eCite Digital Repository

Items where Subject is Field of Research, Creative Arts and Writing, Art history, theory and criticism, Art history

Journal Article
Juliff, T, 'They are always there': Mendieta, Vicuña and the coming again of ghosts, Latin American and Latinx Visual Culture, 3, (4) pp. 35-48. ISSN 2576-0947 (2021) [Refereed Article] 
Juliff, T, Silent witnesses: Doris Salcedo and Blanchot, Australian and New Zealand Journal of Art, 21, (2) pp. 192-207. ISSN 1443-4318 (2021) [Refereed Article] 
Teniswood-Harvey, A, The Artist's Piano: Parisian Self-Portraits by Hugh Ramsay (1877-1906), Context, 43 pp. 1-12. ISSN 1038-4006 (2018) [Refereed Article]
Teniswood-Harvey, A, Reconsidering Whistler's portrait of Henry Irving, Burlington Magazine, 158, (1362) pp. 723-729. ISSN 0007-6287 (2016) [Refereed Article] 
Teniswood-Harvey, A, Music and Cross-Cultural Exchange in the Art of Tom Roberts, Arthur Streeton and James McNeill Whistler, Music in Art: International Journal for Music Iconography, 38, (1-2) pp. 89-99. ISSN 1522-7464 (2013) [Refereed Article]
Neale, A, Thomas Woolner's Wordsworth Memorial, 1851: Pre-Raphaelite sources and slips, The Burlington Magazine, 151, (1275) pp. 382-387. ISSN 0007-6287 (2009) [Refereed Article] 
Deeth, JA, A New Museological Approach to the Interpretation of Highfield Historic Site at Stanley, Tasmania, Kanunnah, 3, (June-July) pp. 13-26. ISSN 1832-536X (2008) [Refereed Article] 
Holmes, JH, In black and white: W.C. Piguenit's mono chrome paintings and the imaging of the Tasmanian wilderness in the Picturesque Atlas of Australasia, Kanunnah, 3, (June-July) pp. 1-12. ISSN 1832-536X (2008) [Refereed Article]
Holmes, JH, Mutant Hybrids: Penny Smith's Recent Stoneware and Porcelain, Ceramics: Art & Perception, (74) pp. 1-12. ISSN 1035-1841 (2008) [Professional, Non Refereed Article] 
Hansen, A, The Significance of 'H' in William H Archer in Australian Herbarium Collections , Kanunnah, 3 pp. 94-97. ISSN 1832-536X (2008) [Contribution to Refereed Journal] 
Holmes, JH, Editions variees. Nicholas Goodwolf's recent etchings, Imprint, (43) pp. 20-21. ISSN 0313-3907 (2008) [Non Refereed Article] 
Ewins, R, Staying Fijian: Vatuele Island Barkcloth and Social Identity, Crawford House Publishing, Belair, pp. 390. ISBN 9780824831127 (2009) [Authored Research Book] 
Chapter in Book
Cook, PS, Theme box 54: Haraway: crossing the boundaries: some thoughts about cyborgs, History of Illustration, Bloomsbury Publishing Inc, S Doyle, J Grove, and W Sherman (ed), London, pp. 480-481. ISBN 9781501342110 (2019) [Other Book Chapter]
Kerby, M and Baguley, M and MacDonald, AJ, Write propaganda, shut up, or fight: Philip Gibbs and the Western Front, The Palgrave Handbook of Artistic and Cultural Responses to War since 1914, Palgrave Macmillan, M Kerby, M Baguley and J McDonald (ed), United Kingdom, pp. 219-236. ISBN 978-3-319-96985-5 (2019) [Research Book Chapter] 
Freeman, C, David Mabberley. Painting By Numbers: The Life and Art of Ferdinand Bauer, Historical Records of Australian Science, 29, (2) pp. 201-202. ISSN 0727-3061 (2018) [Review Several Works]
Conference Publication
Teniswood-Harvey, A, Centred on the periphery: the development of an Australian musical avant-garde in the 1960s, 19th International Conference of Association RIdIM, Belonging and Detachment: Representing Musical Identity in Visual Culture, 13-15 November 2019, Hobart, Australia, pp. 66. (2019) [Conference Extract]
Teniswood-Harvey, A, Visual Art and Agency in the Identity Formation of Peter Sculthorpe (1929-2014), Intercongressional Symposium: Agency and Identity in Music, 7-10 July, Lucerne, Switzerland, pp. 61. (2019) [Conference Extract]
Teniswood-Harvey, A, FashionFriday: Lang Lang's Visual Marketing, 18th International Conference of Association RIdIM - Music and Image in Social, Cultural and Political Discourse Program, 9-12 July 2018, Canterbury Christ Church University, pp. 80-81. ISBN 978-3-033-06809-4 (2018) [Conference Extract]
Teniswood-Harvey, A, Gender politics and performance, 18th International Conference of Association RIdIM - Music and Image in Social, Cultural and Political Discourse Program, 9-12 July 2018, Canterbury Christ Church University, pp. 26. ISBN 978-3-033-06809-4 (2018) [Chair International Conference]
Paull, J, Ernesto Genoni Artist, Pacifist, Anthroposophist, Inaugural Uriel Lecture, 14 March 2015, Hawthorn, Victoria, pp. 1-67. (2015) [Keynote Presentation]
Hansen, A, Collecting History: Post-settler society's appropriation of identity, 19th British Commonwealth and Postcolonial Studies Conference, 26-27 February 2010, Savannah, Georgia, USA (2010) [Non Refereed Conference Paper] 
Hansen, A, Collecting Natural History Art: Post-settler society's search for identity, Nature and the Long Nineteenth Century 2010, 6 February 2010, Edinburgh, Scotland (2010) [Non Refereed Conference Paper] 
Hansen, A, Three Voyages, Oceanic Passages, 23-25 June 2010, Hobart, Tasmania (2010) [Non Refereed Conference Paper] 
Major Creative Work
Teniswood-Harvey, A and Glazer, L and de Montfort, P and Ono, A, Cross Cultural Interchange and Aspirations od Universality: The Peacock Room in 1908, Smithsonian, USA (2011) [Recorded Creative Work] 
Other Creative Work
Paull, J, Angels of the First Class: The Anthroposophic Art of Ernesto Genoni, Goetheanum, 1924, Vital Years Conference: Cradle of a Heathy Life, Hobart, Tasmania, pp. 16 (2016) [Catalogue]
Vella, JM, Permissiontosit, Criterion Gallery Hobart, Launceston, pp. 1 (2009) [Representation of Original Art] 
Teniswood-Harvey, A, Colour-Music: Musical Modelling in James McNeill Whistler's Art (2006) [PhD] 
Teniswood-Harvey, A, Colour-Music: Musical Modelling in James McNeill Whistler's Art (2006) [PhD] 
Mason, PL, Creativity, Madness and Civilisation, Creativity, Madness and Civilisation, Richard Pine (ed), UK, 1, pp. 8 ,268, 275, 281 (2008) [Entry] 

This list was generated on Wed Aug 17 10:38:16 2022.