) pp. 36-40. ISSN 0007-6287 (2011) [Refereed Article] |  |
| Nel, P and Lynch, PA and Laird, JS and Casey, HM and Goodall, LJ and Ryan, CG and Sloggett, RJ, Elemental and mineralogical study of earth-based pigments using particle induced X-ray emission and X-ray diffraction , Nuclear Instruments & Methods in Physics Research. Section A: Accelerators, Spectrometers, Detectors, and Associated Equipment, 619, (1-3) pp. 306-310. ISSN 1872-9576 (2010) [Refereed Article] | |
| Crane, RJ, Ian Munday: Working Through Solid Air, Island, 123 pp. 32-37. ISSN 1035-3127 (2010) [Non Refereed Article] | |
| Teniswood-Harvey, A, Music and movement: a survey of Whistler's lesser-known images of music, theatre and dance, British Art Journal, 10, (3) pp. 131-137. ISSN 1467-2006 (2010) [Refereed Article] |  |
| Teniswood-Harvey, A, Whistler's Nocturnes: A Case Study in Musical Modelling, Music in Art, 35, (no. 1-2) pp. 71-83. ISSN 1522-7464 (2010) [Refereed Article] |  |
| White, RD, Stifling Environmental Dissent, Alternative Law Journal, 30, (6) pp. 268-273. ISSN 1037-969X (2005) [Refereed Article] | |
| Hutchins, B, Social-Conservatism, Australian Politics and Cricket: The Timumvirate of Australian Prime Ministers John Howard, Sir Robert Menzies and Sir Donald Bradman, Journal of Australian Studies, 25, (67) pp. 56-66. ISSN 1444-3058 (2001) [Refereed Article] | |
| de la Fuente, E, Sociology and Aesthetics, European Journal of Social Theory, 3, (2) pp. 235-247. ISSN 1368-4310 (2000) [Refereed Article] | |
| Hutchins, B, The Uses of Nostalgia: An Analysis of Don Bradman and Australian Cricket, Social Alternatives, 19, (2) pp. 35-39. ISSN 0115-0306 (2000) [Refereed Article] | |
| Norman, R, Black histories, object, 4/98, (4) pp. 36-38. ISSN 1038-1856 (1998) [Non Refereed Article] | |
| Doyle, CM, Ecology, Craft and the New Millennium, Craft: The Journal of Craft Victoria, 28/236, (1) pp. 12-15. ISSN 0158-7048 (1998) [Non Refereed Article] | |
| Blakebrough, L and Smith, PG, Fast Production in the Studio, Ceramics TECHNICAL, (7) pp. 25-35. ISSN 1324-4175 (1998) [Professional, Non Refereed Article] | |
| Colless, EC, Jive, ABR: Australian Book Review, 1998, (200) pp. 24-28. ISSN 0155-2864 (1998) [Professional, Non Refereed Article] | |
| Colless, EC, Moderne, Broadsheet, 27, (1) pp. 12-13. ISSN 0819-677X (1998) [Non Refereed Article] | |
| Monkhouse, H, New York Experiences, Clarinet & Saxophone, 1, (2) pp. 33-34. ISSN 0260-390X (1998) [Professional, Non Refereed Article] | |
| Monkhouse, H, News from Around the Country, Clarinet & Saxophone, 1, (2) pp. 33-34. ISSN 0260-390X (1998) [Professional, Non Refereed Article] | |
| Monkhouse, H, News from Around the Country, Clarinet & Saxophone, 1, (3) pp. 30-31. ISSN 0260-390X (1998) [Professional, Non Refereed Article] | |
| Monkhouse, H, News from Around the Country, Clarinet & Saxophone, 1, (4) pp. 33-34. ISSN 0260-390X (1998) [Professional, Non Refereed Article] | |
| Colless, EC, Op Music, Broadsheet, 27, (2) pp. 4-7. ISSN 0819-677X (1998) [Non Refereed Article] | |
| Negrin, L, The Antinomies of Postmodern neo-Classicism, Arena Journal, (11) pp. 61-81. ISSN 1320-6567 (1998) [Refereed Article] | |
| Cahalan, A, The Future of Design Education, Australian Graphic Design Journal, (2) pp. 1. (1998) [Non Refereed Article] | |
| Wright, B, The Melbourne Cup, Ceramics Art and Perception, 33, (September) pp. 91-94. (1998) [Contribution to Refereed Journal] | |
| Gough, JA, Time ripples in Tasmania: Aboriginal artists in Tasmania Today, Art and Australia, 35, (1) pp. 108-115. ISSN 0004-301X (1998) [Non Refereed Article] | |
| Colless, EC, Two Evil Eyes, Australian Art Collector, 4, (March) pp. 68-69. ISSN 1440-8902 (1998) [Professional, Non Refereed Article] | |
| Cahalan, A, What on Earth is a PhD in typography?, Australian Graphic Design Journal, (3) pp. 1. (1998) [Non Refereed Article] | |
| Holmes, JH, You need to go abroad - to make your name?, ArtLink, 18, (4) pp. 22-27. ISSN 0727-1239 (1998) [Non Refereed Article] | |
| Negrin, L, A Cheap Shot at Frocks? Reply to Tara Brabazon's 'What Will You Wear to the Revolution? Thatcher's Genderation and the Fashioning of Change', Hecate: an interdisciplinary journal of women's liberation, 23, (1) pp. 117-124. ISSN 0311-4198 (1997) [Refereed Article] | |
| Colless, EC, An Immodest Proposal, 26, (2) pp. 18-19. ISSN 0819-677X (1997) [Edited Journal] | |
| Colless, EC, At the feet of Chloe: a study in erôs, Art and Australia, 34, (4) pp. 518-523. ISSN 0004-301X (1997) [Non Refereed Article] | |
| Marcellino, R, Australian Music and Postmodernism, Companion to Music and Dance, (1) pp. 2. (1997) [Non Refereed Article] | |
| Colless, EC, Bean Bag: easy art, Australian Art Collector, (2) pp. 64-65. ISSN 1440-8902 (1997) [Professional, Non Refereed Article] | |
| Hill, PW, Body, (Oct) pp. 173. ISSN 0004-3273 (1997) [Edited Journal] | |
| Hill, PW, Europe's Summer of Art, Art monthly Australia, (Sept) pp. 4-8. ISSN 1033-4025 (1997) [Non Refereed Article] | |
| Ruffels, TD, From the Leaf Series, Leonardo, 30, (5) pp. 396. ISSN 0024-094X (1997) [Non Refereed Article] | |
| Colless, EC, Lisa Roet: Burlesque Gestures, World Art, (14) pp. 54-56. ISSN 1321-0505 (1997) [Non Refereed Article] | |
| Colless, EC, No future: art in a research culture, Broadsheet, 25, (Summer) pp. 8-9. ISSN 0819-677X (1997) [Non Refereed Article] | |
| Colless, EC, Notes from the Departure Lounge, Broadsheet, 26, (3) pp. 10-11. ISSN 0819-677X (1997) [Letter or Note in Journal] | |
| Colless, EC, Pet Rock: New Sculpture, Australian Art Collector, (1) pp. 10-11. ISSN 1440-8902 (1997) [Professional, Non Refereed Article] | |
| Hill, PW, The Portrait of a Lady: Sargent and Lady Agnew, (Oct) pp. 173. ISSN 0004-3273 (1997) [Edited Journal] | |
| Hill, PW, Where There's A Will There's A Way Round It, (Sept) pp. 55. ISSN 0004-3273 (1997) [Edited Journal] | |
| Hill, PW, A Little Night Reading, Art monthly Australia, 90, (June) pp. 26-28. ISSN 1033-4025 (1996) [Professional, Non Refereed Article] | |
| McLean, I, Aerphost: Australians in Dublin, Like, Art Magazine, 1 pp. 8-9. ISSN 1327-5445 (1996) [Letter or Note in Journal] | |
| Hobba, L, Arts in the Electronic Landscape. The Tasmanian Connection, Artlink, 16, (2-3) pp. 2. ISSN 0727-1239 (1996) [Professional, Non Refereed Article] | |
| Milojevic, MA and Kirker, A, Burning Issues - In Conversation with Milan Milojevic, Imprint, 31, (31) pp. 21-24. ISSN 0313-3907 (1996) [Non Refereed Article] | |
| Deeth, JA, Christl Berg: Traces, CAST, (8) pp. 24. ISSN 1320-7040 (1996) [Refereed Article] | |
| Negrin, L, Feminism and fashion: a critical appraisal, Arena Journal, (6) pp. 75-86. ISSN 1320-6567 (1996) [Refereed Article] | |
| McLean, I, History Painting Without the Grand Manner, Third Text: Third World Perspectives on Contemporary Art and Culture, 10, (34) pp. 98-102. ISSN 0952-8822 (1996) [Non Refereed Article] | |
| Spinks, J, Inferno: Bill Henson's Divine Comedy, Siglo, (5) pp. 22-29. (1996) [Professional, Non Refereed Article] | |
| Colless, EC, JJ Voss: The Seizure of Power, Photofile, 47, (March) pp. 36-38. ISSN 0811-0859 (1996) [Professional, Non Refereed Article] | |
| Holmes, JH, Les Blakebrough's Southern Ice, Ceramics: Art and Perception, (24) pp. 72-75. ISSN 1035-1841 (1996) [Professional, Non Refereed Article] | |
| Blest, DC, Lower bounds for athletic performance, The Statistician, 45, (2) pp. 243-253. ISSN 0039-0526 (1996) [Refereed Article] | |
| McLean, I, McKenzie Work Virtual Geography, Thesis Eleven, 44, (1) pp. 135-138. ISSN 0725-5136 (1996) [Letter or Note in Journal] | |
| Colless, EC, Merry Alpern: Dirty Windows, World Art, (2) pp. 78-79. ISSN 1321-0505 (1996) [Professional, Non Refereed Article] | |
| Deeth, JA, Neo-colonialist Precipice: Secret Places, Artlink, 16, (4) pp. 81-82. ISSN 0727-1239 (1996) [Refereed Article] | |
| Hill, PW, New Zealand Does It Better, Artmonthly Australia, 95, (November) pp. 6-8. ISSN 1033-4025 (1996) [Professional, Non Refereed Article] | |
| McGrath, VF, Referencing Journeys Relocating Self, Ceramics Art and Perception, 25, (2) pp. 44-47. ISSN 1035-1841 (1996) [Non Refereed Article] | |
| Deeth, JA, Ripping Yarns: Fibre Fable and Narrative, Textiles Fibre Forum, 15, (2 No 46) pp. 55. ISSN 0818-6308 (1996) [Refereed Article] | |
| Blythe, R, The Architecture of SWT Blythe 1930-1950:Re-Assessing Early Modern Architecture in Hobart, Fabrications: Journal of the Society of Architectural Historians, Australia & New Zealand, 7, (August) pp. 99-112. ISSN 1033-1867 (1996) [Refereed Article] | |
| Smith, PG, The Ceramic Research Unit, Centre for the Arts, Hobart, Ceramics Technical, (2) pp. 50-55. ISSN 1324-4175 (1996) [Professional, Non Refereed Article] | |
| Blest, DC and Hallam, CB, The Design of Dice, Mathematics Today, 32, (1-2) pp. 8-13. ISSN 1361-2042 (1996) [Refereed Article] | |
| Negrin, L, The Meaning of Dress, Arena Journal, (7) pp. 131-146. ISSN 1039-1010 (1996) [Refereed Article] | |
| Hill, PW, The Next Wave Festival, Art monthly Australia, 91, (July) pp. 12-14. ISSN 1033-4025 (1996) [Professional, Non Refereed Article] | |
| Leong, G, Towards a Non-Eurocentric Art History/Theory Curriculum in Australian Art Schools, Journal of Institutional Research Australasia, 5, (2) pp. 35-44. ISSN 1322-4298 (1996) [Refereed Article] | |
| Colless, EC, Victor Skrebneski and Laura Jacobs, The Art of Haute Couture, World Art, (3) pp. 78-9. ISSN 1321-0505 (1996) [Professional, Non Refereed Article] | |
| McLean, I, William Eisler, The Furtherest Schore, Thesis Eleven, 47, (1) pp. 127-129. ISSN 0725-5136 (1996) [Letter or Note in Journal] | |
| Spinks, J, Zsolt Faludi: Alchemy and Objecthood, Ceramics: Art and Perception, (23) pp. 101-103. ISSN 1035-1841 (1996) [Professional, Non Refereed Article] | |
| Rice, C, A Formal Illusion, Pottery in Australia, (October) pp. 2. ISSN 0048-4954 (1995) [Non Refereed Article] | |
| Colless, EC, Alex Wanders, CAST, (7) pp. 6-8. ISSN 1320-7040 (1995) [Non Refereed Article] | |
| McKee, J, Craft, CAST, (7) pp. 31-32. ISSN 1320-7040 (1995) [Letter or Note in Journal] | |
| Hill, PW, False Hair, Synthetic Lace and Remarkable Cave - the work of Ray Arnold, Imprint, 30, (1) pp. 21-23. ISSN 0313-3907 (1995) [Non Refereed Article] | |
| Colless, EC, Ghosting, Photofile, (44) pp. 34-39. ISSN 0811-0859 (1995) [Professional, Non Refereed Article] | |
| Hill, PW, Is there a Doctor in the Art School - PhDs in the Visual Arts, Art Monthly Australia, (84) pp. 11. ISSN 1033-4025 (1995) [Non Refereed Article] | |
| Hill, PW, Mrs Aristotle's Teeth - ARC Funding, Art monthly Australia, (85) pp. 25. ISSN 1033-4025 (1995) [Non Refereed Article] | |
| Ewins, R, Proto-Polynesian Art? The cliff paintings of Vatulele, Fiji, Journal of the Polynesian Society, 104, (1) pp. 23-74. ISSN 0032-4000 (1995) [Refereed Article] | |
| Hill, PW, Ronnie Forbes - Art in Public Places, CAST, (7) pp. 25-30. ISSN 1320-7040 (1995) [Non Refereed Article] | |
| Bennett, RG, Tassie's Other Dance, Dance Australia, (80) pp. 10. ISSN 0159-6330 (1995) [Professional, Non Refereed Article] | |
| Klaosen, DM, The Feminist Forms of Helen Wright, Imprint, 29, (4) pp. 3. ISSN 0313-3907 (1995) [Non Refereed Article] | |
Book
| Hutchins, B, Don Bradman: Challenging the Myth, Cambridge University Press, Cambridge, United Kingdom, pp. 216. ISBN 0521823846 (2002) [Authored Research Book] | |
