eCite Digital Repository
Items where Subject is Field of Research, Creative Arts and Writing, Performing arts, Drama, theatre and performance studies
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| Journal Article | |
|---|---|
| Kimmel, AJ and Martin, DD and Warren, A, Metered togetherness: affective drifts and temporal proximities, TDR: The Drama Review, 66, (4) pp. 127-142. ISSN 1054-2043 (2022) [Refereed Article] | |
| Woollard, J, My mother's voice: 'view from ground level, in the thick of things', Theatralia, 25, (2) pp. 187-202. ISSN 1803-845X (2022) [Refereed Article] | |
| Esling, N and Kimmel, AJ and Sharifi, A and Warren, A, Diffracted readings of the future: practices of differentiation-entanglement', Performance Research, 25, (5) pp. 10-16. ISSN 1352-8165 (2021) [Refereed Article] | |
| Lewis, Robert and Harris, L and Grant, S and Sweeney, D and Dowdeswell, S, Groundwork: place-based integrative actor training in a fluctuating world, Theatre Dance and Performance Training, 12, (3) pp. 358-369. ISSN 1944-3927 (2021) [Refereed Article] | |
| Warren, W and Woollard, J, Passionate, not parochial: local theatre in Launceston, Australasian Drama Studies, (77) pp. 20-55. ISSN 0810-4123 (2021) [Refereed Article] | |
| Woollard, J, Australasian Drama Studies, 77 ISSN 0810-4123 (2020) [Edited Journal] | |
| Woollard, J, Australasian Drama Studies, 74 ISSN 0810-4123 (2019) [Edited Journal] | |
| Woollard, J, Australasian Drama Studies, 75 ISSN 0810-4123 (2019) [Edited Journal] | |
| Warren, A, Dirty Work, NiTRO, (15 November) (2019) [Professional, Refereed Article] | |
| Warren, AD, Mixed actor network reality: a performance in three networks, Australasian Drama Studies, (65) pp. 191-211. ISSN 0810-4123 (2019) [Refereed Article] | |
| Hannah, D, NOW/NEXT: performance space at the crossroads, Theatre and Performance Design, 5, (3-4) pp. 212-232. ISSN 2332-2551 (2019) [Refereed Article] | |
| Cervera, F and Chua, S and Demetriou, Y and Jeong, A and Laine, E and Sharifi, A and Wan, E and Warren, A, Orientations: where is the future now?, (2.2) ISSN 2574-027X (2019) [Edited Journal] | |
| Warren, A, Our Town: local politics, community theatre and power, Performance Research, 24, (8) pp. 12-19. ISSN 1352-8165 (2019) [Refereed Article] | |
| Woollard, J, The Elasticity of Her Spirits': Actresses and Resilience on the Nineteenth-Century Colonial Stage, Australasian Drama Studies, 70 ISSN 0810-4123 (2019) [Refereed Article] | |
| Woollard, J and Halba, H, Australasian Drama Studies 73 [co-editor of reviews], (73) ISSN 0810-4123 (2018) [Edited Journal] | |
| Warren, A, Can't or won't: sneaky feelings in the theatre, Performance Paradigm, 14 pp. 87-107. ISSN 1832-5580 (2018) [Refereed Article] | |
| Warren, A, Divisive dramaturgy: community engagement in contemporary mediated publics, Australasian Drama Studies, (72) pp. 204-237. ISSN 0810-4123 (2018) [Refereed Article] | |
| Warren, A, Virtual perspective: the aesthetic lineages of immersive experience, Refractory, 30 pp. 1-16. ISSN 1447-4905 (2018) [Refereed Article] | |
| Warren, A, Dispensing with the Law: Measuring alcohol and its effects in Shower Party, Performance Research, 22, (6) pp. 13-19. ISSN 1352-8165 (2017) [Refereed Article] | |
| Delbridge, MJ and McGowan, L, Green: Exploring the aestheticized use of chroma-key techniques and technologies in two intermedial productions, Body, Space and Technology Journal, 14 pp. 1-17. ISSN 1470-9120 (2015) [Refereed Article] | |
| Gaby, RS, Then and Now: Henry IV's England via the RSC and Bell Shakespeare, Shakespeare, 11, (3) pp. 303-315. ISSN 1745-0918 (2015) [Refereed Article] | |
| Dwyer, P and Hunter, M and Pearson, JH, About Performance, (12) ISSN 1324-6089 (2014) [Edited Journal] | |
| Hannah, D, Alarming the heart: costume as performative body-object-event, Scene, 2, (1-2) pp. 15-34. ISSN 2044-3714 (2014) [Refereed Article] | |
| Leane, E, Icescape theatre: staging the Antarctic, Performance Research, 18, (6) pp. 18-28. ISSN 1352-8165 (2014) [Refereed Article] | |
| Delbridge, M and Roihankorpi, R, Intermedial ontologies: strategies of preparedness, research and design in real time Performance Capture, Nordic Theatre Studies: yearbook for theatre research in Scandinavia, 26, (2) pp. 46-57. ISSN 0904-6380 (2014) [Refereed Article] | |
| Warren, A, Responding to rupture: kids killing kids, Performance Research: A Journal of Performing Arts, 19, (6) pp. 71-77. ISSN 1352-8165 (2014) [Refereed Article] | |
| Lewis, Robert, Self Discovery through Voice and Body, International Journal of Humanities and Social Science, 4, (1) pp. 11-20. ISSN 2220-8488 (2014) [Refereed Article] | |
| Delbridge, M, The costume of MoCap: A spatial collision of velcro, avatar and Oskar Schlemmer, Scene, 2, (1-2) pp. 221-232. ISSN 2044-3714 (2014) [Refereed Article] | |
| Nielsen, H and Leane, Elizabeth, 'Scott of the Antarctic' on the German Stage: Reinhard Goering's Die Sudpolexpedition des Kapitans Scott, New Theatre Quarterly, 29, (3) pp. 278-293. ISSN 0266-464X (2013) [Refereed Article] | |
