eCite Digital Repository

Items where Subject is Field of Research, Studies in Creative Arts and Writing, Art Theory and Criticism, Visual Cultures

Journal Article
Juliff, T, A new generation of British art: A problem of provincialism, Australian and New Zealand Journal of Art, 18, (1) pp. 125-145. ISSN 1443-4318 (2018) [Refereed Article] 
Sarfraz, N and Kousar, R and Qasim, K, Reclamation of History: discerning polyvocal and decentering voices in Half of a Yellow Sun, Language in India, 16, (3) pp. 160-193. ISSN 1930-2940 (2016) [Refereed Article] 
Negrin, L, Art and Fine Wine: A Case Study in the Aestheticization of Consumption, Continuum: Journal of Media and Cultural Studies, 29, (3) pp. 419-433. ISSN 1030-4312 (2015) [Refereed Article] 
Negrin, L, The Contemporary Significance of 'Pauperist' Style, Theory, Culture and Society, 32, (7-8) pp. 197-213. ISSN 0263-2764 (2015) [Refereed Article] 
Juliff, T and Cox, T, The Post-display Condition of Contemporary Computer Art, Electronic Melbourne Art Journal, (8) pp. 1-16. ISSN 1835-6656 (2015) [Refereed Article]
Juliff, T, Livingstone-heritage and the interstitial spectres of Trafalgar Square, International Journal of Tourism Anthropology, 3, (2) pp. 200-209. ISSN 1759-0442 (2013) [Refereed Article] 
Meidl, E, Ein Bild spricht tausend Worte: Erzherzog Ludwig Salvators Hobart (1881), Konzepte, Orientierungen, Abhandlungen, Lekturen, Australien Studien, 10 pp. 123-140. ISSN 1434-0321 (2012) [Refereed Article] 
Hay, PR, Shape of the Wind: Pattern and Chaos in Sue Lovegrove's Island Art, Artlink: Australian Contemporary Art Quarterly, 32, (1) pp. 58-60. ISSN 0727-1239 (2012) [Non Refereed Article] 
Sawford, R, Typotastic, 1, (4) pp. 76. ISSN 1832-8970 (2008) [Edited Journal] 
Smith, PG, Alice at the Allport, Ceramics: Art and Perception, 1, (69) pp. 22 - 26. ISSN 1035-1841 (2007) [Professional, Non Refereed Article] 
Walch, MB, Beyond Euclid's fifth, Visual Communication, 6, (2) pp. 214 - 219. ISSN 1470-3572 (2007) [Professional, Non Refereed Article] 
Smith, John, Future Past to Future Present, Woodwork, 98, (April 2006) pp. 52 - 56. ISSN 1045-3040 (2006) [Professional, Non Refereed Article] 
Smith, PG, Whitegold: William Cookworthy Celebrations, Ceramics: Art and Perception, 1, (64) pp. 80 - 86. ISSN 1035-1841 (2006) [Professional, Non Refereed Article] 
Smith, PG, Perceptions of Perfection, Ceramics: Art and Perception, 1, (53) pp. 90 - 95. ISSN 1035-1841 (2003) [Professional, Non Refereed Article] 
Smith, PG, Primary Pavers, Ceramics Technical, 1, (17) pp. 10 - 13. ISSN 1324-4175 (2003) [Professional, Non Refereed Article] 
Book
Blackwood, G and McGregor, A, Motion Pictures: Travel Ideals in Film, Peter Lang AG, Bern, pp. 230. ISBN 978-3-0343-2108-2 (2016) [Edited Book]
Norrie, H, Sea Stories, Hobart, pp. 34. ISBN 978-0-9757533-1-6 (2012) [Edited Book]
Hobba, L, Homecoming, Burnie Regional Gallery, Burnie, pp. 4. ISBN 978-0-9757039-7-7 (2009) [Authored Other Book] 
Langridge, CF, Liminal, Hobart City Council, Hobart, pp. 18. ISBN 978-0-9750909-9-2 (2008) [Authored Other Book] 
Langridge, CF, Quote, Salamanca Arts Centre, Hobart, pp. 5. ISBN 0-646-46458-2 (2006) [Authored Other Book] 
Smith, John, Different Readings: a contemporary interpretation of the Allport Furniture Collection, State Library of Tasmania, Hobart, pp. 48. ISBN 1-920865-35-7 (2005) [Authored Research Book] 
Smith, John, The View from Beyond the Edge, The Furniture Society, Asheville, North Carolina, pp. 128. ISBN 0-9671004-3-7 (2005) [Edited Book] 
Keating, MJ, A Cut Across, Plimsoll Gallery, University of Tasmania, Hobart, pp. 24. ISBN 1862952000 (2004) [Authored Research Book]
Chapter in Book
Ozolins, B, Julie Gough: the art and culture of collecting, Fugitive history: the art of Julie Gough, UWA Publishing, Julie Gough (ed), Crawley, pp. 67-75. ISBN 9781742585581 (2018) [Research Book Chapter] 
Negrin, L, Maurice Merleau-Ponty: The Corporeal Experience of Fashion, Thinking through Fashion: A guide to key theorists, I.B.Tauris & Co Ltd, Agnes Rocamora and Anneke Smelik (ed), United Kingdom, pp. 115-131. ISBN 9781780767338 (2016) [Research Book Chapter] 
Negrin, L, Fashion as an Embodied Art Form, Carnal Knowledge Towards a 'New Materialism' through the Arts, I.B.Tauris & Co Ltd, Barbara Bolt and Estelle Barrett (ed), London and New York, pp. 141-154. ISBN 978 1 78076 265 4 (2013) [Research Book Chapter] 
Negrin, L, Aesthetics: Fashion and Aesthetics - a fraught relationship, Fashion and Art, Berg, A Geczy and V Karaminas (ed), London, UK, pp. 43-54. ISBN 9781847887832 (2012) [Research Book Chapter] 