| Cranston, CA, Along these Lines: From Trowenna to Tasmania, Cornford Press, Launceston, pp. 456. ISBN 09577565-42 (2000) [Authored Other Book] | |
| Stephenson, DM and Hammond, V, Cupolas, Julie Saul Gallery; Robert Lindsay Gallery; Dick Bett Gallery, New York, Melbourne and Hobart, pp. 80. ISBN isbn (1997) [Authored Research Book] | |
| McLean, I and Bennett, G, The Art of Gordon Bennett, Craftsman House, Sydney, pp. 140. ISBN 90570322-IX (1996) [Authored Research Book] | |
| Colless, EC, The Error of My Ways: Selected Writings, 1981-1994, Institute of Modern Art, Brisbane, pp. 233. ISBN 1-875792-16-3 (1995) [Authored Research Book] | |
| Frankham, NH, Venues of Value a study of Sydney's arts facilities, Sydney City Council, Sydney, pp. 64. ISBN 1-875871-02-0 (1995) [Authored Research Book] | |
Chapter in Book
| Easthope, G, Alternative Medicine, Second Opinion, Oxford University Press, John Germov (ed), South Melbourne, VIC, pp. 332-348. ISBN 0195517415 (2005) [Edited Book Chapter] | |
| Ezzy, D, Researching Health: Methodological Traditions and Innovations, Second Opinion, Oxford University Press, John Germov (ed), South Melbourne, VIC, pp. 51-64. ISBN 0195517415 (2005) [Other Book Chapter] | |
| Ezzy, D, Theorizing narrative identity: symbolic interactionism and hermeneutics, Organization and Identity, Routledge, Alison Pullen and Stephen Linstead (ed), Abingdon, UK, pp. 43-59. ISBN 0415322316 (2005) [Edited Book Chapter] | |
| Robertson, ME and Williams, M, Chapter 1 - Introduction, Young People, Leisure and Place, Nova Science Publishers Inc, M Robertson, M Williams (ed), New York, pp. 3-8. ISBN 1-59454-029-2 (2004) [Research Book Chapter] | |
| Robertson, ME and Abbott-Chapman, JA, Chapter 15 - Place and Identity: Evidence from Tasmanian Schools, Young People, Leisure and Place, Nova Science Publishers Inc, M Robertson, M Williams (ed), New York, pp. 165-178. ISBN 1-59454-029-2 (2004) [Research Book Chapter] | |
| Robertson, ME and Williams, M, Chapter 16 - Introduction, Young People, Leisure and Place, Nova Science Publishers Inc, M Robertson, M Williams (ed), New York, pp. 181-182. ISBN 1-59454-029-2 (2004) [Research Book Chapter] | |
| Robertson, ME, Chapter 2 - Born in 1990, Young People, Leisure and Place, Nova Science Publishers Inc, M Robertson, M Williams (ed), New York, pp. 9-20. ISBN 1-59454-029-2 (2004) [Research Book Chapter] | |
| Robertson, ME, Chapter 21 - Final Comments, Young People, Leisure and Place, Nova Science Publishers Inc, M Robertson, M Williams (ed), New York, pp. 231-233. ISBN 1-59454-029-2 (2004) [Research Book Chapter] | |
| Robertson, ME, Chapter 3 - Self, 'Home' and Growing-Up, Young People, Leisure and Place, Nova Science Publishers Inc, M Robertson, M Williams (ed), New York, pp. 21-33. ISBN 1-59454-029-2 (2004) [Research Book Chapter] | |
| Robertson, ME, Chapter 4 - The Local Community: Is it Important Anymore?, Young People, Leisure and Place, Nova Science Publishers Inc, M Robertson, M Williams (ed), New York, pp. 35-45. ISBN 1-59454-029-2 (2004) [Research Book Chapter] | |
| Robertson, ME, Chapter 5 - Introduction, Young People, Leisure and Places Cross Cultural Perspectives, Nova Science Publishers Inc, M Robertson, M Williams (ed), New York, pp. 49-60. ISBN 1-59454-029-2 (2004) [Research Book Chapter] | |
| Robertson, ME and Walford, R and Fox, A, Chapter 7 - School, Place and Life Chances: What Makes the 'Difference'?, Young People, Leisure and Place, Nova Science Publishers Inc, M Robertson, M Williams (ed), New York, pp. 73-87. ISBN 1-59454-029-2 (2004) [Research Book Chapter] | |
| Robertson, ME, Ethnicity, School, Identity: A Study in Intercultural Learning, Young People, Leisure and Place, Nova Science Publishers Inc, M Robertson, M Williams (ed), New York, pp. 99-107. ISBN 1-59454-029-2 (2004) [Research Book Chapter] | |
| Leong, G, Re-constructing Chinese, Reinventing Textiles vol 2: Gender and Identiry, Telos Art Publishing, Janis Jefferies (ed), Winchester, UK, pp. 91-104. ISBN 1-90201510-X (2001) [Research Book Chapter] | |
| McLean, I, Under Saturn: Melancholy and the Colonial Imagination, Double Vision, Cambridge University Press, Nicholas Thomas and Diane Losche (ed), Cambridge, UK, pp. 131-162. ISBN 0521643414 (1999) [Research Book Chapter] | |
| Colless, EC, An End to the ¿80s, What is Appropriation: an anthology of critical writings on Australian Art in the 80s and 90s, Power Publications and Institute of Modern Art, Brisbane, Butler, R (ed), Sydney and Brisbane, pp. 293-307. (1996) [Research Book Chapter] | |
| Colless, EC, The End of the Road, <i>Brushing the Dark: Contemporary Art and Tasmania</i>, Contemporary Art Services Tasmania, Holmes, J (ed), Hobart, pp. 53-57. (1996) [Research Book Chapter] | |
Review
| Colless, EC, Ironic Iconoclast [review: Wystan Curnow, Imants Tillers and ¿The Book of Power¿], The Australian Book Review, 198, (February, 1998) pp. 20-21. (1998) [Review Single Work] | |
| Negrin, L, Landmarks and Curiosities, Art and Australia, 36, (2) pp. 194-196. (1998) [Review Several Works] | |
| Colless, EC, Running on Empty[review:Oxford History of Art volumes: Art and Society in Italy 1350¿1500 (Evelyn Welch), Art in Europe 1700¿1830 (Matthew Craske), Art in China (Craig Clunas), The Photograph (Graham Clark), Twentieth-Century Design (Janthan M. Woodham)], The Australian's Review of Books, February, (1998) pp. 18-19. (1998) [Review Several Works] | |
| Negrin, L, After a Fashion by J. Finkelstein, Arena Magazine, Dec/Jan, (26) pp. 54-55. (1997) [Review Single Work] | |
| Colless, EC, Conceptualist Art (On Ann Stephen (ed.), Artists Think: The Late Works pf Ian Burn), Australian Book Review, (189) pp. 34-35. (1997) [Review Single Work] | |
| Holmes, JH, Containment, Art and Australia, 35, (2) pp. 292-293. (1997) [Review Several Works] | |
| Colless, EC, Last Charleston in Paris (On Carol Mann, Paris: Artistic Life in the Twenties and Thirties and Jacques Réda, The Ruins of Paris, The Age, (8 Mar) pp. 11. (1997) [Other Review] | |
| Colless, EC, Love Letter to a Lost America (On Robert Hughes, American Vision), Australian Review of Books, (June) pp. 3-5. (1997) [Review Single Work] | |
| Colless, EC, Shadows of Men (on Sam Shepherd, Cruising Paradise), The Age, (5 Apr) pp. 8. (1997) [Other Review] | |
| Spinks, J, Hobart Art Prize, <i>Art and Australia</i>, 33, (4) pp. 574. (1996) [Other Review] | |
| Spinks, J, Moët et Chandon Touring Exhibition 1995, <i>CAST Magazine</i>, 1, (8) pp. 20-21. (1996) [Other Review] | |
| Colless, EC, Quietly Gothic: 'Mutiny on the Docks', curated by Dan Armstrong, Real Time, (12) pp. 38. (1996) [Review Single Work] | |
| Hill, PW, 'Art of Reproduction', <i>Imprint</i>, 30, (3) pp. 13,16. (1995) [Review Several Works] | |
| Klaosen, DM, 'Duodecimo', <i>Imprint</i>, 30, (2) pp. 1. (1995) [Other Review] | |
| Cahalan, A, 'Actions Louder than Words', <i>Artlink</i>, 15, (4) pp. 80-1. (1995) [Review Several Works] | |
| Klaosen, DM, 'Filomena Coppola: In the garden of Eve', <i>Imprint</i>, 30, (4) pp. 4-5. (1995) [Review Several Works] | |
| Hill, PW, 'How to Photograph a Sunset: Keith Arnatt', <i>Artmonthly Australia</i>, none, (82) pp. 22. (1995) [Review Several Works] | |
| Kunda, M, 'Preferring a Grim Reality', <i>CAST Magazine</i>, 1, (7) pp. 36-38. (1995) [Other Review] | |
| Rice, C, 'Terra Incognita: Michele Round Photographs, Burnie Regional Art Gallery', <i>CAST Magazine</i>, nv, (Winter) pp. 40. (1995) [Other Review] | |
| Davy, C, Bad Light: Through a Glass, Darkly, <i>CAST Magazine</i>, 3, (7) pp. 16-20. (1995) [Review Single Work] | |
| Bennett, RG, Intriguing, Exotic Sounds and Images, The Examiner, May 29, 1995 pp. 1. (1995) [Other Review] | |
| Mott, ID, The Talking Chair - notes on a sound sculpture, Leonardo, 28, (1) pp. 69-70. (1995) [Review Single Work] | |
| Bennett, RG, Young Troupe Wins Deserved Acclaim, The Examiner, August 29, 1995 pp. 1. (1995) [Other Review] | |
Working Model, Technical Drawing
| Berg, C, 1996 Trust Bank Art Award, Trust Bank, Launceston (1996) [Working Model] | |
| Mason, PL, 1996 Trust Bank Art Award Exhibition, Trust Bank, Launceston (1996) [Working Model] | |
| Sheehy, R, Blaze of Blue, Launceston College, Launceston (1996) [Working Model] | |
| McGrath, VF, Histories of Work, Commonwealth Better Cities, Launceston (1996) [Technical Drawing] | |
| Leong, G, Horizons, Contemporary Art Services Tasmania, Hobart (1996) [Working Model] | |
| Berg, C, Shell Fremantle Print Award 1996 Exhibition, Fremantle Arts Centre, Fremantle (1996) [Working Model] | |
| Bishop, PA, Trust Bank Art Award, Trust Bank, Launceston (1996) [Working Model] | |
| McGrath, VF, Clay Sculpture, Ceramic Art & Perception, Gulgong (1995) [Technical Drawing] | |
| Fionnachd-Fein, B, Interaction, Arthouse, Launceston (1995) [Working Model] | |
| Hamilton, DW, International Shoe Box Sculpture Exhibition, University of Hawaii, Taipei (1995) [Working Model] | |
| Norman, R, International Shoe Box Sculpture Exhibition, University of Hawaii, Taipei (1995) [Working Model] | |
| Sheehy, R, International Shoebox Sculpture Exhibition, University of Hawaii, Taepei (1995) [Working Model] | |
| Hamilton, DW and Parish, J and Sheehy, R, Ju Ming Commission, Pilot Art Foundry, University of Tasmania, Singapore (1995) [Working Model] | |
| Parish, J and Hamilton, DW and Sheehy, R, Ju Ming Commission, Pilot Art Foundry, University of Tasmania, Singapore (1995) [Working Model] | |
| Sheehy, R and Hamilton, DW and Parish, J, Ju Ming Commission, Pilot Art Foundry, University of Tasmania, Singapore (1995) [Working Model] | |
| McGrath, VF, Life Forces, Arts Tasmania, Launceston (1995) [Technical Drawing] | |
| Leong, G, Pins & needles, University Gallery, Bangkok (1995) [Technical Drawing] | |
| McGrath, VF, Pins & Needles, University Gallery, Bangkok (1995) [Technical Drawing] | |
| Norman, R, Pins & Needles, University Gallery, Bangkok (1995) [Working Model] | |
| Payne, J, Pins & Needles, University Gallery, University of Tasmania, Bangkok (1995) [Working Model] | |
| Corbett, J, Pins & Needles: Identity & Meaning, University Gallery, Bangkok (1995) [Working Model] | |
| Barcan, C, Pins and Needles, University Gallery, Bangkok (1995) [Working Model] | |
| Berg, C, Pins and Needles, University Gallery, Bangkok (1995) [Technical Drawing] | |
| Hamilton, DW, Pins and Needles, University Gallery, Bangkok (1995) [Working Model] | |
| Mason, PL, Pins and Needles, University Gallery, Bangkok (1995) [Technical Drawing] | |
| Norman, R, Pins and Needles: Identity & Meaning, University Gallery, Bangkok (1995) [Working Model] | |
| Norman, R, Recycled, Hiko Mizuno Gallery, Tokyo (1995) [Working Model] | |
| Bishop, PA, Snake Pit Members Exhibition, Launceston Art Co-operative, Launceston (1995) [Working Model] | |
| Bishop, PA, Sometime Samples, Launceston Art Co-operative, Launceston (1995) [Working Model] | |
| Mason, PL, Trust Bank Art Award, Trust Bank, Launceston (1995) [Working Model] | |
| Bishop, PA, Trust Bank Art Award Exhibition, Launceston Show Society, Launceston (1995) [Working Model] | |
Conference Publication
| Hart, W, Constructing Experience: Art and Digital Literacy, ACUADS 2011 Conference Proceedings, 21-23 September 2011, Canberra, pp. 1-6. ISBN 978-0-9758360-7-1 (2011) [Refereed Conference Paper] |  |