| Lewis, Robert, Dark voices in revolt, Theatre, Dance and Performance Training, 4, (3) pp. 368-380. ISSN 1944-3927 (2013) [Refereed Article] | |
| Mauro-Flude, MN, The intimacy of the command line, Scan, 10, (2) pp. 1-9. ISSN 1449-1818 (2013) [Refereed Article] | |
| Fotheringham, R and Forgasz, R and Ginters, L and Hunter, MA and Warrington, L and Milne, G, ADS at thirty: Three decades of Australasian drama, theatre, performance and scholarly research, Australasian Drama Studies, 60, (April 2012) pp. 6-19. ISSN 0810-4123 (2012) [Contribution to Refereed Journal] | |
| Delbridge, MJ, The ecological approach to visual perception and the actor performance captured in the gaming landscape, Animation Practice, Process and Production, 2, (1& 2) pp. 137-149. ISSN 2042-7875 (2012) [Refereed Article] | |
| Bourke, L and Hunter, M, Not Just an Audience: Young people transforming our theatre, Platform Papers, 26, (January 2011) pp. 1-70. (2011) [Professional, Non Refereed Article] | |
| Gaby, R, Taking the Bard to the Bush: Environmental Shakespeares in Australia, Shakespeare, 7, (1) pp. 70-77. ISSN 1745-0918 (2011) [Refereed Article] | |
| Gaby, R, Venturing Outside: The Emergence of Australian Open-air theatre, Multicultural Shakespeare: Translation, Appropriation and Performance, 8, (23) pp. 107-124. ISSN 2083-8530 (2011) [Refereed Article] | |
| Mauro-Flude, MN, 'Occult computing for artists: an introduction, un Magazine, 8, (2) pp. 1-8. ISSN 1449-6747 (2010) [Professional, Non Refereed Article] | |
| Trenos, HR, Creatics: What's Missing in Actor Training?, International Journal of the Arts in Society, 5, (3) pp. 265-274. ISSN 1833-1866 (2010) [Refereed Article] | |
| Gaby, RS, Open-air Appropriations: Shakespeare from Sand Harbor to Balmoral Beach, Multicultural Shakespeare: Translation, Appropriation and Performance, , 6/7, (21/22) pp. 115-124. (2010) [Refereed Article] | |
| Hornblow, M, Bursting bodies of thought: Artaud and Hijikata, Performance Paradigm, 2 pp. 26-44. ISSN 1832-5580 (2006) [Refereed Article] | |
| Lewis, Robert, The Gesture Machine, International Journal of the Humanities, 4, (1) pp. 39-44. ISSN 1447-9508 (2006) [Refereed Article] | |
| Gaby, RS, 'Here's a marvelous convenient place for our rehearsal': Shakespeare in Australian Space, Australasian Drama Studies, 46, (April) pp. 124-138. ISSN 0810-4123 (2005) [Refereed Article] | |
| Allen, PM and Palermo, C, Ajeg Bali: Multiple Meanings, Diverse Agendas, Indonesia and the Malay World, 33, (97, November) pp. 239-255. ISSN 1363-9811 (2005) [Refereed Article] | |
| Lewis, Robert, Strengthening the actor's voice: Unifying contradictory and complementary elements in voice for actors and core strength training, ESK, 1, (December 2005) pp. Online. ISSN 1833-3281 (2005) [Refereed Article] | |
| Leane, E, Antarctic theatricals: the frozen farce of Scott's first expedition, Theatre Notebook, 57, (3) pp. 143-157. ISSN 0040-5523 (2003) [Refereed Article] | |
| Bain, L, NGO theatre in the post New Order, Inside Indonesia, 1, (76) pp. 29-30. ISSN 0814-1185 (2003) [Non Refereed Article] | |
| Dawson, JD, More 69 than '68?, Island, 88 pp. 87-9. ISSN 1035-3127 (2002) [Letter or Note in Journal] | |
| Hunter, M, Anxious Futures: Magpie2 and 'New Generationalism' in Australian youth specific theatre, Theatre Research International, 26, (1) pp. 71-81. ISSN 0307-8833 (2001) [Refereed Article] | |
| Gaby, RS, On the Edge of the Empire: Hobart Town Shakespeare, 1864, Theatre Notebook: A Journal of the History and Technique of the British Theatre, 55, (2) pp. 83-91. ISSN 0040-5523 (2001) [Refereed Article] | |
| Merritt, LM and Lohrey, J, The Communication Needs of Medical Practitioners: The Application of Voice Training to a Non-Theatre Based Context, The Voice in Violence and other contemporary issues in professional voice and speech training, (2001) pp. 276-282. (2001) [Refereed Article] | |
| Gaby, RS, 'What ish my nation?' Reconstructing Shakespeare's Henriad for the Australian Stage, Shakespeare Bulletin: A Journal of Performance Criticism and Scholarship, 18, (1) pp. 43-46. ISSN 0748-2558 (2000) [Refereed Article] | |
| Knights, MA and Kunda, M, Images from the Life of Nikola Tesla, Siglo, (14) pp. 17. ISSN 1320-8411 (2000) [Letter or Note in Journal] | |
| Smigiel, HM and Merritt, LM, A New Approach to Communication Training in the Workplace, Journal of Vocational Education and Training, 51, (4) pp. 629-640. ISSN 1363-6820 (1999) [Refereed Article] | |
| Merritt, LM, Removing the Masks: The Communicative Power of Good Vocal and Physical Use, Australian Voice, 4 pp. 51-54. ISSN 1325-1317 (1998) [Refereed Article] | |
| Merritt, LM, Spoken Word Presentation: The Business and Media Environments, Australian Voice, 3 pp. 77-79. ISSN 1325-1317 (1997) [Refereed Article] | |
| Kent, S, Constructing McAuley, Island, 69, (Summer 1996) pp. 94-106. (1996) [Non Refereed Article] | |