| Hart, W, Idols And Art: The Cognitive Fetish, ISEA 2011 conference proceedings, 14-21 September 2011, Istanbul (2011) [Non Refereed Conference Paper] |  |
| Hart, W, Idols and Art: The Cognitive Fetish, ISEA2011 Istanbul Conference Proceedings, Leonardo Electronic Almanac, 14-21 September 2011, Istanbul, pp. 1-3. ISSN 1071-4391 (2011) [Refereed Conference Paper] |  |
| Scott, M, Instructive Complication: Thinking And Making In A Research Culture, 2011 Australian Council of University Art and Design Schools Conference, 21-23 September 2011, U Canberra & ANU, Canberra (2011) [Refereed Conference Paper] |  |
| Hart, W, The Neuro-Logic Of Software Art, ISEA 2011 Conference proceedings, 14-21 September 2011, Istanbul (2011) [Refereed Conference Paper] |  |
| Hart, W, The Neuro-Logic of Software Art, ISEA2011 Istanbul Conference Proceedings, Leonardo Electronic Almanac, 14-21 September 2011, Istanbul, pp. 1-5. ISSN 1071-4391 (2011) [Refereed Conference Paper] |  |
| Hawkins, CJ, Building regional competitive advantage and liveability through leisure, Young Professionals Confernce program, 24th October 2008, Burnie Tasmania 7320, pp. 17. (2008) [Non Refereed Conference Paper] | |
| Hawkins, CJ, Social Capital Through Leisure: Can We Build Liveable Value and Competitive Advantage in Regions?, 8th Annual Conference Programme, 9-11 January 2008, Melbourne Australia, pp. 25-26. ISBN 978-1-86272-676-5 (2008) [Conference Extract] | |
| Hutchinson, H, 'Frame shift': re-examining existing studies of chronic illness, TASA 2005 Conference Proceedings, 5-8 December, 2005, Sandy Bay, Tasmania, pp. 1-8. ISBN 0959846050 (2005) [Refereed Conference Paper] | |
| Travers, MH, Sentencing in the Children's Court: An Ethnographic Perspective, The Annual Conference of The Australian Sociological Association TASA Conference Proceedings, 5-8 December 2005, Hobart, Tasmania (2005) [Non Refereed Conference Paper] | |
| Julian, RD and Rottier, RM and White, RD, TASA 2005 Conference Proceedings, The Sociological Association of Australia TASA 2005 Conference Proceedings, 5-8 December, University of Tasmania ISBN 0959846050 (2005) [Conference Edited] | |
| Ivanova, G and Tranter, BK, Willingness to Pay for Environmental Protection: a revised methodology, The Australian Sociological Association 2005 Conference Proceedings, 5-8 December, 2005, Sandy Bay, Tasmania, pp. 1-14. ISBN 0959846050 (2005) [Refereed Conference Paper] | |
| Wang, YJ and Robertson, ME, The Influence of China's Entry into the WTO on Foreign Language Education in Chine, AARE 2004 International Education Research Conference, November, Melbourne EJ ISSN 1324-9339 (2004) [Non Refereed Conference Paper] | |
| McKercher, CM and Martin, F and Kirkby, KC, Attentional bias in music performance anxiety?, The Australian Journal of Psychology, 2 - 5 October 2003, Perth, WA, pp. 196-197. ISSN 0004-9530 (2003) [Conference Extract] | |
| Kingma, O, Enabling communities through the arts: Case studies from the Community Cultural Development Fund of the Australia Council, Learning to manage change, June 1998, Launceston, pp. 123-132. ISBN 0 87397 752 1 (2001) [Refereed Conference Paper] | |
| Leong, G, Biases in Art History/Theory Curricula in Australian Art Schools, (Re)Forming Identities: Intercultural Education & The Visual Arts, Canberra School of Art, pp. 59-67. (1998) [Non Refereed Conference Paper] | |
| Leong, G, Biases in Art History/Theory in Curricula in Australian Art Schools, ACUADS, Canberra, pp. 2. (1996) [Conference Extract] | |
| Holmes, JH, Convergence Divergence (Papers presented at the Hobart Conference of the Australian Council of University Art and Design Schools, September, 1995), Convergence Divergence, Hobart, pp. 98. (1996) [Conference Edited] | |
| McLean, I, Imagining Australia: Paul Carter's Migrantology, Crossing Lines: Formation of Australian Culture, Adelaide, pp. 25-29. (1996) [Refereed Conference Paper] | |
| Greenwood, G, In Search of the Textile Artist: Contemporary Textile Practice in Australia, a Myth in the Making, International Symposium on Indonesian Textiles, Jambi, Sumatra, Indonesia, pp. 8. (1996) [Refereed Conference Paper] | |
| McLean, I, The Picturesque and the Sublime in the Imagining of Colonial Redemption, Comparing Australia, Stirling, UK, pp. 8. (1996) [Conference Extract] | |
| McLean, I, The Postcolonial Restaging of Australian Identities: The Art of Gordon Bennett, Australian Identities, Dublin, pp. 14. (1996) [Conference Extract] | |
| McLean, I, Under Saturn: Melancholy and the Colonial Imagination, Re-imagining the Pacific, Canberra, pp. 17. (1996) [Conference Extract] | |
| Holmes, JH, 'Bi-culturalism, multi-culturalism and the visual arts', Conference of Australian Council of University Art and Design Schools, Auckland, pp. 128 pp. (1995) [Conference Edited] | |
| Holmes, JH, 'Rediscovery: Australian Artists in Europe', Australian Council of University Art and Design Schools, Auckland, pp. 107-117. (1995) [Non Refereed Conference Paper] | |
| Mason, PL, An Australian Fine Art Degree - Negotiating Content Relevance With The Asian Student, Internationalising Tertiary Education: Institutional Research and Planning, Perth (1995) [Non Refereed Conference Paper] | |
| Colless, EC, Arabesques, <i>Post: Photography Post Photography</i>, Melbourne, pp. 1-11. (1995) [Non Refereed Conference Paper] | |
| Walls, JT and Saunders, NR, Comparison of static and dynamic dinghy hiking using a sailing ergometer. Can trained and untrained sailors be differentiated?, Australian Physiological and Pharmacological Society, University of NSW, Sydney, pp. 206P. (1995) [Conference Extract] | |
| Favilla, S, Computer Music Installation for Schools, Honing the craft - Improving the Quality of Music Education ASME Xth national Conference, Hobart, pp. 88-92. (1995) [Refereed Conference Paper] | |
| Marcellino, R, How Do You Teach Composition?, Honing the Craft - Improving the Quality of Music Education, Hobart, pp. 177-183. (1995) [Refereed Conference Paper] | |
| Favilla, S, Interactive Hopscotch, ASME, Hobart, pp. 83-90. (1995) [Conference Extract] | |
| De Haan, S, Listening, an Essential Element in the Music making Process, Honing the Craft - Improving the Quality of Music Education ASME Xth National Conference, Hobart, pp. 75-78. (1995) [Refereed Conference Paper] | |
Design
Contract Report, Consultant's Report
| Hawkins, CJ and Fernon, CA, Spark Up at West Park: Part of Ten Days on the Island 2003, Burnie City Council (2003) [Contract Report] | |
| Atkinson, R and Kintrea, K, Neighbourhoods and Social Exclusion: The Research and Policy Implications of Neighbourhood Effects, Department of Urban Studies, Glasgow, 1 (2001) [Contract Report] | |
| Leong, G, Royal Park Flood Levee Design Project, Launceston City Council (1998) [Consultants Report] | |
| Greenwood, G, Consultancy: Department of Primary Industry & Fisheries, Mt Pleasant, Arts Tasmania (1996) [Consultants Report] | |
| Greenwood, G, Consultancy: Devonport Community Health Centre, Arts Tasmania (1996) [Consultants Report] | |
| Greenwood, G, Consultancy: Drysdale House, Launceston Institute of TAFE, Arts Tasmania (1996) [Consultants Report] | |
| Greenwood, G, Consultancy: Launceston General Hospital: Day Procedures Unit, Launceston General Hospital (1996) [Consultants Report] | |
| Greenwood, G, Consultancy: Launceston General Hospital: Obstetrics Unit & Renal Unit, Launceston General Hospital: Obstetrics Unit & Renal Unit (1996) [Consultants Report] | |
| Berg, C, West Coast Cultural Trail, Arts Council of Tasmania (1996) [Consultants Report] | |
| Arnold, R, Lake St Clair Visitor's Centre, Art for Public Buildings Scheme, Department of Education and the Arts (1995) [Contract Report] | |
| Hart, W and Petterd, R, CSIRO Division of Oceanography Public Web Interface, CSIRO Division of Oceanography (1995) [Contract Report] | |
Major Creative Work
| Hart, W, Tautologous, s.p.a.c.e. Gallery, Scotch Oakburn College Performing Arts Centre, Launceston, Tasmania, pp. 5 (2012) [Other Exhibition] |  |
| Hart, W, Tautologous, Bill Hart, S.P.A.C.E. Gallery Scotch Oakburn College Performing Arts Centre, Penquite St, Newstead, Tasmania. 7250, 1st edition , pp. 1-2 (2012) [Published Creative Work] |  |
| Ruffels, TD, The Lake, Ruffels, TD, Australian Centre of Photography, 1, pp. 1 (2009) [Published Creative Work] | |
| Har Teo, S, Been, Being and Becoming, Launceston (2008) [Other Exhibition] | |
| Henderson, SJ, Cataract Gorge: Vertical Visions, Basin Cafe Cataract Gorge (2008) [Other Exhibition] | |
| Lewis, R, From Wings to the Wall, Academy of the Arts, Academy Gallery (2008) [Curated Exhibition] | |
| Bywaters, MC, Projected Worlds, Academy Gallery (2008) [Curated Exhibition] | |
| Marcellino, R and Jarman, R and Sibson, B, Auto-da-fé for voices, sound projection and pre-recorded tape, University of Tasmania, Hobart, pp. 25' (1998) [Recorded Creative Work] | |
| Grenfell, M, Di Primavera for guitar and marimba, University of Tasmania, Hobart, pp. 1 (1998) [Recorded Creative Work] | |
| Marcellino, R, Ich lass' dich nicht for solo saxophone, Australian Music Centre, Sydney, pp. 2' (1998) [Recorded Creative Work] | |
| Marcellino, R, Maze for flute, oboe, 2 clarinets, horn, trumpet, trombone, percussion, piano, 2 violins, viola, 'cello and double bass, Australian Music Centre, Sydney, pp. 12' (1998) [Recorded Creative Work] | |
| Marcellino, R, On Eagles wings for tuba and orchestra, Australian Music Centre, Sydney, pp. 13' (1998) [Recorded Creative Work] | |
| Marcellino, R, Q for solo guitar, Red House Editions, Melbourne, pp. 1 (1998) [Recorded Creative Work] | |
| Marcellino, R, Terror Australis for 2 clarinets, 3 saxophones, horn, trumpet, trombone, percussion, harp, 2 violins, viola, 'cello and double bass, Australian Music Centre, Sydney, pp. 15' (1998) [Recorded Creative Work] | |
| Marcellino, R and White, G, Thirst for live performance (water harmonium & percussion) and pre-recorded tape for installation: 'Thirst: Images of Water in Australia', Australian Museum (exhibition)/Australian music Centre (score & recordings), Sydney, pp. 25' (1998) [Recorded Creative Work] | |
| Berg, C, A Flourishing Ecology, Nisart Gallery, Launceston, pp. 1 (1998) [Recorded Creative Work] | |
| Keating, MJ, A Silent View: Scenes from a Passing Epoch, Queen Victoria Museum and Art Gallery, Launceston, pp. 4 (1998) [Other Exhibition] | |
| Marcellino, R, All Matter is Artefact, Australian Music Centre, Sydney, pp. 5' (1998) [Recorded Creative Work] | |
| Jenyns, L, Bishop, Bishop, Jenyns & Jenyns - 4 Sculptors, Greenaway Gallery, Adelaide, pp. 2 (1998) [Recorded Creative Work] | |
| Jenyns, R, Bishop, Bishop, Jenyns & Jenyns - 4 Sculptors, Greenaway Gallery, Adelaide, pp. 2 (1998) [Recorded Creative Work] | |
| Knehans, DA, blaze - concerto for horn, strings, percussion and harp, Australian Music Centre, AMC, pp. 121 (1998) [Published Creative Work] | |
| Milojevic, MA, Borges' Bestiary, Grahame Galleries and Editions, Brisbane, pp. 2 (1998) [Recorded Creative Work] | |
| McGrath, VF, Burke and Wills, Cairo National Museum of Modern Art, Cairo, pp. 1 (1998) [Recorded Creative Work] | |
| Stephenson, DM, Click, Robert Lindsay Gallery, Melbourne, pp. 2 (1998) [Recorded Creative Work] | |
| McGrath, VF, Commemorating the Bowl, Distelfink Gallery, Melbourne, pp. 1 (1998) [Recorded Creative Work] | |
| Hobbs, RI, Connected Journeys, Nisart, Launceston, pp. 8 (1998) [Other Exhibition] | |
| Stephenson, DM, Constellations, University of Missouri-Kansas City Gallery of Art, Kansas City, pp. 2 (1998) [Recorded Creative Work] | |
| Stephenson, DM, David Stephenson, National Gallery of Victoria, Melbourne, pp. 12 (1998) [Curated Exhibition] | |
| McGrath, VF, Divergent Views, University of Tasmania, Launceston, pp. 4 (1998) [Recorded Creative Work] | |
| Hamilton, DW, Divergent Views, University of Tasmania, Launceston, pp. 4 (1998) [Recorded Creative Work] | |
| Mason, PL, Divergent Views, University of Tasmania, Launceston, pp. 4 (1998) [Recorded Creative Work] | |
| Sheehy, R, Divergent Views, University of Tasmania, Launceston, pp. 4 (1998) [Recorded Creative Work] | |
| Berg, C, Divergent Views, University of Tasmania, Launceston, pp. 4 (1998) [Recorded Creative Work] | |
| Leong, G, Divergent Views, University of Tasmania, Launceston, pp. 4 (1998) [Recorded Creative Work] | |
| Greenwood, G, Divergent Views, University of Tasmania, Launceston, pp. 4 (1998) [Recorded Creative Work] | |
| Sullivan, BM, Ecologies of Place and Memory, University of Tasmania, Launceston, pp. 31 (1998) [Recorded Creative Work] | |
| Grenfell, M, Four Pooh Stories, The Centre for New Zealand Music, New Zealand, pp. 1 (1998) [Recorded Creative Work] | |
| Milojevic, MA, Fremantle Print Award, Fremantle Art Centre, Fremantle, pp. 14 (1998) [Recorded Creative Work] | |
| Scott, MG, Fremantle Print Award, Fremantle Arts Centre, Fremantle, pp. 14 (1998) [Recorded Creative Work] | |
| Hart, W, Fremantle Print Prize, Fremantle Art Centre, Fremantle, pp. 14 (1998) [Recorded Creative Work] | |
| Parr, GG, Fremantle Print Prize, Fremantle Art Centre, Fremantle, pp. 14 (1998) [Recorded Creative Work] | |
| Brassington, P, Fremantle Print Prize, Fremantle Print Prize, Fremantle, pp. 14 (1998) [Recorded Creative Work] | |
| Hart, W, Geelong Gallery Print Award, Geelong City Art Gallery, Geelong, pp. 4 (1998) [Recorded Creative Work] | |
| Parr, GG, Geelong Gallery Print Award, Geelong City Art Gallery, Geelong, pp. 4 (1998) [Recorded Creative Work] | |
| Milojevic, MA, Gone to the Dogs, Graeme Galleries & Editions, Brisbane, pp. 2 (1998) [Recorded Creative Work] | |
| Stephenson, DM, Ground Control, Lombard-Freid Fine Arts, New York., pp. 2 (1998) [Recorded Creative Work] | |
| Phillips, ML, Handel Arias, Yvonne Kenny & The Australian Brandeburg Orchestra, ABC Classics, ABC 456 689-2/4 (1998) [Recorded Creative Work] | |
| Leong, G, In praise of MAKE-UP, University of Tasmania, Launceston, pp. 6 (1998) [Recorded Creative Work] | |
| Berg, C, Introduction, University of Tasmania, Launceston, pp. 22 (1998) [Recorded Creative Work] | |
| Berg, C, Introduction, University of Tasmania, Launceston, pp. 4 (1998) [Recorded Creative Work] | |
| Greenwood, G, Introduction, University of Tasmania, Launceston, pp. 31 (1998) [Recorded Creative Work] | |
| Sedivka, J, Jan Sedivka - An 80th Birthday Celebration, Tall Poppies, Tasmania (1998) [Recorded Creative Work] | |
| Colless, EC, Jane Burton, Adelaide Biennial of Art, Adelaide, pp. 16-17 (1998) [Recorded Creative Work] | |
| Petterd, R, L.A. Freewaves Festival, Los Angeles Museum of Contemporary Art,, Los Angeles, pp. http://www.freewaves.org (1998) [Recorded Creative Work] | |
| Blakebrough, L, Les Blakebrough BMG Art, BMG ART, Adelaide, pp. 2 (1998) [Other Exhibition] | |
| Blakebrough, L, Les Blakebrough Ceramic Art, Ceramic Art Gallery, Sydney, pp. 2 (1998) [Other Exhibition] | |
| Leong, G, Many Voices, Tamworth City Gallery, Tamworth, pp. 3 (1998) [Recorded Creative Work] | |
| Hill, PW, Networking: Art by Post, Fax and Phone, Hayward Gallery, South Bank, London, pp. 48 (1998) [Recorded Creative Work] | |
| Scott, MG, Offline: An Exhibition of Soft Hardware, Jam Factory, Adelaide, pp. 95-96 (1998) [Recorded Creative Work] | |
| Allford, ME, Past Tense/ Future Perfect, Craftwest Centre for Contemporary Craft, Perth, W.A., pp. 52 (1998) [Recorded Creative Work] | |
| Keating, MJ, Past Tense/Future Perfect, Craftwest Centre for Contemporary Craft, Perth, W.A., pp. 52 (1998) [Recorded Creative Work] | |
| Prasil, PRJ, Past Tense/Future Perfect, Craftwest Centre for Contemporary Craft, Perth, W.A., pp. 52 (1998) [Recorded Creative Work] | |
| Mason, SJ, Past Tense/Future Perfect, Craftwest Centre for Contemporary Craft, Perth, W.A., pp. 52 (1998) [Recorded Creative Work] | |
| Hudson, SP, Past Tense/Future Perfect, Craftwest Centre for Contemporary Craft, Perth, W.A., pp. 52 (1998) [Recorded Creative Work] | |
| Spinks, J and Moore, M and Vignando, P and McNally, L and Jirasek, I and Norman, M and Attiwill, S and Browne, L and Bowen, A, Past Tense/Future Perfect, Craftwest Centre for Contemporary Craft, Perth, W.A., pp. 52 (1998) [Recorded Creative Work] | |
| Zika, P, Paul Zika, Stephen McLaughlin Gallery, Melbourne, pp. 2 (1998) [Other Exhibition] | |
| Negrin, L, Personal Coercion: A Visual Investigation into a State of Multiculturalism, Nexus Gallery, Adelaide, pp. 1 (1998) [Recorded Creative Work] | |
| Milojevic, MA, Personas, Works on Paper Fair, Melbourne, pp. 4 (1998) [Recorded Creative Work] | |
| Hobba, L, Quartet (White), Artspace, Sydney, pp. 2 (1998) [Recorded Creative Work] | |
| Watkins, P, Recent Work, Bellas Gallery, Brisbane, pp. 2 (1998) [Other Exhibition] | |
| Keating, MJ, Recent work by Sarah Ryan & Megan Keating, smith + stoneley on stratton, Newstead, Queensland, pp. 6 (1998) [Recorded Creative Work] | |
| Ryan, SL, Recent work of Sarah Ryan and Megan Keating, smith + stoneley on stratton, Newstead, Queensland, pp. 2 (1998) [Recorded Creative Work] | |
| Hudson, WZ, S.O.F.A. Chicago, Despard Gallery, Chicago, pp. 2 pp (1998) [Recorded Creative Work] | |
| Hart, W, Sapporo 4th International Print Biennale, Hokkaido Museum of Modern Art, Sapporo, Japan, pp. 64 (1998) [Recorded Creative Work] | |
| Colless, EC, Saying it with Flowers: Wilma Tabacco and Irene Barberis, RMIT, Melbourne, pp. 9-11 (1998) [Recorded Creative Work] | |
| Petterd, R, SEAFair '98, SCCA, Skopje, Macedonia, pp. http://ww.scca.org.mk (1998) [Recorded Creative Work] | |
| Grenfell, M, Serenades and Skirmishing, New Zealand (1998) [Recorded Creative Work] | |
| Ryan, SL, Suite, smith + stoneley on stratton, Newstead, Queensland, pp. 6 (1998) [Recorded Creative Work] | |
| Blakebrough, L, Sydney Myer Fund: 1998 International Ceramics Award, Shepparton Art Gallery, Shepparton, pp. 36 (1998) [Recorded Creative Work] | |
| Jenyns, L, Sydney Myer Fund: 1998 International Ceramics Award, Shepparton Art Gallery, Shepparton, pp. 36 (1998) [Recorded Creative Work] | |
| Jenyns, L, Tasmanian Tiger: The Mystery of the Thylacine, Tasmanian Museum and Art Gallery, Hobart, pp. Broadsheet (1998) [Recorded Creative Work] | |
| Leong, G, The 13th Needle, Nisart Gallery, Launceston, pp. 4 (1998) [Recorded Creative Work] | |
| McGrath, VF, The 4th Cairo International Biennale for Ceramics, Cairo National Museum of Modern Art, Cairo, pp. 1 (1998) [Recorded Creative Work] | |
| Marcellino, R, The Art of Resonance for solo tuba and orchestra, Australian Music Centre(score) ABC (recording), Sydney, pp. 26'46" (1998) [Recorded Creative Work] | |
| Blakebrough, L, The Great Australian Teapot, Distelfink Gallery, Melbourne, pp. 2 (1998) [Recorded Creative Work] | |
| Colless, EC, The Idea of Visible, Arstpace, Sydney, pp. 3 (1998) [Recorded Creative Work] | |
| Watkins, P, The Last Word, Sutton Gallery, Melbourne, pp. 2 (1998) [Other Exhibition] | |
| Jenyns, R, The Paris Show, Watters Gallery, Sydney, pp. 2 (1998) [Other Exhibition] | |
| Woodroffe, KBH, The Sea, The Sun, The Storm, Myth, North Sydney Fine Art Gallery, Sydney, pp. 8 (1998) [Other Exhibition] | |
| Jenyns, L, The Throne of Wisdom, Watters Gallery,, Sydney, pp. 2 (1998) [Other Exhibition] | |
| Glade-Wright, RE, Three by Three, Gallery 2, Launceston, pp. 1 (1998) [Recorded Creative Work] | |
| Broad, EC, Three by Three, Gallery 2, Launceston, pp. 1 (1998) [Recorded Creative Work] | |
| Sullivan, BM, Time & Tide, University of Tasmania, Launceston, pp. 25 (1998) [Recorded Creative Work] | |
| Milojevic, MA, Toowoomba Biennial Acquisitive Award and Exhibition, Toowoomba Regional Art Gallery, Toowoomba, pp. 32 pp (1998) [Recorded Creative Work] | |
| McGrath, VF, Toying With an Idea, University Gallery, Launceston, pp. 1 (1998) [Recorded Creative Work] | |
| Vella, JM, Upbeat and Lively, Dick Bett Art Gallery, Hobart, pp. 2 (1998) [Recorded Creative Work] | |
| Petterd, R, VI Bienal Internacional De Poesia Experimental, Altamiracave, Brazil, pp. http:// www.altamiracave.com (1998) [Recorded Creative Work] | |
| McGrath, VF, Vincent McGrath, Between the Spaces, Ceramic Art Gallery, Sydney, pp. 1 (1998) [Other Exhibition] | |
| Marcellino, R, Voice Jam and Video, Australian Music Centre, Sydney, pp. 10' (1998) [Recorded Creative Work] | |
| Glade-Wright, RE, Wall to Wall, University Gallery, Launceston, pp. 1 (1998) [Other Exhibition] | |
| Stephenson, DM, Waterproof, Belen Art Centre, Lisbon, pp. 2 (1998) [Recorded Creative Work] | |
| Marcellino, R, Whispers of Favel, Tall Poppies, Sydney, pp. 15' (1998) [Recorded Creative Work] | |
| Cahalan, A, Whispers, Lies and Text, Contemporary Art Services Tasmania, Hobart, pp. 28 (1998) [Recorded Creative Work] | |
| Woodward, ML, Whispers, Lies and Text, Contemporary Art Services Tasmania, Hobart, pp. 28 (1998) [Recorded Creative Work] | |
| Gough, JA, Whispers, Lies and Text, Contemporary Art Services Tasmania, Hobart, pp. 28 (1998) [Recorded Creative Work] | |
| Knights, MA, Whispers, Lies and Text, Contemporary Art Services Tasmania, Hobart, pp. 28 (1998) [Recorded Creative Work] | |
| Hamilton, DW, Windows of Fire, Honolulu Conference Centre, Honolulu, pp. 5 (1998) [Recorded Creative Work] | |
| Woodward, ML, Work: raw edges and the odd catastrophe, Mooonah Arts Centre, Hobart, pp. 8 (1998) [Recorded Creative Work] | |
| Marcellino, R, ______________(Logos), Australian Music Centre, Sydney, pp. 12' (1998) [Recorded Creative Work] | |
| Vella, JM, 12th Survey Exhibition, Access Gallery of Contemporary Art, Sydney, pp. 1 (1997) [Recorded Creative Work] | |
| Smith, PG, 18TH Biennial Craft Event, Mornington Penninsular Regional Gallery, Mornington VIC (1997) [Recorded Creative Work] | |
| Milojevic, MA, 1997 Fremantle Print Award, Fremantle Art Gallery, Fremantle, pp. 4 (1997) [Recorded Creative Work] | |
| Ky, M, A Mingling of Cultures, Australian National Gallery, Canberra, pp. 4 (1997) [Recorded Creative Work] | |
| Marcellino, R, Amortality, Tasmanian Conservatorium of Music, Hobart, pp. 20' (1997) [Recorded Creative Work] | |
| Milojevic, MA, Arcade II International Exhibition of Electronic Art, University of Brighton, UK (1997) [Recorded Creative Work] | |
| Parr, GG, Arcade II International Exhibition of Electronic Art, University of Brighton, UK (1997) [Recorded Creative Work] | |
| Hart, W, Arcade II International Exhibition of Electronic Art, University of Brighton, UK, pp. Braoadsheet (1997) [Recorded Creative Work] | |
| Parr, GG, Australian Printmedia Awards, Uuniversity of Western Sydney, Nepean, Sydney (1997) [Recorded Creative Work] | |
| Ky, M, Between Presence and Absence, Beaver Galleries, Canberra, pp. Broadsheet (1997) [Other Exhibition] | |
| Schlitz, MJ, Boat Signs, Grahame Galleries and Editions Milton, Brisbane, pp. Broadsheet (1997) [Other Exhibition] | |