| Book | |
|---|---|
| Delbridge, MJ, Motion Capture in Performance: An Introduction, Palgrave Macmillan, Basingstoke, UK, pp. 104. ISBN 9781137505804 (2015) [Authored Research Book] | |
| Hatley, BL and Hough, B, Performing Contemporary Indonesia: Celebrating Identity, Constructing Community, Brill, United States, pp. 261. ISBN 9789004282414 (2015) [Edited Book] | |
| Trenos, HR, Creativity: the actor in performance, De Gruyter, Warsaw/Berlin, pp. 85. ISBN 978-3-11-040210-0 (2014) [Authored Research Book] | |
| Gaby, RS, Open-Air Shakespeare: Under Australian Skies, Palgrave Macmillan, United Kingdom, pp. 128. ISBN 978-1-137-42685-7 (2014) [Authored Research Book] | |
| Hatley, BL and Subanar, GB and Ardhiani, YD, Seni Pertunjukan Indonesia Pasca Orde Baru, Penerbit Universitas Sanata Dharma, Indonesia, pp. 323. (2014) [Edited Book] | |
| Lewis, Robert, The Active Centre: Integrative Training for the Voice and Body, Contemporary Arts Media, online (2014) [Authored Other Book] | |
| Hannah, DM and Harslof, O, Performance Design, Museum Tusculanum Press, Copenhagen, pp. 336. (2008) [Edited Book] | |
| Lewis, Robert, Generate 06, Inveresk Play Series, launceston, pp. 12. ISBN 1833-3362 (2007) [Edited Book] | |
| Guo, J, The Features and Significance of Jingju (Beijing Opera) Plays, Tin Ma, Hong Kong, pp. 274. ISBN 962-450-661-2 (2006) [Authored Research Book] | |
| Fredman, M, The Drama Of Opera: Exotic and Irrational Entertainment, Sussex Academic Press, Brighton, pp. 145. ISBN 1-903900-50-6 (2003) [Authored Research Book] | |
| Guo, J, Che Wang Fu Qu Ben Yu Jing Ju de Xin Cheng (Che Wang Fu Repertoire and the Initial Formation of the Peking Opera), University of Shantou Press, Shantou, pp. 267. ISBN 7-81036-38--8 (1999) [Authored Research Book] | |
| Chapter in Book | |
|---|---|
| Warren, A, The Glitch, The Diva, and Coming back out: Aging and Postdigital Identity, Avatars, Activism and Postdigital Performance: Precarious Intermedial Identities, Bloomsbury, L Jarvis and K Savage (ed), USA, pp. 115-136. ISBN 9781350159310 (2021) [Research Book Chapter] | |
| Woollard, JB, Tracks, Knots, Stage Tact and Boots: A Reflection, Touring Performance and Global Exchange 1850-1960, Routledge, G Bush-Bailey and K Flaherty (ed), United Kingdom, pp. 82-92. ISBN 9781003055860 (2021) [Research Book Chapter] | |
| Leane, E and Jabour, J, Performing Sovereignty over an Ice Continent, Performing Ice, Palgrave Macmillan, C Philpott, E Leane and M Delbridge (ed), London, pp. 171-193. ISBN 9783030473877 (2020) [Research Book Chapter] | |
| Warren, A, Weaponized Bureaucracy: Kill-Chains, Drones, and Tethers, Performance in a Militarized Culture, Routledge, S Brady and L Mantoan (ed), New York, pp. 288-303. ISBN 9781138690189 (2018) [Research Book Chapter] | |
| Woollard, J, 'The dove peered in through the windows': Theatrical adventures with Hildegard and the medieval mystic sisterhood, The greening of hope: Hildegard for Australia, Morning Star Publishing, K Massam and F Toso (ed), Northcote, VIC, pp. 1-14. ISBN 9780995381506 (2016) [Research Book Chapter] | |
| Gaby, RS, 'The days that we have seen': History and Regret in Henry IV, Parts One and Two, The Hollow Crown (2012), Shakespeare and Emotions: Inheritances, Enactments, Legacies, Palgrave Macmillan, White, RS, Houlahan, M and O'Loughlin K (ed), Houndmills, Basingstoke, pp. 231-239. ISBN 9781137464743 (2015) [Research Book Chapter] | |
| Hunter, MA and Bourke, L, A Quiet Kind of Magic: Performance for Young Audiences in the New Millennium, Catching Australian Theatre in the 2000s, Editions Rodopi B.V, R Fotheringham and J Smith (ed), New York, pp. 123-150. ISBN 978-90-420-3752-6 (2013) [Research Book Chapter] | |
| Gaby, Rosemary, Taking Shakespeare to the Edge of the world: Leading Ladies on Tour in Colonial Australia, No Other but a Woman's Reason: Women on Shakespeare Towards Commemorating the 450th Anniversary of Shakespeare's Birth , Peter Lang, Krystyna Kujawińska-Courtney, Izabella Penier and Katarzyna Kwapisz-Williams (ed), Frankfurt, pp. 107-118. ISBN 9783631627631 (2013) [Research Book Chapter] | |
| Delbridge, MJ and Tompkins, J, Reproduction, Mediation, and Experience Virtual Reality, Motion Capture and Early Modern Theatre, SPACE-EVENT-AGENCY-EXPERIENCE, Centre for Practise as Research in Theatre Univ Tampere, online, pp. 1-10. (2012) [Other Book Chapter] | |
| Hunter, MA, Change the World as We Know It: Peace, Youth and Performance in Australia, Acting Together: Performance and the Creative Tansformation of Conflict, New Village Press, CE Cohen, RG Varea, PO Walker (ed), Oakland, California, pp. 73-91. ISBN 9780981559391 (2011) [Research Book Chapter] | |
| Hannah, D, Event-space: performance space and spatial performativity, Performance Perspectives, Palgrave Macmillan, J Pitches and S Popat (ed), United Kingdom, pp. 54-61. ISBN 9780230243453 (2011) [Research Book Chapter] | |
| Hannah, DM and Brown, C, Tongues of Stone: Making Space Speak and again, and again, Playing with Theory in Theatre Practice, Palgrave Macmillan, Megan Alrutz, Julia Listengarten, M. Van Duyn Wood (ed), United Kingdom, pp. 261-280. ISBN 9780230577794 (2011) [Research Book Chapter] | |
| Hannah, DM, Her Topia: A Dance-Architecture Event, Athens, 2005, Performance Design, Museum Tusculanum Press, Dorita Hannah and F, Olav HarslA (ed), Copenhagen, pp. 196-211. ISBN 978-8763507844 (2008) [Research Book Chapter] | |
| Hannah, DM, Introduction: Performative Expressions Across Disciplines, Performance Design, Museum Tusculanum Press, Dorita Hannah and F, Olav HarslA (ed), Copenhagen, pp. 11-19. ISBN 978-8763507844 (2008) [Research Book Chapter] | |
| Delbridge, MJ and Vincs, K, The Silk Road Project - Dance and Embodiment in the Age of Motion Capture, Sites of Activity: ACUADS Research 08-09, South Australian School of Art, University of South Australia, Dr John Barbour (ed), Adelaide, South Australia, pp. .6-7. ISBN 978-0-646-50204-5 (2008) [Other Book Chapter] | |
| Merritt, LM, Balance and Alignment Using the Wall, <i>The Complete Voice & Speech Workout</i>, Applause Theatre & Cinema Books, Janet Rodgers (ed), New York, pp. 21-23. ISBN 1-55783-498-9 (2002) [Other Book Chapter] | |
| Hunter, M, No safety gear: Skate girl space and the regeneration of Australian community-based performance, Performing Democracy: International perspectives on urban community-based performance, University of Michigan Press, Haedicke, SC & Nelhaus, T (ed), United States of America, pp. 326-340. ISBN 0-472-09760-1 (2001) [Research Book Chapter] | |
| Review | |
|---|---|
| Woollard, J, Dance review: Be Here and Qwerin, Ten Days on the Island, Arts Hub, 15 March 2023 (2023) [Review Several Works] | |
| Woollard, J, Dance review: Body Body Commodity, Earls Arts Centre, Launceston, Arts Hub, 21 February 2023 (2023) [Review Single Work] | |
| Woollard, J, Theatre review: The Director, reUnion district, Launceston, Arts Hub, 21 February 2023 (2023) [Review Single Work] | |
| Woollard, J, Book review: The Cambridge companion to the circus, Australasian Drama Studies, (81) pp. 304-331. ISSN 0810-4123 (2022) [Review Single Work] | |
| Woollard, J, Theatre review: Amy's Tattoo, Arts Hub, 3 October 2022 (2022) [Review Single Work] | |
| Warren, AD, Births, deaths and rituals: a revamped Ten Days on the Island explores Tasmania's past and present, The Conversation, (19 March) (2019) [Review Several Works] | |
| Woollard, J, Imagined landscapes: Geovisualizing Australian spatial narratives [Book Review], Australasian Drama Studies, 69 pp. 206-210. ISSN 0810-4123 (2019) [Review Single Work] | |
| Warren, A, Bree Hadly, Theatre, Social Media ,and Meaning Making (Palgrave Macmillan, 2017), Australasian Drama Studies, (72) pp. 265-271. ISSN 0810-4123 (2018) [Review Single Work] | |
| Woollard, J, Gordon McMullan and Phillip Mead, with Ailsa Grant Ferguson, Kate Flaherty and Mark Houlahan's Antipodal Shakespeare: Remembering and Forgetting in Britain, Australia and New Zealand, 1916-2016 [Book Review], Journal of the Association for the Study of Australian Literature, 3, (18) ISSN 1833-6027 (2018) [Review Single Work] | |
| Hatley, BL, Rachmi Dyah Larasati, The Dance that Makes You Vanish: Cultural Reconstruction in Post-Genocide Indonesia, Bijdragen tot de Taal-, Land- en Volkenkunde/Journal of the Humanities and Social Sciences of Southeast Asia, 169, (4) pp. 558-561. ISSN 0006-2294 (2013) [Review Single Work] | |
| Gaby, RS, Australian Theatre, Southern Review, 37, (2) pp. 105-6. (2004) [Review Single Work] | |
| Dawson, JD, Chopper: the Screenplay by Andrew Dominik, Australasian Drama Studies, 40, (20th anniversary) pp. 130-132. (2002) [Review Single Work] | |
| Dawson, JD, Dirty Deeds: Screenplay by David Caesar, Australasian Drama Studies, 41 (2002) [Review Single Work] | |
| Dawson, JD, More 69 than 68: Review of The Pram Factory: The Australian Performing Group Recollected by Tim Robertson, Island, (Summer) pp. 87-89. (2002) [Review Single Work] | |
| Dawson, JD, Rabbit-Proof Fence: Screenplay by Christine Olsen, Australasian Drama Studies, 41 (2002) [Review Single Work] | |
| Gaby, RS, Performing the Unnameable: Post Colonial Stages and Our Australian Theatre, Southern Review, School of Applied Communication, RMIT, (1) pp. 111-113. (2000) [Review Several Works] | |
| Bennett, RG, Intriguing, Exotic Sounds and Images, The Examiner, May 29, 1995 pp. 1. (1995) [Other Review] | |
| Conference Publication | |
|---|---|
| Lewis, Robert, Space, Shape And The Physic-Vocal Instrument, International Federation of Theatre Research, 6 -10 July, Hyderbad (2015) [Non Refereed Conference Paper] | |
| Tompkins, J and Delbridge, MJ, Using Virtual Reality Modelling in Cultural Management, Archiving and Research, Conference Proceedings EVA, British Computer Society, 6 - 8 July, London, pp. online. ISBN 9781906124175 (2009) [Refereed Conference Paper] | |