| Holmes, JH, Breaking the 'skin' of things, Cradle Mountainn Visitor's Centre, Hobart, pp. 3 (1997) [Recorded Creative Work] | |
| Milojevic, MA, Bronte Park II, Artbank, Sydney (1997) [Recorded Creative Work] | |
| Milojevic, MA, Burning Issues, State Library of New South Wales, Sydney (1997) [Recorded Creative Work] | |
| Ky, M, Calligraphy, Queensland Art Gallery, Brisbane (1997) [Recorded Creative Work] | |
| Scott, MD, Containment, Plimsoll Gallery, Hobart (1997) [Recorded Creative Work] | |
| Rice, C, containment, Plimsoll Gallery, University of Tasmanai, Hobart, pp. 28 (1997) [Recorded Creative Work] | |
| Arnold, R, Contemporary Prints, Lacouri re t Freelaut, Mus e de Cambrai, Cambrai, France, pp. Broadsheet (1997) [Recorded Creative Work] | |
| Stephenson, DM, David Stephenson, Julie Saul Gallery, New York, pp. Broadsheet (1997) [Curated Exhibition] | |
| Stephenson, DM, David Stephenson, Dick Bett Gallery, Hobart, pp. Broadsheet (1997) [Curated Exhibition] | |
| Arnold, R and Morrison, A and Walch, MB and Ruffels, TD and Lendis, AJ, Excursive Site, Cradle Mountain Visitors Centre and Plimsoll Gallery, Hobart, pp. 24 (1997) [Recorded Creative Work] | |
| Hart, W, Fremantle Art Prize, Fremantle Art Centre, Fremantle, pp. 24 (1997) [Recorded Creative Work] | |
| Brassington, P, Fremantle Print Prize, Fremantle City Art Gallery, Fremantle, WA, pp. 24 (1997) [Recorded Creative Work] | |
| Parr, GG, Fremantle Print Prize, Fremantle City Art Gallery, Fremantle, pp. 24 (1997) [Recorded Creative Work] | |
| Parr, GG, Geelong Acquisition Print Prize, Geelong Art Gallery, Geelong, Victoria (1997) [Recorded Creative Work] | |
| Milojevic, MA, Hobart City Council: Hobart Rivulet Interpretation, Wellington Court, Hobart City Council, Hobart (1997) [Recorded Creative Work] | |
| Jenyns, L, House of the Magician, Dick Bett Gallery, Hobart, pp. Broadsheet (1997) [Other Exhibition] | |
| Morrison, A, Intermediate Ground, Tasmanian Museum and Art Gallery, Hobart, pp. Broadsheet (1997) [Other Exhibition] | |
| Schlitz, MJ, Intervention 4, Tasmanian Museum and Art Gallery, Hobart, pp. Broadsheet (1997) [Recorded Creative Work] | |
| Colless, EC, Introduction and the horse in the attic and the empty clothes, Monash University, Melbourne, pp. 4-8 (1997) [Recorded Creative Work] | |
| Brassington, P, Launch, Stills Gallery, Sydney, pp. Broadsheet (1997) [Recorded Creative Work] | |
| Arnold, R, Le mois de l'estampe à Paris, Lacouri re et Fr laut, Paris, pp. Broasheet (1997) [Recorded Creative Work] | |
| Ky, M, Narcissus Marinus Exoticus, Artbank, Sydney (1997) [Recorded Creative Work] | |
| Ky, M, Narcissus Marinus Exoticus II, National Gallery of Australia et al, Canberra, pp. Broadsheet (1997) [Recorded Creative Work] | |
| Marcellino, R, Nona, Grevillea Press, Armidale, pp. 2 (1997) [Recorded Creative Work] | |
| Parr, GG and Brassington, P and Milojevic, MA and Scott, MD and Hart, W and Ruffels, TD, Nought plus One, CAST and Plimsoll Gallery, University of Tasmania, Hobart, pp. 4 (1997) [Recorded Creative Work] | |
| Vella, JM, Object Poverty, Access Contemporary Art Gallery, Sydney, pp. 1 (1997) [Other Exhibition] | |
| Stephenson, DM, Oceans and Galaxies, Karen McReady Contemporary Art, New York, pp. Broadsheet (1997) [Recorded Creative Work] | |
| Hill, PW, Peter Hill: The Art Fair Murders: A Novel, An Installation, Auckland City Art Gallery, Auckland, pp. Broadsheet (1997) [Other Exhibition] | |
| Hill, PW, Peter Hill: The Art Fair Murders: A Novel, An Installation, Southbank Centre, London (1997) [Recorded Creative Work] | |
| Ky, M, Pink and Blue Fritillaria Maxim & Calligraphy, Artbank, Sydney (1997) [Recorded Creative Work] | |
| Ball, JMS, Primavera, Museum of Contemporary Art, Sydney, pp. 20 (1997) [Recorded Creative Work] | |
| Marcellino, R, Q, Red House Editions, Melbourne, pp. 1 (1997) [Recorded Creative Work] | |
| Arnold, R, Raymond Arnold, Australian Galleries, Melbourne, pp. Broadsheet (1997) [Other Exhibition] | |
| Arnold, R, Raymond Arnold, Australian Galleries, Sydney, pp. Broadsheet (1997) [Other Exhibition] | |
| Zika, P and Holmes, JH and Marshall, J and Tabacco, W and Gates, M, Re:Search. Tony Bishop, Wilma Tabacco and Philip Watkins, Plimsoll Gallery, University of Tasmania, Hobart, pp. 36 (1997) [Recorded Creative Work] | |
| Milojevic, MA, Rena Ellen Jones Memorial Award, Warrnambool Art Gallery, Warrnambool, pp. Broadsheet (1997) [Recorded Creative Work] | |
| Ky, M, Roseau d'Inde, National Gallery of Australia and Artbank, Canberra and Sydney (1997) [Recorded Creative Work] | |
| Stephenson, DM, Site and Sensibility: Selections from the Artbank Collection, S.H.Irwin Gallery, Sydney, pp. Broadsheet (1997) [Recorded Creative Work] | |
| Stephenson, DM, Stars, Metropolitan Museum, New York (1997) [Recorded Creative Work] | |
| Stephenson, DM, Stars, National Gallery of Australia, Canberra (1997) [Recorded Creative Work] | |
| Stephenson, DM, Stars, National Gallery of Victoria, Melbourne (1997) [Recorded Creative Work] | |
| Hill, PW, Superfictions: The Art Fair Murders. A Novel. An Installation. A Superfiction, Peter Hill, Hobart, 1, pp. 8 (1997) [Recorded Creative Work] | |
| Jenyns, L, Sydney Myer International Ceramic Award, National Gallery of Victoria, Melbourne, pp. Broadsheet (1997) [Recorded Creative Work] | |
| Smith, PG, Tasmanian Art and Fine Art Exhibition, Burnie City Art Gallery, Burnie (1997) [Recorded Creative Work] | |
| Marcellino, R, The Armed Man, Pipeline Ensemble, Brisbane, pp. 15' (1997) [Recorded Creative Work] | |
| Stephenson, DM, The Blake Prize, State Library of New South Wales, Sydney, pp. Broadsheet (1997) [Recorded Creative Work] | |
| Brassington, P, The Enigmatic Object: Photography and the Uncanny, Art Gallery of New South Wales, Sydney, pp. 4 (1997) [Recorded Creative Work] | |
| Phillips, ML, The Four Seasons, Australian Brandenburg Orchestra, ABC Classics, ABC 456 364-2 (1997) [Recorded Creative Work] | |
| Holmes, JH, Uccello's Chair, Plimsoll Gallery, University of Tasmania, Hobart, pp. 9-15 (1997) [Recorded Creative Work] | |
| Stephenson, DM, Vantage, Australian Centre for Photography, Sydney, pp. Broadsheet (1997) [Recorded Creative Work] | |
| Stephenson, DM, What's New II, Waverley Gallery, Melbourne (1997) [Recorded Creative Work] | |
| Milojevic, MA, Wish you were here #1 & #2, National Gallery of Australia, Canberra (1997) [Recorded Creative Work] | |
| Berg, C, 1996 City of Hobart Art Prize, Hobart City Council, Hobart, pp. 8 (1996) [Recorded Creative Work] | |
| Alting, B, 7NT Tasmanian Art Exhibition, Burnie Regional Gallery, Burnie (1996) [Recorded Creative Work] | |
| Milojevic, MA, Apocalypse/Calypso (a series of six etchings), Ipswich Regional Gallery, Ipswich, Queensland, pp. 1 (1996) [Recorded Creative Work] | |
| Parr, GG and Milojevic, MA and Hart, W, ArCade II, University of Brighton, Brighton, UK, pp. 1 (1996) [Recorded Creative Work] | |
| Hobba, L, Art across ocean. Video installation, Adelaide Festival Committee, Adelaide, pp. 4 (1996) [Recorded Creative Work] | |
| Friend, I, Art Chicago 96, Austral Gallery, Chicago, pp. 200 (1996) [Recorded Creative Work] | |
| Gough, JA, Art Cologne, Bundesverband Deutscher Galerian, Cologne, Germany, pp. 1 (1996) [Recorded Creative Work] | |
| Parr, GG and Milojevic, MA, Art in the Electronic Landscape, Artlink, Adelaide, 1 EJ (1996) [Recorded Creative Work] | |
| Kjar, B and Scott, MG and Hansen, D, Barbie Kjar, Dick Bett, Hobart, 1, pp. 24 (1996) [Recorded Creative Work] | |
| Colless, EC, Being Spooked, Adelaide Biennale of Australian Art, Adelaide, pp. 68 - 69 (1996) [Recorded Creative Work] | |
| Colless, EC, Brent Harris in That Uncertain Feeling, Contemporary Art Centre of South Australia, Adelaide, pp. 3 (1996) [Recorded Creative Work] | |
| Stephenson, DM and MacDonald, AL and Wright, H and Burns, T, Brushing the Dark: Recent Art and Tasmania, Contemporary Art Services Tasmania, Hobart, 1, pp. 64 (1996) [Recorded Creative Work] | |
| Jenyns, R, Car Boat & Blue Cargo, Tasmanian Museum and Art Gallery, Hobart, pp. 1 (1996) [Recorded Creative Work] | |
| Alting, B, Christmas Gift Exhibition, Nisart Gallery, Launceston (1996) [Recorded Creative Work] | |
| Leong, G, Crown and Martyr, Nisart Gallery, Launceston, pp. 8 (1996) [Recorded Creative Work] | |
| Gough, JA, Dark Secrets/Home Truths, Gallery Gabrielle Pizzi, Melbourne, 1, pp. 6 (1996) [Other Exhibition] | |
| Stephenson, DM and Hammond, V, David Stephenson: Cupolas, Dick Bett, Hobart, 1, pp. 36 (1996) [Recorded Creative Work] | |
| MacDonald, AL, Death: Insights on Life, Macquarie Galleries, Sydney, pp. 34 (1996) [Recorded Creative Work] | |
| Hobba, L, Enchainment: A video/dance installation, Tasmanian Museum and Art Gallery, Hobart (1996) [Recorded Creative Work] | |
| Brassington, P and Parkes, BW and Swan, M, Enchanté, Plimsoll Gallery, University of Tasmania, Hobart, pp. 32 (1996) [Recorded Creative Work] | |
| Bishop, PA, Exo-Skeleton-Window-Cucumber-Scone, Launceston Art Co-operative, Launceston (1996) [Recorded Creative Work] | |
| McGrath, VF, Heartlands, University of Tasmania, Melbourne, Broken Hill, Mildura, pp. 20 (1996) [Other Exhibition] | |
| McLean, I and Greenwood, G, Heartlands, University of Tasmania, Melbourne, Broken Hill, Mildura, pp. 20 (1996) [Recorded Creative Work] | |
| Leong, G, Homocraft, Crafts Council of NSW, Sydney, Wollongong, Adelaide, Perth, Launceston, pp. 29 (1996) [Recorded Creative Work] | |
| Hill, PW, How Say You?, Centre for Contemporary Art, Melbourne, pp. n.p. (1996) [Recorded Creative Work] | |
| Hobba, L, I've seen Mycenae glistening across the wine dark sea, K benhavn 96, Copenhagen, pp. 2 (1996) [Recorded Creative Work] | |
| Arnold, R and MacDonald, AL and Stephenson, DM and Hobba, L and Greenwood, R, Imagine Nature, Plimsoll Gallery, Hobart, 1, pp. 72 (1996) [Recorded Creative Work] | |
| Hay, PR and Holmes, JH and Cupit, S and Bonyhady, T, Imagine Nature: Raymond Arnold, Rebecca Greenwood, Leigh Hobba, Anne MacDonald and David Stephenson, Plimsoll Gallery, University of Tasmania, Hobart, 1, pp. 72 (1996) [Recorded Creative Work] | |
| Parr, GG and Milojevic, MA and Hart, W, ISEA '96, International Symposium of Electronic Arts, Rotterdam, pp. 1 (1996) [Recorded Creative Work] | |
| Deeth, JA, Joachim Froese: Two Works, Centre for Contemporary Photography, Melbourne, pp. 4 (1996) [Recorded Creative Work] | |
| Milojevic, MA, London Artists' Books Fair, Barbican Centre, London, London, pp. 4 Books (1996) [Recorded Creative Work] | |
| Munro, I, Mere Bagatelles, Tall Poppies Records, Sydney, pp. 12 (1996) [Recorded Creative Work] | |
| Zika, P, Monstrances, Stephen McLaughlin Gallery, Melbourne, pp. 2 (1996) [Other Exhibition] | |
| Zika, P, Monstrances, University of Tasmania Fine Art Collection, Hobart (1996) [Recorded Creative Work] | |
| Jenyns, R and Kirby, SA, Noah's Ark, Plimsoll Gallery, University of Tasmania, Hobart, pp. 4 (1996) [Recorded Creative Work] | |
| Jenyns, R, Objets d'Art, Dick Bett, Hobart, pp. 5 (1996) [Other Exhibition] | |
| Marcellino, R, On the Passing of Time, Sounds Australian, Sydney, pp. 63 (1996) [Recorded Creative Work] | |
| Woodward, ML, Out of the Linen Closet: Artist Embroiderers, Moonah Arts Centre, Hobart, pp. 16 (1996) [Recorded Creative Work] | |