| Hatley, BL, Recalling and Re-presenting the 1965/1966 Anti-Communist Violence in Indonesia, Asia Reconstructed: Proceedings of the 16th Biennial Conference of the Asian Studies Association of Australia, 29-29 June 2006, Wollongong, pp. EJ14. ISBN 978-0-9580837-3-7 (2006) [Refereed Conference Paper] | |
| Lewis, Robert, Hybrid Theatre: an exhibition. Stories concerning the community using multidisciplinary art forms and technology, Rhapsody 21C: The Future of University Museums and Art Galleries in the New Century, 25 - 27 May, 2005, Academy of the Arts, Launceston, pp. disc. ISBN 1 86295 246 9 (2005) [Refereed Conference Paper] | |
| Hammond, PR, Island Culture: Trying to Define Our Only Island State's Relationship to the Arts.', Transactions: Culture and Performance, June, 2001, University of New South Wales (2001) [Conference Extract] | |
| Edgar, M, Nora, Nora, Nora: Playing with the Time Frame of A Doll's House, Australian Drama Studies Association (ADSA), June, 2001, University of New South Wales (2001) [Conference Extract] | |
| Computer Software | |
|---|---|
| Delbridge, MJ, Split Britches Theme Park App, 1, Apple iTunes, iTunes (2014) [Software iOS] | |
| Major Creative Work | |
|---|---|
| Wright, D, My House is a Wild World, Instinc Arts, Soho, Singapore (2022) [Performance] | |
| Woollard, J and Murray, P, The Wallflowering Project, Launceston Elderly Citizens Club Hall Invermay (2022) [Performance] | |
| Woollard, J, Ghosts of the Olympic Theatre, Launceston Post Office, Tasmania (2019) [Published Creative Work] | |
| Trenos, HR and George, DER, Islamophilia, Melbourne Theatre Company, Lawler Theatre, Southbank Complex, Melbourne, 1, pp. 2 hours 15 minutes (2017) [Performance] | |
| Trenos, HR, Epsom Downs, Tasmanian College of the Arts, Annexe Theatre, Inveresk (2013) [Other Exhibition] | |
| Delbridge, MJ and Shaw, P and Weaver, L, Ruff, PS122 New York, PS122 New York Jan 2013, Arches Festival Glasgow April 2013, Chelsea Theatre London April 2013, Lamama New York January 2014, 1 (2013) [Published Creative Work] | |
| Lewis, Robert, The Photo, CentrStage Theatre/UTAS, Annexe Theatre, Launceston (2013) [Other Exhibition] | |
| Lewis, Robert, The Third Space, Contemporary Arts Media, Launceston, Tasmania, 1, pp. DVD: 90 min, book: 45 pages (2013) [Recorded Creative Work] | |
| Lewis, Robert, The Trojan Women, Annexe Theatre, Launceston (2013) [Other Exhibition] | |
| Delbridge, MJ and McGowan, L and MacDonald, T and Kohn, C and Sibthorpe, N, Total Dik!, Queensland Theatre Company, Queensland Theatre Company (2013) [Performance] | |
| Delbridge, MJ, Preparing for Performance Capture #1, Video Journal of Performance, http://videojournalperformance.com/2013/11/04/preparing-the-actor-for-performance-capture-1/, 1 (2012) [Published Creative Work] | |
| Lewis, Robert and Lewis, N, When the Rain Stops Falling, CentrStage Theatre and Launceston Players, Annexe Theatre, Launceston (2012) [Other Exhibition] | |
| Mauro-Flude, MN, Error in Time(), Salamanca Arts Centre, Hobart and Launceston (2011) [Performance] | |
| Lewis, Robert, Profuge, Annexe Theatre, Launceston (2011) [Performance] | |
| Hammond, PR, Mr Bligh's Third Mutiny, The Annexe Theatre, Launceston (2010) [Performance] | |
| Trenos, HR, An Enemy of the People, University of Tasmania, CentRstage, Annexe Theatre, University of Tasmania, Launceston (2009) [Performance] | |
| Lewis, Robert, The Oedipus Project , University of Tasmania, School of Visual and Performing Arts, Annexe Theatre Studio, University of Tasmania, Launceston (2009) [Performance] | |
| Lewis, Robert, 5 , University of Tasmania, School of Visual and Performing Arts, Annexe Theatre Studio, University of Tasmania, Launceston (2008) [Performance] | |
| Rattray, PS, Cryptogram, Annexe Theatre (2008) [Performance] | |
| Lewis, Robert, Dr Faustus, University of Tasmania, School of Visual and Performing Arts, Annexe Theatre Studio, University of Tasmania, Launceston & National Institute of Dramatic Art, Sydney (2008) [Performance] | |
| Lewis, Robert, Dust (Director), Academy of the Arts, Annexe Theatre (2008) [Performance] | |
| Lewis, Robert, Frozen, Academy of the Arts, Annexe Theatre (2008) [Performance] | |
| Rattray, PS, The Bridesmaid Must Die, Annexe Theatre (2008) [Performance] | |
| Rattray, PS, Undercurrent (One Day 6), Annexe Theatre Studio (2008) [Performance] | |
| Lewis, Robert, a dream play, The annexe theatre Inveresk (2007) [Performance] | |
| Edgar, M, Boy gets Girl, The annexe theatre Inveresk (2007) [Performance] | |
| Lewis, Robert, Dr Faustus, Annexe theatre (2007) [Performance] | |
| Lizotte, D, Love, The annexe theatre Inveresk (2007) [Other Exhibition] | |
| Hammond, PR and Lewis, Robert, Tamar Tidings, Tamar river (2007) [Performance] | |
| Lewis, Robert and Hammond, PR, Tamar Tidings, Tamar river (2007) [Performance] | |
| Lewis, Robert, The death of light, The annexe theatre Inveresk (2007) [Performance] | |
| Lewis, Robert, Voice and the core/White dark, The annexe theatre Inveresk (2007) [Recorded Creative Work] | |
| Lewis, Robert, White Dark, The annexe theatre Inveresk (2007) [Performance] | |
| Parish, DM, Before Today, Inveresk Play Series, Inveresk Play Series, pp. 16 (2006) [Published Creative Work] | |
| Lizotte, D, Blood or Wine, Inveresk Play Series, Inveresk Play Series, pp. 17 (2006) [Published Creative Work] | |
| Lewis, Robert, Cemetery - A Radio Play, Inveresk Play Series, Tasmania, Inveresk Play Series, pp. 12 (2006) [Performance] | |
| Bowles, JC, Custard, Inveresk Play Series, Inveresk Play Series, pp. 10 (2006) [Published Creative Work] | |
| Hammond, PR, Demon King, The annexe theatre Inveresk (2006) [Performance] | |
| Kent, S, Demon King, Inveresk Play Series, The annexe theatre Inveresk, Inveresk Play Series, pp. 12 (2006) [Recorded Creative Work] | |
| Kerslake, NA, Elegant Maggots, Inveresk Play Series, Inveresk Play Series, pp. 10 (2006) [Published Creative Work] | |
| Lewis, Robert, Erogenousicism , The annexe theatre Inveresk (2006) [Recorded Creative Work] | |
| Thomas, J, Happy Place, Inveresk Play Series, Inveresk Play Series, pp. 10 (2006) [Published Creative Work] | |
| Moir, AJ, Message Me, Inveresk Play Series, Tasmania, Inveresk Play Series, pp. 13 (2006) [Published Creative Work] | |
| Hammond, PR, Promenade to Murder, Queen Victoria Museum and Art Gallery Inveresk (2006) [Performance] | |
| Edgar, M, The Canterbury Tales, Inveresk Play Series, The annexe theatre Inveresk, Inveresk Play Series, pp. 12 (2006) [Performance] | |
| Raisbeck, KD, You Mirror, Inveresk Play Series, Inveresk Play Series, pp. 13 (2006) [Published Creative Work] | |
| Edgar, M, Research the musical, SVPA University of Tasmania, Hobart, Tasmania, 1, pp. 32 (2003) [Performance] | |
| Edgar, M, The Once and Future Baby, SVPA University of Tasmania, Hobart, Tasmania, 1, pp. 54 (2003) [Performance] | |
| Edgar, M, Twenty Minute Traffic, SVPA University of Tasmania, Hobart, Tasmania, 1, pp. 20 (2003) [Performance] | |
| Kent, S, Our Path, Theatre North, Cataract Gorge, Launceston, 2001, pp. 73 (2001) [Published Creative Work] | |
| Kent, S, A Tale of One City, University of Tasmania, Launceston, pp. 35 (2000) [Recorded Creative Work] | |
| Hammond, PR, A View From The Balcony, University of Tasmania, Launceston, pp. 3 (2000) [Recorded Creative Work] | |
| Hammond, PR, A'Men, University of Tasmania, Launceston, pp. 24 (2000) [Recorded Creative Work] | |
| Kent, S, Because, University of Tasmania, Launceston, pp. 47 (2000) [Recorded Creative Work] | |
| Kent, S, Boz & Co, University of Tasmania, Launceston, pp. 71 (2000) [Recorded Creative Work] | |
| Hammond, PR, Cataratamongarock, University of Tasmania, Launceston, pp. 40 (2000) [Recorded Creative Work] | |
| Hammond, PR, Dreams and Visions, University of Tasmania, Launceston, pp. 28 (2000) [Recorded Creative Work] | |
| Hammond, PR, Headroom, University of Tasmania, Launceston, pp. 32 (2000) [Recorded Creative Work] | |
| Kent, S, Looking for Life in all the Wrong Places, Australian Script Centre, Hobart, pp. unpaginated (2000) [Recorded Creative Work] | |
| Hammond, PR, Molly Comes a Cropper, University of Tasmania, Launceston, pp. 44 (2000) [Recorded Creative Work] | |
| Edgar, M, Silence on Stage, University of Tasmania, Launceston, pp. 48 (2000) [Recorded Creative Work] | |
| Hammond, PR, The Day the Sky Fell In, University of Tasmania, Launceston, pp. 27 (2000) [Recorded Creative Work] | |
| Hammond, PR, Wierdo's, University of Tasmania, Launceston, pp. 39 (2000) [Recorded Creative Work] | |
| Kent, S, Boz & Co, University of Tasmania, Launceston, Tas, pp. 69 (1999) [Recorded Creative Work] | |
| Kent, S, Describing a Horse Thief, ABC Radio, Hobart, Tas, pp. 8 (1999) [Recorded Creative Work] | |
| Kent, S, Good Boy Bager, ABC Radio, Hobart, Tas, pp. 4 (1999) [Recorded Creative Work] | |
| Kent, S, Restraining Order, ABC Radio, Hobart, Tas, pp. 6 (1999) [Recorded Creative Work] | |
| Kent, S, The Seatbelt, Jousseur 3 ed. Raghid Nahhas, Cherrybrook, NSW, pp. 4 (1999) [Recorded Creative Work] | |
| Kent, S, Boz & Co, Griffin Theatre Company, Sydney (1998) [Recorded Creative Work] | |
| Kent, S, Because, Hobart (1995) [Recorded Creative Work] | |
| Kent, S, The Little Fir Tree, Sydney (1995) [Recorded Creative Work] | |
| Other Creative Work | |
|---|---|
| Lewis, Robert, r&j + j&r, Annexe Theatre, Launceston, Tasmania (2014) [Performance Practice] | |
| Lewis, Robert, Savages, Elizabeth St. Car Park, Launceston, Tasmania (2014) [Performance Practice] | |
| Trenos, HR, The Country, Annexe Theatre, Inveresk & Backspace Theatre, Tasmania (2014) [Minor Creative Work] | |
| Lewis, Robert, The Possum, Mudlark Theatre, Earl Arts Centre, Princess Theatre, Tasmania (2014) [Performance Practice] | |
| Mauro-Flude, MN, Vessels For Infinite Veracity: Theatre Machines And The Body, in SEAM 2010, Critical Path and University of Western Sydney, Seymour Centre, University of Sydney (2010) [Representation of Original Art] | |