| Brassington, P and Colless, EC, Pat Brassington: This is not a love song, Monash University, Melbourne, pp. 24 (1996) [Other Exhibition] | |
| Marcellino, R, Peter's Piece, Sounds Australian, Sydney, pp. 1 (1996) [Recorded Creative Work] | |
| Brassington, P, Photography is Dead! Long Live Photography, Museum of Contemporary Art, Sydney, 1, pp. 114 (1996) [Recorded Creative Work] | |
| Smith, J and Perkins, KW and Costello, PG and Weiss, BT and Wright, L and McKee, J, Points of Diversity, Tasmanian School of Art, Hobart, pp. np (1996) [Recorded Creative Work] | |
| Froese, J, Points of View, Queen Victoria Museum and Art Gallery, Launceston, pp. 4 (1996) [Recorded Creative Work] | |
| Gotzmann, M, Points of View, Queen Victoria Museum and Art Gallery, Launceston, pp. 4 (1996) [Recorded Creative Work] | |
| Brassington, P, Portfolios of New Work, Photofile, Sydney, pp. 4 (1996) [Other Exhibition] | |
| Berg, C, Quantum Images, Nisart Gallery, Launceston, pp. 8 (1996) [Recorded Creative Work] | |
| Arnold, R, Ray Arnold, Nisart Gallery, Launceston, pp. 2 (1996) [Other Exhibition] | |
| Munro, I, Return, Tall Poppies Records, Sydney, pp. 4 (1996) [Recorded Creative Work] | |
| Hoare, J, Ripping Yarns, University of Tasmania, Launceston, pp. 15 (1996) [Recorded Creative Work] | |
| Gotzmann, M, Ripping Yarns Fibre Fable and Narrative, The University Gallery, Launceston, pp. 15 (1996) [Recorded Creative Work] | |
| Milojevic, MA and Coleing, T, S.O.S: A series of 20 Prints by M.Milojevic and T.Coleing, National Gallery of Australia, Canberra, pp. 1 (1996) [Recorded Creative Work] | |
| Smith, PG, See the Light, Crafts Council of Australia, Sydney, pp. 2 (1996) [Recorded Creative Work] | |
| Alting, B, Suitcase Ceramics, Burnie Regional Gallery, Burnie (1996) [Recorded Creative Work] | |
| Holmes, JH and Zika, P, Tangibility? Three Installations, Plimsoll Gallery, University of Tasmania, Hobart, 1, pp. 32 (1996) [Recorded Creative Work] | |
| McGrath, VF, Tasmanian Ceramics, A Survey, Gallery Two, Launceston, pp. 4 (1996) [Recorded Creative Work] | |
| MacDonald, AL and Stephenson, DM, The 1995 Review, Dick Bett, Hobart, pp. 4 (1996) [Recorded Creative Work] | |
| Bishop, PA, The Easter Show, Nisart Gallery, Launceston (1996) [Recorded Creative Work] | |
| Bishop, PA, The Final Five, Launceston Art Co-operative, Launceston (1996) [Recorded Creative Work] | |
| McGrath, VF, The Flower, University of Tasmania, Launceston, pp. 17 (1996) [Recorded Creative Work] | |
| McGrath, VF, The Flower, University of Tasmania, Launceston, pp. 17 (1996) [Recorded Creative Work] | |
| Greenwood, G and McGrath, VF, The Flower, University of Tasmania, Launceston, Burnie, pp. 17 (1996) [Recorded Creative Work] | |
| Alting, B, The Flower, The University Gallery, Launceston, pp. 17 (1996) [Recorded Creative Work] | |
| Munro, I, The Forest, Tall Poppies Records, Sydney, pp. 5 (1996) [Recorded Creative Work] | |
| McGrath, VF, The Postpak Show, Potters Society of Australia, Canberra, pp. 6 (1996) [Recorded Creative Work] | |
| Milojevic, MA, The Power to Move, Queensland Art Gallery, Brisbane, pp. 80 (1996) [Recorded Creative Work] | |
| Berg, C, Traces (Installation #2), Centre for Contemporary Photography, Melbourne, pp. 32 (1996) [Other Exhibition] | |
| Stephenson, DM, Transfigurations, Robert Lindsay Gallery, Melbourne, pp. 2 (1996) [Curated Exhibition] | |
| Froese, J, Two Works, Helen Schutt Access Gallery at the Centre for Contemporary Photography, Melbourne, pp. 4 (1996) [Other Exhibition] | |
| Froese, J, Two Works, The University Gallery, Launceston, pp. 4 (1996) [Other Exhibition] | |
| Smith, PG and Blakebrough, L, Wavelengths, Entrepot Gallery, University of Tasmania, Hobart, pp. 4 (1996) [Recorded Creative Work] | |
| Berg, C, West Coast Cultural Trail Image Series, Arts Council Tasmania, Queenstown, pp. 30 (1996) [Recorded Creative Work] | |
| Colless, EC, Where the Wild Things Are, Barbarism (Librex Press) and Australian Centre for Contemporary Art, Sydney and Melbourne, pp. 3 (1996) [Recorded Creative Work] | |
| Froese, J, Who Is It?, Long Gallery, Hobart (1996) [Recorded Creative Work] | |
| Berg, C, Will the Real Australia Please Stand Up, University of Tasmania, Launceston, pp. 33 (1996) [Recorded Creative Work] | |
| Berg, C, X4 = The Ubiquitous 8 x 10, University of Tasmania, Launceston, pp. 18 (1996) [Recorded Creative Work] | |
| Marcellino, R, '...Like Dancing About Architecture', Sounds Australia, Sydney, pp. 7 (1995) [Recorded Creative Work] | |
| Milojevic, MA, 'Burning Issues', Graeme Galleries, Brisbane, pp. 3 (1995) [Other Exhibition] | |
| Marcellino, R, 'Calabrian Dances', Sounds Australia, Sydney, pp. 12 (1995) [Recorded Creative Work] | |
| Hiller, PE, 'Christmas Exhibition', Review in Mercury, Hobart, 23 December, 1995 (1995) [Recorded Creative Work] | |
| Colless, EC and Holliday, PJ, 'Fidelity' in Bad Light [curated by P.Holliday], Contemporary Art Services Tasmania, Hobart, 1, pp. 40 (1995) [Recorded Creative Work] | |
| Marcellino, R, 'Fish Tale', Sounds Australia, Sydney, pp. 35 (1995) [Recorded Creative Work] | |
| Hobba, L, 'Leigh Hobba: Performance and Video Installation', Pipeline New Music Ensemble, Hobart, pp. np (1995) [Recorded Creative Work] | |
| Hiller, PE, 'On the Water' - Recent Works by Peter Hiller, Review of Exhibition - Mercury, Weekend Arts, Hobart, 7 January, 1995 (1995) [Other Exhibition] | |
| Hill, PW, 'Paradigm Changes in 20th Century Art', Hobart (1995) [Recorded Creative Work] | |
| Holmes, JH, 'Southern Ice: New Works by Les Blakebrough', L.Blakebrough, Hobart, pp. 4 (1995) [Recorded Creative Work] | |
| Marcellino, R, 'The Lottery in Babylon', Sounds Australia, Sydney, pp. 40 (1995) [Recorded Creative Work] | |
| Hobba, L, 'Virtuoso thinking for several invited words', Pipeline New Music Ensemble, Hobart, pp. 10 (1995) [Recorded Creative Work] | |
| Arnold, R, Art of Reproduction, Plimsoll Gallery, University of Tasmania, Hobart, 1, pp. 44 (1995) [Recorded Creative Work] | |
| Arnold, R, Aspects of Australian Printmaking - The Last Ten Years, National Gallery of Victoria, Melbourne (1995) [Recorded Creative Work] | |
| Gough, JA, Australian Perspecta 1995, Art Gallery of New South Wales, Sydney, pp. 1 (p.46) (1995) [Other Exhibition] | |
| Brassington, P, Bad Light, Contemporary Art Services Tasmania, Hobart, 1, pp. 40 (1995) [Recorded Creative Work] | |
| McDowell, D, Bad Light, Contemporary Art Services Tasmania, Hobart, pp. 40 (1995) [Recorded Creative Work] | |
| Prasil, PRJ, Collusion, Collision, Spark: Arts Industry Design 95, Artist Industry Gallery, Melbourne, pp. 20 (1995) [Recorded Creative Work] | |
| Kronenburg, S, Constructed City, Plimsoll Gallery, Hobart, pp. 36 (1995) [Recorded Creative Work] | |
| Milojevic, MA, Contemporary Impressions, Crawford Art Centre, St Andrews, Scotland, pp. 24 (1995) [Recorded Creative Work] | |
| Klaosen, DM, Dangerous Liaisons, Plimsoll Gallery, Hobart, pp. 68 (1995) [Recorded Creative Work] | |
| Blakebrough, L and Jenyns, L, Delinquent Angels: Australian Historical, Aboriginal and Contemporary Ceramics, Museo Internazionale Delle Ceramiche, Faenza, Faenza, Italy, pp. 136 (1995) [Recorded Creative Work] | |
| Smith, PG, Designers Inc., Tasmanian Museum and Art Gallery, Hobart, pp. np (1995) [Recorded Creative Work] | |
| Stephenson, DM, Double 701/801, Queen Victoria Museum and Art Gallery, Launceston, pp. 2 (1995) [Recorded Creative Work] | |
| Kjar, B, Figure and Ground, Dick Bett Gallery, Hobart, pp. 5 (1995) [Recorded Creative Work] | |
| Burns, T, Figure/Ground, Dick Bett Gallery, Hobart, pp. 4 (1995) [Recorded Creative Work] | |
| Brassington, P, Half Light, Contemporary Art Services Tasmania, Hobart, pp. 12 (1995) [Recorded Creative Work] | |
| Wright, H, Helen Wright: Recent Work, Niagara Galleries, Melbourne, pp. 28 (1995) [Other Exhibition] | |
| Colless, EC, Here: An exhibition by Colin Duncan, Australian Centre for Contemporary Art, Melbourne, pp. 6-11 (1995) [Recorded Creative Work] | |
| Brassington, P and Faludi, KA and Scott, MG and Parkes, BW and Spinks, J, Home Body, Queen Victoria Museum and Art Gallery, Launceston, 1, pp. 36 (1995) [Recorded Creative Work] | |
| Coppola, FM and Colless, EC, In the Garden of Eve, Dick Bett Gallery, Hobart, pp. 4 (1995) [Other Exhibition] | |
| Smith, PG, Lightworks, Arabia Gallery, Helsinki, Helsinki, pp. 3 (1995) [Recorded Creative Work] | |
| Smith, PG, Lightworks, Arabia Gallery, Helsinki, Helsinki, pp. 3 (1995) [Other Exhibition] | |
| Morrison, A, Liquid Voices - Ann Morrison, Plimsoll Gallery, University of Tasmania, Hobart, pp. np (1995) [Other Exhibition] | |
| Zika, P and Hill, PW, Liquid Voices - Anne Morrison, Plimsoll Gallery, University of Tasmania, Hobart, pp. 24 (1995) [Recorded Creative Work] | |
| Colless, EC, Mikala Dwyer: Sad Songs, Artspace, Sydney, pp. 3 (1995) [Recorded Creative Work] | |
| Gough, JA, New Faces -New Directions, Gallery Gabrielle Pizzi, Melbourne, pp. 2 (1995) [Recorded Creative Work] | |
| Smith, PG, New Works, Ceramic Art Gallery, Sydney, pp. 2 (1995) [Other Exhibition] | |
| Gough, JA, Nuini - We Have Survived, University Gallery, Launceston, Launceston, pp. 19 (1995) [Recorded Creative Work] | |
| Hobba, L, Out of the Analogue, Plimsoll Gallery, University of Tasmania, Hobart, 1, pp. 18 (1995) [Recorded Creative Work] | |
| Brassington, P, Photographing Architecture: Spatiality, Ideology and the Body, University Gallery, University of Tasmania at Launceston, Launceston, pp. 34 (1995) [Recorded Creative Work] | |
| Smith, PG, Place Settings, Distelfink Gallery, Melbourne, pp. 2 (1995) [Other Exhibition] | |
| Burns, T and Wright, H and Arnold, R and Kjar, B, Poets & Painters, Dick Bett Gallery, Hobart, pp. 12 (1995) [Recorded Creative Work] | |
| Arnold, R, Raymond Arnold, Graeme Galleries, Brisbane, pp. 3 (1995) [Other Exhibition] | |
| Arnold, R, Raymond Arnold, Dick Bett Gallery, Hobart, pp. n.p (1995) [Other Exhibition] | |
| Rice, C, Shadows on the Skin, Contemporary Art Services of Tasmania, Hobart, pp. 24 (1995) [Recorded Creative Work] | |
| Scott, MG, Shadows on the Skin, Contemporary Art Services Tasmania, Hobart, pp. 2 (1995) [Recorded Creative Work] | |
| Hill, PW, Superfictions 2, University of South Australia Art Museum, Adelaide, pp. 6 (1995) [Other Exhibition] | |
| Hobba, L, Text and Art, Logan Art Gallery, Brisbane, pp. 1 (1995) [Recorded Creative Work] | |
| Coppola, FM and Pickering, S and Colless, EC, The Art of Reproduction, Plimsoll Gallery, University of Tasmania at Hobart, Hobart, 1, pp. 44 (1995) [Recorded Creative Work] | |
| Milojevic, MA, The Billboard Project, Devonport Gallery and Art Centre, Devonport, pp. np (1995) [Recorded Creative Work] | |
| Scott, MG and Swann, H and Negrin, L, The Collectible Eggbeater, Plimsoll Gallery, University of Tasmania at Hobart, Hobart, pp. 34 (1995) [Recorded Creative Work] | |
| Burns, T and Woods, S, The Western Edge, Dick Bett Gallery, Hobart, pp. 8 (1995) [Other Exhibition] | |
| Rice, C, Two Installations: Irene Briant, A Long Way from Babylon and Ruth Hadlow, An Inner Garden, Contemporary Art Services Tasmania, Hobart, pp. 6 (1995) [Recorded Creative Work] | |
| Kent, SA, Because, Hobart (1995) [Recorded Creative Work] | |
| Mumford, M, Bob at the Batman, Launceston (1995) [Recorded Creative Work] | |
| McGrath, VF, Clay Sculpture, Potter's Gallery, Sydney, pp. 4 (1995) [Recorded Creative Work] | |
| Corbett, J, Crossing Borders, University of Wollongong, Wollongong (1995) [Recorded Creative Work] | |
| McGrath, VF, Deliquent Angel, Craft Australia/ Australia Council, Faenza, pp. 136 (1995) [Recorded Creative Work] | |
| McGrath, VF, Derby 1/Derby 2, Shepparton Regional Art Gallery, Shepparton (1995) [Recorded Creative Work] | |
| Berg, C, Digital Art Award, Noosa Regional Gallery, Noosa (1995) [Recorded Creative Work] | |
| Love, KG, Duo Pastorales, Hobart (1995) [Recorded Creative Work] | |
| Love, KG, Fanfare for the Common Cow, ABC, Hobart, pp. 6 min (1995) [Recorded Creative Work] | |
| Colless, EC, Filomena Coppola: The Garden of Eve, Dick Bett Gallery, Hobart, pp. 4 (1995) [Recorded Creative Work] | |
| Gibbs, M, Forms from the East Coast, Freeman Gallery, Hobart (1995) [Recorded Creative Work] | |
| Phillips, ML, Handel Aris, Graham Pushee & The Australian Brandenburg Orchestra, ABC Classics, ABC 456 364-2 (1995) [Recorded Creative Work] | |
| Phillips, ML, If Love's a Sweet Passion, Sara Macliver and The Australian Brandenburg Orchestra, ABC Classics, ABC 456 692-2 (1995) [Recorded Creative Work] | |
| Payne, J, Interaction, Arthouse, Launceston (1995) [Recorded Creative Work] | |
| Sheehy, R, Interaction, Arthouse, Launceston (1995) [Recorded Creative Work] | |
| Ancher, J, Landscapes of Loss, Dept of Urban Design, University of Tasmania, Hobart, Tasmania, pp. 19 (1995) [Recorded Creative Work] | |
| Ancher, J, Landscapes of Loss, Ancher, J, Hobart, Tasmania, pp. 46 drawings (1995) [Other Exhibition] | |
| Hamilton, DW, Made in Norway, University of Northern Territory, Darwin (1995) [Recorded Creative Work] | |
| Mumford, M, Masterworks for Wind Orchestra, City (1995) [Recorded Creative Work] | |
| Leong, G, Men - TMAG Acquisition, Tasmanian Museum and Art Gallery, Hobart, pp. 1 (1995) [Recorded Creative Work] | |
| McGrath, VF, Message, Matter & Form, Museum & Art Gallery of the Northern Territory, Darwin, pp. 14 (1995) [Recorded Creative Work] | |
| Knehans, DA, night chains, Composers Recordings Incorporated, CRI CD680 (1995) [Recorded Creative Work] | |
| Stephenson, DM, Paisley Museum and Art Gallery, Fotofeis International Festival of Photography in , Paisley, Scotland, pp. 62-63 (1995) [Curated Exhibition] | |
| Berg, C, Pictograms, AETA, Devonport and Hobart (1995) [Other Exhibition] | |
| Berg, C, Pivot 3, CAST, Hobart and Launceston (1995) [Other Exhibition] | |
| Berg, C, Planting my Garden, Launceston (1995) [Recorded Creative Work] | |
| Arnold, R, Raymond Arnold - Paris Prints, Australian Galleries, Melbourne, pp. 2 (1995) [Other Exhibition] | |
| Gotzmann, M, Ripping Yarns, University Gallery, Burnie, pp. 15 (1995) [Recorded Creative Work] | |
| Hoare, J, Ripping Yarns, University Gallery, University Of Tasmania At Launceston, Burnie, pp. 15 (1995) [Recorded Creative Work] | |
| Fionnachd-Fein, B, Ripping Yarns, University Gallery, University of Tasmania at Launceston, Burnie, pp. 15 (1995) [Recorded Creative Work] | |
| Wright, B, Ripping Yarns, University Gallery, University of Tasmania at Launceston, Burnie, pp. 15 (1995) [Recorded Creative Work] | |
| Hill, PW, Soho Arts Festival, New York and Fotofeis International Festival of Photography in Scotland, Sydney (1995) [Recorded Creative Work] | |
| Richardson, DD, Solid Ground: Rock Series Etchings, The University Gallery, Launceston, pp. 8 (1995) [Other Exhibition] | |
| Blakebrough, L, Southern Ice, Ceramic Art Gallery, Sydney, pp. 4 (1995) [Recorded Creative Work] | |
| Alting, B, Suitcase Ceramics, Entrepot, Hobart, Launceston, Burnie (1995) [Recorded Creative Work] | |
| Gibbs, M, Suitcase Ceramics, Entrepot, Hobart, Launceston, Burnie (1995) [Recorded Creative Work] | |
| Tanton, R, Suitcase Ceramics, Entrepot, Hobart, Launceston, Burnie (1995) [Recorded Creative Work] | |
| van der Schans, G, Tasmanian Seascapes, University of Tasmania, Hobart, pp. 2 (1995) [Other Exhibition] | |
| Hiller, PE, TGIO Art Exhibition, catalogue provided, Hobart (1995) [Recorded Creative Work] | |
| Hoare, J, The 1995 Bachelor of Fine Arts Honours Graduate Exhibition, University Gallery, University of Tasmania at Launceston, Launceston, pp. 6 (1995) [Recorded Creative Work] | |
| Fionnachd-Fein, B, The 1995 Bachelor of Fine Arts Honours Graduate Exhibition, University Gallery, University of Tasmania at Launceston, Launceston, pp. 6 (1995) [Recorded Creative Work] | |
| Wright, B, The 1995 Bachelor of Fine Arts Honours Graduate Exhibition, University Gallery, University of Tasmania at Launceston, Launceston, pp. 6 (1995) [Recorded Creative Work] | |
| Friend, I, The Edge of Belief, Museum of Contemporary Religious Art, St Louis, pp. 4 (1995) [Other Exhibition] | |
| Tanfield, PM, The Piano Trios and Miniatures by Frank Bridge, MERIDIAN, Orpington, Kent, England (1995) [Recorded Creative Work] | |
| Friend, I, Tondo: Terrangi, Austral Gallery, St Louis, pp. 4 (1995) [Other Exhibition] | |
| Berg, C, Traces, University Gallery, Launceston, pp. 32 (1995) [Other Exhibition] | |
| Friend, I, une violent aventure sentimentale, Lawrence Wilson Art Gallery, Perth, pp. 8 (1995) [Other Exhibition] | |
| Friend, I, une violente aventure sentimentale X111, Lawrence Wilson Art Gallery, Perth, pp. 8 (1995) [Recorded Creative Work] | |
| Gibbs, M, Untitled Ceramic Installation, Hobart Magistrates Court, Hobart (1995) [Recorded Creative Work] | |
| Gibbs, M, Untitled Cermaics Installation, Sheraton Hotel, Hobart (1995) [Recorded Creative Work] | |
| Brassington, P, Untitled work from the Series Au Rebours, Tasmanian Museum and Art Gallery, Hobart (1995) [Recorded Creative Work] | |
| Brassington, P, Untitled work from the Series Au Rebours, Tasmanian Museum and Art Gallery, Hobart, pp. 1 (1995) [Recorded Creative Work] | |
| Jenyns, L, Vessel as Subject: Tasmanian Ceramics to Indonesia, University Gallery, University of Tasmania, Launceston (1995) [Recorded Creative Work] | |
| Hobba, L, Video Installation in 'Why be an Artist? in Australian Perspecta 1995, Art Gallery of New South Wales, Sydney, pp. 52-53 (1995) [Recorded Creative Work] | |
| Love, KG, Zanthedeschia, Hobart (1995) [Recorded Creative Work] | |
| Knehans, DA, ...de la fumee... des voix... - for harpsichord and electronics, Australian Music Centre, AMC, pp. 67 (1994) [Published Creative Work] | |
| Tanfield, PM, The Piano Trios by Joseph Haydn, MERIDIAN, Orpington, Kent, England (1993) [Recorded Creative Work] | |
| Knehans, DA, concerto for guitar, orchestra and concertante group, Australian Music Centre, AMC, pp. 107 (1992) [Published Creative Work] | |
| Tanfield, PM, The Piano Trios and Horn Trio Op.40, MERIDIAN, Orpington, Kent, England (1992) [Recorded Creative Work] | |
| Knehans, DA, The Ascension of Robert Flau - Chamber Opera, Australian Music Centre, AMC, pp. 258 (1990) [Published Creative Work] | |
| Tanfield, PM, The Piano Quartets and Trio Op 2, TELOS, Cologne, Germany (1990) [Recorded Creative Work] | |
| Sedivka, J, De Profundis, Move Records (1989) [Recorded Creative Work] | |
| Knehans, DA, A Song of Air, Music for the film, Australian Film Institute (AFI Distribution LTD), Cannes Film Festival, Cannes, France (1987) [Recorded Creative Work] | |
| Knehans, DA, Incidental Music to Shakespeare's 'The Tempest' - for mixed ensemble on 4 track tape, Australian Music Centre, AMC, pp. 68 (1986) [Published Creative Work] | |
| Knehans, DA, St. Luke Magnificat - for double a cappella choir, Australian Music Centre, AMC, pp. 173 (1986) [Published Creative Work] | |
| Sedivka, J, Jan Sedivka plays Sitsky, EMI (1982) [Recorded Creative Work] | |
Other Creative Work
| Farbotko, C, Islands with no Inlands, GRANTPIRRIE, Redfern, NSW, pp. 1-2 (2007) [Catalogue] | |
| Malor, D, Not Falling But Leaping: Edgy, Launceston, University Gallery, Launceston, pp. 2 (2001) [Catalogue] | |
| Malor, D, To Pass into the Desert: Interior, The University Gallery, Launceston, pp. 9 (2001) [Catalogue] | |
| Frankham, NH, Mapping Identity, Object: Australian Centre for Craft and Design, Sydney, pp. 4 (1998) [Catalogue] | |
| Knehans, DA, touch - for piano and electronics on compact disc, Australian Music Centre, Sydney, Australia, pp. 15 (1997) [Minor Creative Work] | |
| MacDonald, AL, Pure I, Pure II (Part 1 & 2), Plimsoll Gallery University of Tasmania, Hobart, pp. 3 (1996) [Representation of Original Art] | |
| Knehans, DA, spin- for acoustic 'cello and electronics on compact disc, Australian Music Centre, Sydney, Australia, pp. 12 (1996) [Minor Creative Work] | |
| MacDonald, AL, Vanitas 1, 2, 3, 4 & 5, University of South Australia Art Museum, Adelaide, pp. 5 (1996) [Representation of Original Art] | |
| MacDonald, AL, Wedding Cake (Part 1 & 2), Lily 1, 2 & 3, Tasmanian Museum and Art Gallery, Hobart, pp. 5 (1996) [Representation of Original Art] | |
| Knehans, DA, bone vestiges - for solo piano, Australian Music Centre, Sydney, Australia, pp. 14 (1995) [Minor Creative Work] | |
| MacDonald, AL and Stephenson, DM, Dark Nature 1, 2,3, Bett Gallery, Hobart, pp. 3 (1995) [Representation of Original Art] | |
| Knehans, DA, night canticle - for electronic 'cello, computer and digital effects, Australian Music Centre, Sydney, Australia, pp. 9 (1995) [Minor Creative Work] | |
| Knehans, DA, time processional - for wind ensemble, Australian Music Centre, Sydney, Australia, pp. 136 (1995) [Minor Creative Work] | |
| Knehans, DA, string quartet, Australian Music Centre, Sydney, Australia, pp. 32 (1994) [Minor Creative Work] | |
| Knehans, DA, hell cantos - for fourteeen solo instrumentalists, Australian Music Centre, Sydney, Australia, pp. 121 (1993) [Minor Creative Work] | |
| Knehans, DA, night chains - for electronic 'cello and digital effects, Australian Music Centre, Sydney, Australia, pp. 12 (1991) [Minor Creative Work] | |
| Knehans, DA, une seule femme endormie - for high voice and singing 'cellist, Australian Music Centre, Sydney, Australia, pp. 13 (1991) [Minor Creative Work] | |
| Knehans, DA, le cris sombre - for school musicians, Australian Music Centre, Sydney, Australia, pp. 15 (1990) [Minor Creative Work] | |
| Knehans, DA, dawn panels - for percussion quartet, Australian Music Centre, Sydney, Australia, pp. 21 (1988) [Minor Creative Work] | |
| Knehans, DA, elegies for merilee - for contrabass and tape, Australian Music Centre, Sydney, Australia, pp. 13 (1988) [Minor Creative Work] | |
| Knehans, DA, image shift - for mixed quartet, Australian Music Centre, Sydney, Australia, pp. 24 (1988) [Minor Creative Work] | |
| Knehans, DA, exiles - for mixed sextet and quadraphonic tape, Australian Music Centre, Sydney, Australia, pp. 53 (1987) [Minor Creative Work] | |
| Knehans, DA, five songs to poems of sylvia plath - for mixed ensemble, Australian Music Centre, Sydney, Australia, pp. 32 (1986) [Minor Creative Work] | |
| Knehans, DA, orichalcum fanfare - for double trombone choir, Australian Music Centre, Sydney, Australia, pp. 38 (1986) [Minor Creative Work] | |
| Knehans, DA, seven nursery songs for taliesen - for voice and guitar, Australian Music Centre, Sydney, Australia, pp. 18 (1984) [Minor Creative Work] | |
| Knehans, DA, song of the raven night - for six part t/a choir, grand organ, 2 pianos and four percussionists, Australian Music Centre, Sydney, Australia, pp. 43 (1984) [Minor Creative Work] | |