| Hammond, PR, 'Who has not sat nervously before the stage curtain of his heart?' (Rainer Maria Rilke, 1875-1926, Duineser Elegian no. 4) , SVPA, Launceston, pp. 1 (2009) [Catalogue] | |
| Hammond, PR, Nature, red in tooth and claw (In Memorium: Alfred, Lord Tennyson, 1850), SVPA, Launceston, pp. 2 (2009) [Catalogue] | |
| Trenos, HR, Rise and Fall of the City of Mahagonny, SVPA, Launceston, pp. 1 (2009) [Catalogue] | |
| Hammond, PR, FRAGILITY: the harsh encounter between Christian zeal and the indomitability of maternalism in Nick Enright's 'The Female Factory' , SVPA, Launceston, pp. 3 (2008) [Catalogue] | |
| Hammond, PR, From Sunway with Love: how international students have influenced the Student Directed Festival, SVPA, Launceston, pp. 2 (2008) [Catalogue] | |
| Edgar, M, Boy gets Girl, The annexe Inveresk, Launceston, pp. 1 (2007) [Catalogue] | |
| Edgar, M, Love, The annexe Inveresk, Launceston, pp. 1 (2007) [Catalogue] | |
| Hammond, PR, Salmon Muse, SVPA, Launceston, pp. 2 (2007) [Catalogue] | |
| Hammond, PR, TAMAR TIDINGS: a resurgence of community activism, SVPA, Launceston, pp. 1 (2007) [Catalogue] | |
| Lewis, Robert, The death of light, The annexe Inveresk, Launceston, pp. 1 (2007) [Catalogue] | |
| Hammond, PR, A Savage Place, The annexe Inveresk, Launceston, pp. 2 (2006) [Catalogue] | |
| Hammond, PR, A very sustaining stew, The annexe Inveresk, Launceston, pp. 1 (2006) [Catalogue] | |
| Edgar, M, Churchillian Rhetoric, The annexe Inveresk, Launceston, pp. 2 (2006) [Catalogue] | |
| Hammond, PR, Demon King, The annexe Inveresk, Launceston, pp. 2 (2006) [Catalogue] | |
| Edgar, M, Hitchcock Blonde, The annexe Inveresk, Launceston, pp. 2 (2006) [Catalogue] | |
| Hammond, PR, Student Directed Festivals: a very sustaining stew, SVPA, Launceston, pp. 1 (2006) [Catalogue] | |
| Lewis, Robert, Fatherland, Academy of the Arts, Launceston, pp. 15 (2005) [Minor Creative Work] | |
| Hammond, PR, Up for Grabs, CentrStage, Launceston, pp. 1 (2005) [Catalogue] | |
| Edgar, M, (Romeos + Juliets)n: Performance in Impure Research, School of Visual & Performing Arts, Launceston, pp. 2 (2003) [Minor Creative Work] | |
| Lohrey, J, Redressing the Balance: Women in the French Revolution, School of Visual & Performing Arts , Launceston, pp. 3 (2003) [Catalogue] | |
| Edgar, M, Shakespeare in shorts: a brief note, School of Visual & Performing Arts, Launceston, pp. 10 (2003) [Catalogue] | |
| Kent, S, Conviction, The Australian Script Centre, Hobart, pp. 67 (2001) [Minor Creative Work] | |
| Kent, S, Looking for Life In All the Wrong Places, Island Magazine, Hobart, pp. 4 (2001) [Minor Creative Work] | |
| Lohrey, J, Midwestern Gothic: Evil and Innocence in Iowa ISBN 0 85901 963 2, University of Tasmania, Launceston, pp. 2 (2001) [Catalogue] | |
| Kent, S, Our Path, 10 Days on the Island - Tasmanian Government, Hobart, pp. 1 (2001) [Minor Creative Work] | |
| Edgar, M, Peer Gynt: Self-Seeker ISBN 0 85901 949 7, University of Tasmania, Launceston, pp. 3 (2001) [Catalogue] | |
| Hammond, PR, Sex, War, Gods and a Few Funny Frocks, University of Tasmania, Launceston, pp. 2 (2001) [Catalogue] | |
| Lohrey, J, Tangled Web: Alienation and Agenesis in Crazy Brave ISBN 0 85901 969 1, University of Tasmania, Launceston, pp. 2 (2001) [Catalogue] | |
| Thesis | |
|---|---|
| Delbridge, MJ, The Cooling Steam of the Polar Express: Historical origins, properties and implications of Performance Capture (2014) (2014) [PhD] | |
| Lewis, Robert, Sonorous Theatre - Dark Voices in Revolt: Uniting the core, proximity and the human voice in crisis (2011) [PhD] | |
| Trenos, HR, The Creativity of Acting (2009) [PhD] | |
| Merritt, LM, Performance Anxiety: Loss of the Spoken Edge (1999) [Masters Research] | |
| Hammond, PR, Community Theatre in the 1990s: a comparative study and critical discourse of smaller theatre companies in Australia and New Zealand (1994) [Masters Research] | |
| Other Public Output | |
|---|---|
| Warren, A, Radio Interview, ABC Radio Sydney Breakfast, Australia, 24 February (2021) [Media Interview] | |
| Warren, A, Without visiting headliners, can local artists save our festivals?, The Conversation, Australia, 22 February (2021) [Newspaper Article] | |
| Woollard, J, Hidden women of history: Eliza Winstanley, colonial stage star and our first female Richard III, The Conversation, The Conversation Media Group Ltd, Australia, 2 May (2019) [Magazine Article] | |
| Woollard, J, Kate Mulvany's The Mares bristles with energetic feminist storytelling, The Conversation, The Conversation Media Group Ltd, Australia (2019) [Magazine Article] | |
| Warren, A, The Unconformity festival embraces the power and peculiarity of Tasmania's wild west, The Conversation, The Conversation Media Group, Parkville, VIC, 2 November (2018) [Magazine Article] | |