| Knehans, DA, five orchestral songs to poems of sylvia plath, Australian Music Centre, Sydney, Australia, pp. 56 (1983) [Minor Creative Work] | |
| Knehans, DA, winter steps - for orchestra, Australian Music Centre, Sydney, Australia, pp. 42 (1983) [Minor Creative Work] | |
Thesis
| Glade-Wright, RE, Master of Fine Arts (RHD) (2001) [Masters Research] | |
| Walch, MB, An Analysis of Experiential Space at the Close of the Twentieth Century (1998) [Masters Research] | |
| Chick, SM, Beyond Flesh: An Investigation into the representation of the human body that exists beyond the boundaries of the 'normal' (1998) [Masters Research] | |
| Knight, W, Exploring metaphysical meaning through the construction of physical objects (1998) [Masters Research] | |
| Assef, AM, Parody in the Theatre of Gestures (1998) [Masters Coursework] | |
| Assef, AM, Parody in the Theatre of Gestures (1998) [Masters Coursework] | |
| Phillips, A, Shampoo mythology: the object, its meaning, its influence (1998) [Masters Research] | |
| Kunda, M, A Radical Act of Remembering (1997) [Masters Research] | |
| Wood, KG, Home, Sweet Home. Women and Domesticity in Rural Australia, 1930-1970 (1997) [Masters Research] | |
| Kunda, M, A radical act of remembering (1996) [Masters Research] | |
| Knight, W, Exploring metaphysical meaning through the construction of physical objects (1996) [Masters Research] | |
| Wright, L, Lured to the Surface (1996) [Masters Research] | |
| Falconer, GL, The mother-son relationship: an investigation of mutual responses (1996) [Masters Research] | |
| Norman, R, Tools as Jewels (1995) [Masters Research] | |
| Hammond, PR, Community Theatre in the 1990s: a comparative study and critical discourse of smaller theatre companies in Australia and New Zealand (1994) [Masters Research] | |
Entry
| White, RD, Australia, Youth Activism in, Youth Activism - An International Encyclopedia, Lonnie R Sherrod (ed), Westport, USA, 1, pp. 91-98 (2005) [Entry] | |
Other Public Output
| Hawkins, CJ, Using social media in leisure research and teaching, The Australian and New Zealand Association of Leisure Studies Newsletter, ANZALS, 43 (2011) [Report] |  |
| Robins, J, Laughter, Artlink, Artlink Australia, Adelaide, South Australia, 30, 4 (2010) [Magazine Article] | |
| Hawkins, CJ, Social Capital through Leisure: Cradle Coast’s advantage in the year 2030, Drive, ABC Rodio, BURNIE TASMANIA (2008) [Media Interview] | |
| Hawkins, CJ, Social Capital through Leisure: Cradle Coast’s advantage in the year 2030, Breakfast Show, ABC Radio, Burnie Tasmania Australia (2008) [Media Interview] | |
| Hawkins, CJ, Social Capital through Leisure: Cradle Coast’s advantage in the year 2030, Mornings Show, ABC Radio, Burnie Tasmania (2008) [Media Interview] | |
| Hay, PR, Live a life of poetry. Launch, Blue Giraffe 4, Tasmanian Times , Lindsay Tuffin , Lindisfarne, February 8 (2007) [Magazine Article] | |
| Travers, MH, A Question of Ethics, Network: The Newsletter of the British Sociological Association, British Sociological Association, UK (2005) [Internal Newsletter] | |
| Hay, PR and Boyles, W, Arts from islands, Tasmania 40° South, 40 Degrees South Pty Ltd, Lindisfarne, Tasmania, 36, Autumn (2005) [Magazine Article] | |
| Cranston, CA, Interview on Along these Lines (ABC 13/7/00), ABC Radio, Tasmania, 13 July (2000) [Media Interview] | |
| Cranston, CA, Interview on Along these Lines (ABC 17/11/00), Desert Island Discs, ABC Radio, Tasmania, 17 November (2000) [Media Interview] | |
| Cranston, CA, Interview on Along these Lines (Examiner), The Sunday Examiner, Launceston, 16 July (2000) [Media Interview] | |
| Crowley, JL, Meletemata, STUDIES IN AEGEAN ARCHAEOLOGY PRESENTED TO MALCOLM H. wIENER AS HE ENTERS HIS 65th YEAR, Universite` de Lie`ge Historie de l'art et arche`ologie de la Gre`ece antique University of Texas at Austin, University of Texas at Austin, 1, 1 (1999) [Award] | |
| Deng, S, Fulbright Scholarship, Australian-American Fulbright Commission, Australia (1997) [Award] | |
| Arnold, R, 10ème Saga: Estampe, Photographie, Dessin, Here there is an Image, Espace Eiffel Branly, Paris, Paris (1996) [Award] | |
| Stephenson, DM and MacDonald, AL and Brassington, P and Risby, ML and Arnold, R, 1996 City of Hobart Art Prize, 1996 City of Hobart Art Prize, Hobart City Council, Hobart (1996) [Award] | |
| Froese, J, 7ZR Radio, 7ZR Radio, ABC, Tasmania, 14 Nov (1996) [Media Interview] | |
| Kay, D, A Celebration of Gwen Harwood, Bulletin for the study of Australian Lit., Assoc for study of Australian Lit, Melbourne, 1 (1996) [Magazine Article] | |
| Gough, JA, Anne & Gordon Samstag International Visual Arts Scholarships, Anne & Gordon Samstag Trust, University of South Australia, Adelaide (1996) [Award] | |
| McLean, I, Arts Programme, Radio National, Radio National, Australia (1996) [Media Interview] | |
| Deng, S, Conservatorium Medal, Conservatorium Medal, Queensland Conservatorium, Griffith University, Queensland (1996) [Award] | |
| Hill, PW, Constructed City, The Bulletin/Newsweek, Sydney, 13th Feb (1996) [Magazine Article] | |
| Parr, GG, Contemporary Art and Technology Prize, National Gallery of Victoria, Melbourne (1996) [Award] | |
| Colless, EC, Diane Arbus: Untitled, The Age: Saturday Extra, The Age, Melbourne, 9th March, 1996 (1996) [Newspaper Article] | |
| Deng, S, Florence Davey Pianoforte Scholarship, Florence Davey Pianoforte Scholarship (1996) [Award] | |
| Parr, GG and Milojevic, MA, Fremantle Art Prize, Fremantle Art Prize, Fremantle Arts Centre, Fremantle (1996) [Award] | |
| Stephenson, DM, Gold Coast City Conrad Jupiters Art Prize, <i>Gold Coast City Conrad Jupiters Art Prize</i>, Gold Coast City Art Gallery, Gold Coast (1996) [Award] | |
| Froese, J, McGregor Prize for Photography, McGregor Prize for Photography, Toowoomba Summer School, Toowoomba, Queensland (1996) [Award] | |
| Alting, B, Multicultural Art Award Tasmania, Swingbridge Art Gallery, Dunalley (1996) [Award] | |
| Leong, G, Multicultural Art Award Tasmania, Swingbridge Art Gallery, Dunalley (1996) [Award] | |
| Smith, MK, New Music Tasmania, The Voice of ANATS, Australian National Assoc of Singing Teachers, Sydney, 9, May (1996) [Magazine Article] | |
| Blakebrough, L, Newcastle Ceramic Purchase Award, Newcastle Ceramic Purchase Award, Newcastle Regional Art Gallery, Newcastle (1996) [Award] | |
| Deeth, JA, Opportunities For The Arts, Cataract Gorge Reserve Management Plan, Jerry de Gryse Pty Ltd & Hepper Marriott Tasmania Pty Ltd, Launceston, 1 (1996) [Report of Restricted Access] | |
| Deeth, JA, Performance Hits High On Recher (sic) Scale, The Examiner Newspaper, The Examiner Newspaper Pty Ltd, Launceston, 19 Dec 1996 (1996) [Newspaper Article] | |
| Deng, S, Post Graduate Scholarship, Post Graduate Scholarship, Griffith University, Queensland (1996) [Award] | |
| Walls, JT and Gale, TJ, Super simulator. Dinghy research program helps our Olympic Games sailors, Australian Sailing, NSW, Sept (1996) [Magazine Article] | |
| Colless, EC, The Photographs of Dorothea Lange, The Age: Saturday Extra, The Age, Melbourne, 1 June, 1996 (1996) [Newspaper Article] | |
| Hill, PW, The Sydney Biennale, The Bulletin/Newsweek, Sydney, 6th Aug (1996) [Magazine Article] | |
| Hill, PW, Transformers, The Bulletin/Newsweek, Sydney, 10th Sept (1996) [Magazine Article] | |
| Marcellino, R and Gilmour, RW, Tribal Music: A call to alms, Somesuch, New Musique Australia, Brisbane, 1, Dec (1996) [Magazine Article] | |
| Froese, J, Triple J, Creatures of The Spotlight, ABC, Tasmania, 2 April (1996) [Media Interview] | |
| Deng, S, University Medal, University Medal, Griffith University, Queensland (1996) [Award] | |
| Deeth, JA, When You Get Behind Closed Doors, Artlink, Henley Beach, South Australia, 16, 1 (1996) [Magazine Article] | |
| Berg, C, Will the Real Australia Please Stand Up, ABC 7NT Radio, ABC 7NT, Tasmania (1996) [Media Interview] | |
| Coppola, FM and Stephenson, DM and Jenyns, L and Arnold, R, Blundstone Contemporary Art Prize, <i>Blundstone Contemporary Art Prize</i>, Queen Victoria Museum and Art Gallery, Launceston (1995) [Award] | |
| Coppola, FM and Burns, T and Smith, J and Kjar, B, Hobart City Art Prize, Hobart City Art Prize, Hobart City Council, Hobart (1995) [Award] | |
| Smith, PG, Newcastle Ceramic Purchase Award , Newcastle Ceramic Purchase Award Newcastle Ceramic Purchase Award, Newcastle Regional Art Gallery, Newcastle, N.S.W (1995) [Award] | |
| Deng, S, AMP Youth Arts Award, AMP Youth Arts Award, AMP, Australia (1995) [Award] | |
| Deng, S, Brisbane Lord Mayor's Performing Arts Fellowship, Performing Arts Fellowship, Brisbane City Council, Brisbane (1995) [Award] | |
| Deng, S, Churchill Fellowship, Churchill Fellowship, Australia (1995) [Award] | |
| Milojevic, MA, Fremantle Print Prize, Fremantle Print Prize, Fremantle Art Centre, Fremantle (1995) [Award] | |
| Jenyns, L and Blakebrough, L, Myer Foundation Invitation Ceramic Award, Myer Foundation Invitation Ceramic Award, Shepparton Art Gallery, Shepparton (1995) [Award] | |
| Burley, VRL, Notes and Thoughts from the Second Australian Natioanl Piano Pedagogy Conference in the TMTA 1995 Journal, TMTA Journal 1995, Tasmanian Music Teachers Assoc, Hobart, 1995, 1995 (1995) [Magazine Article] | |
| Marcellino, R, The Boundaries of Rigour and Chaos, Real Time, Sydney, 10, Jan-Feb (1995) [Magazine Article] | |
| Fionnachd-Fein, B, Time and Space: A Woman's Place, Place Published (1995) [Award] | |
| Wright, B, Time and Space: A Woman's Place, Place Published (1995) [Award] | |
| Arnold, R, Trust Bank Invitation Art Prize, Trust Bank Invitation Art Prize (Exhibition), Launceston Show Society, Launceston (1995) [Award] | |
| Deng, S, Most outstanding first or second year student , Most outstanding first or second year student , Queensland Conservatorium of Music, Brisbane (1994) [Award] | |
| Deng, S, National Keyboard Winner, ABC Young Performer Awards, ABC Young Performer Awards, Australian Broadcasting Corporation, Australia (1994) [Award] | |
| Deng, S, Rotary Club of Brisbane Endowment for outstanding achievement in the field of music, Endowment for Outstanding achievement, Rotary Club of Brisbane, Queensland (1994) [Award] | |
| Deng, S, Westpac Scholarship, Scholarship, Westpac Bank, Australia (1994) [Award] | |
| Deng, S, Hugh Brandon Australian Music Examination Boards Award for outstanding achievement, Hugh Brandon award for outstanding achievement, Australian Music Examinations Board, Australia (1993) [Award] | |
| Deng, S, Queensland Arts Council Langer Fine Music Award, Queensland Arts Council Langer Fine Music Award, Queensland Arts Council, Queensland (1993) [Award] | |
| Knehans, DA, Composer Revels in Challenge, The Canberra Times, The Canberra Times, Canberra, January 6, 1990 (1990) [Media Interview] | |
| Knehans, DA, Bicentennial Piece Affirms Life, Reflects on Darker Side by William Hoffman, The Canberra Times, The Canberra Times, Canberra, August 5, 1988 (1988) [Newspaper Article] | |
| Knehans, DA, Peoplewatch - Douglas Knehans: Byte-sized Operatics, Vogue Magazine, Vogue Australia, Sydney, 1, March, 1988 (1988) [Magazine Article] | |
| Knehans, DA, Opera Without Fainting Women, Business Daily, Business Daily, Sydney, 1, 15 August, 1987 (1987) [Media Interview] | |
This list was generated on Wed May 22 09:40:22 2013.
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