| Strandgaard, J and Bevort, F and Bille, T and Cappelen, SM and Munar, AM and Ooi, CS and Stjerne, I and Svejenova, S, Examining the Variety of Contexts for Creativity, Creative Industries Research Centre, Copenhagen Business School (CBS), Denmark, Copenhagen, pp. 1-178. (2016) [Government or Industry Research] | |
| Delbridge, MJ, Past Stage Shows Posters Appeal, The Examiner, Fairfax Media, Launceston, May 30, 2015 (2015) [Media Interview] | |
| Delbridge, MJ, Setting up a Production, The Examiner, Launceston, March 21, 2015, p. 1. (2015) [Media Interview] | |
| Delbridge, MJ and Lewis, Robert, Theatre Talents in Town, The Examiner, Launceston, Jan 24 (2015) [Media Interview] | |
| Delbridge, MJ, Exit, stage left for BELL, The Examiner, Fairfax Media, Launceston, 15th Nov (2014) [Media Interview] | |
| Delbridge, MJ, John Bell: A life with Shakespeare, ABC Radio Breakfast program with Belinda King, Australian Broadcasting Company, Australia (2014) [Media Interview] | |
| Trenos, HR, Interview, Real Time Arts, Open City Inc, Australia, Aug-Sept (2013) [Media Interview] | |
| Lewis, Robert, Theatre Company Acts on its Brand, Examiner, Launceston, March 4 (2013) [Media Interview] | |
| Lewis, Robert, The Past is a Mystery in New CentrStage Play, UTAS Newsletter, University of Tasmania, Hobart, 1, 27 June (2012) [Internal Newsletter] | |
| Lewis, Robert, University Students Tackle Shakespeare's ' 'Love Square', The Examiner, The Examiner, Launceston, May 8, p. 1. (2012) [Newspaper Article] | |
| Trenos, HR, Calling All Tasmanian Theatre Artists: AusStage, Strata, Independent Publishers Tasmania, Launceston, 3, p. 9. (2011) [Newspaper Article] | |
| Trenos, HR, Intimate theatre way of future, The Examiner, Launceston, July 20, p. 29. (2011) [Media Interview] | |
| Hammond, PR, Theatrical Gems Remembered, The Examiner Newspaper, Launceston, Nov 27th 2010 (2010) [Media Interview] | |
| Trenos, HR, Project set to explore city's arts past, The Sunday Examiner, Examiner, Launceston, August 23 (2009) [Media Interview] | |
| Trenos, HR, Theory of Creativity: Creatics, Loco, Launceston, 1, 09/10 (2009) [Magazine Article] | |
| Rattray, PR, Country Club Theatrical Development Award (2008) [Award] | |
| Hammond, PR, Drama in historic homes, Sunday Tasmanian, Launceston, July 13 (2008) [Media Interview] | |
| Hammond, PR, Examining our convict past, The Examiner, Launceston, Oct 19 (2008) [Media Interview] | |
| Hammond, PR, Not all plain sailing for theatre group's play, The Examiner, Launceston, 2008 (2008) [Media Interview] | |
| Hammond, PR, Arts Tasmania Grant (2006) [Award] | |
| Hammond, PR, Tasmanian Community Fund Grant (2006) [Award] | |
| Hammond, PR, Bush linked with the Bard in a parody of Shakespeare, The Examiner, The Examiner Newspaper, Launceston, 11 October 2003 (2003) [Media Interview] | |
| McPhee, W, Challenge in body of work, The Examiner, The Examiner Newspaper, Launceston, 15 August 2003 (2003) [Newspaper Article] | |
| Hammond, PR, Conviction leads to new drama, The Examiner, The Examiner Newspaper, Launceston, 15 February 2003 (2003) [Newspaper Article] | |
| McPhee, W, Dramatic but difficult to digest, The Examiner, The Examiner Newspaper, Launceston, 18 August 2003 (2003) [Newspaper Article] | |
| McPhee, W, Exploring sexual identity, The Examiner, The Examiner Newspaper, Launceston, 9 August 2003 (2003) [Media Interview] | |
| Hammond, PR, Franklin story told with polish, The Examiner, The Examiner Newspaper, Launceston, 14 April 2003 (2003) [Newspaper Article] | |
| Hornung, L, Industrial inspiration for art, The Examiner , The Examiner Newspaper, Launceston, 1 March 2003 (2003) [Media Interview] | |
| Kelly, KM, Kelly finds room for feminist view, The Examiner, The Examiner Newspaper, Launceston, 16 August 2003 (2003) [Media Interview] | |
| Kelly, KM, No more 'e' on Centr Stage, The Examiner, The Examiner Newspaper, Launceston, 5 July 2003 (2003) [Media Interview] | |
| Hammond, PR, Not easy, but a rewarding experience, The Examiner, The Examiner Newspaper, Launceston, 5 September 2003 (2003) [Newspaper Article] | |
| Edgar, M, Portaits of the Franklins and their antagonists, The Examiner, The Examiner Newspaper, Launceston, 29 March 2003 (2003) [Newspaper Article] | |
| Hornung, L, Reclaiming life is all drama, The Examiner, The Examiner Newspaper, Launceston, 4 October 2003 (2003) [Media Interview] | |
| Hammond, PR, Ricochet from a road accident, The Examiner, The Examiner Newspaper, Launceston, 30 August 2003 (2003) [Media Interview] | |
| Hammond, PR, Silence puts the story of a survivor on stage, The Examiner, The Examiner Newspaper, Launceston, 27 September 2003 (2003) [Newspaper Article] | |
| Lohrey, J, Theatre at Inveresk, ABC Morning Show, Australian Broadcasting Corporation, Launceston, 14 June 2002 (2003) [Media Interview] | |
| Kent, S, Australian Writer's Guild Award for Original Radio Script 1995 for 'Tale of One City', Tale of One City, ABC Radio, Sydney (1995) [Award] | |
This list was generated on Mon May 29 16:36:47 2023.