Norrie, H, The Sea Stories Journey, Sea Stories, pp. 9-16. ISBN 978-0-9757533-1-6 (2012) [Other Book Chapter]
Ewins, R, Dard hunter and bark-paper, Speaking of Paper...The Anita Lynn Forgach keynote speakers 1998-2005, Friends of Dard Hunter, Inc, Baker, Whitney S. (ed), Chillicothe (OH), pp. 37-51. (2011) [Other Book Chapter]
Ewins, R, Fijian dress and body modifications, Berg Encyclopedia of World Dress and Fashion, Berg Publishers, Margaret Maynard (ed), Oxford and New York, pp. 435-443. ISBN 978-1-84788-396-4 (2010) [Research Book Chapter] 
Ewins, R, The perils of ethnographic provenance; the documentation of the Johnson Fiji collection in the South Australian Museum, Hunting the collectors: Pacific collections in Australian museums, art galleries and archives, Cambridge Scholars Publishing, Cochrane, Susan & Quanchi, Max (ed), Newcastle, pp. 33-68. ISBN 1-84718-084-1 (2007) [Research Book Chapter]
Review
Hawthorne, LE, art when it's at home, Real Time, 1, (58) pp. 54. (2008) [Other Review] 
Hawthorne, LE, The Road to Here, Artlink, 28, (1) pp. 22. (2008) [Other Review] 
Conference Publication
Kratz, SJ, Species Entanglements and Expanded Kinship: Feminist Engagements with Technoscience, Women, Art and Feminism in Australia since 1970: Symposium, 21-23 February 2018, Victorian College of the Arts, pp. 36. (2018) [Conference Extract] 
Haddon, N and Juliff, T and Fountain, W and Kunda, M, After you have gone: un-disciplined knowledge and new value/s, one year on, ACUADS Conference Program, 28-29 September 2017, Canberra, ACT, pp. 1-11. (2017) [Refereed Conference Paper]
Juliff, T and Keating, MJ and Norrie, H and Veness, Z and Kratz, SJ, Praxis now: Frayling's 'Research in Art and Design' 24 years on, ACUADS Conference Program, 28-29 September 2017, Canberra, ACT, pp. 1-14. (2017) [Refereed Conference Paper]
MacDonald, A, Three graces of practice: rendering the reciprocal interactions of artistry and teaching, Proceedings of the 2016 Australian Association for Research in Education (AARE) Conference, 27 November - 1 December 2016, Melbourne, Victoria, Australia, pp. 1-13. (2016) [Refereed Conference Paper]
Negrin, L, Art Meets Fashion: A Paradoxical Partnership - The Case of Cindy Sherman's Fashion Photographs, Art Association of Australia and New Zealand Conference, 5-8 December, Launceston (2014) [Non Refereed Conference Paper] 
Negrin, L, Fashion as Art or Art as Fashion?, 6th Global Conference on Fashion, 15 - 18 September, Mansfield College, Oxford University (2014) [Non Refereed Conference Paper] 
Haddon, N, The Promise of a Future: How visual artists present future scenarios especially with respect to a Tasmanian idyll, Unnatural Futures, 3-4 July 2014, Hobart, pp. 1. (2014) [Non Refereed Conference Paper]
Meeker, RH, Picturing Familiar Ground, ACUADS Conference 2012 Proceedings - Region and Isolation: The changing function of art & design education within diasporic cultures and borderless communities, 3-5 October 2012, Central Institute of Technology, Curtin University, pp. 1-16. ISBN 978-0-9758360-8-8 (2012) [Refereed Conference Paper]
Bleach, L, Regarding the Earth: Ecological Vision in Word and Image, 4th ASLEC- ‐ANZ Biennial Conference, 31 AUGUST to 2 SEPTEMBER, 2012 (2012) [Non Refereed Conference Paper]
Bleach, L, Site Fidelity, Regarding the Earth: Ecological Vision in Word and Image 4th ASLEC- ‐ANZ Biennial Conference, August 31 to September 2, Melbourne (2012) [Non Refereed Conference Paper]
Scott, M, Integrated Thinking and Making in a Research Culture, 2011 Australian Council of University Art and Design Schools Conference, 21-23 September 2011, U Canberra & ANU, Canberra, pp. 1-14. (2011) [Refereed Conference Paper]
Negrin, L, Art and Gastronomy: An analysis of the significance of the new cultural spaces that blur the boundary between art and the food and wine experience, Socioaesthetcis Conference, August, Copenhagen, pp. 1-29. (2009) [Non Refereed Conference Paper]
Robinson, DA, People, Place, Spirit, Textiles as Cultural Expression, September 24 - 27, Honolulu, Hawaii (2008) [Non Refereed Conference Paper] 
Glade-Wright, RE and Cole, DR, The creative processes of design and writing in education, Creativity, Enterprise, Policy - New Directions in Education, 6-9 December 2007, Wellington, New Zealand, pp. 1-9. ISBN 978-0-909009-90-8 (2008) [Non Refereed Conference Paper] 
Quon, JW, Synergies and Tensions in the Application of Irreducible Communications Paradigms to Issues of Marine Ecology, New Constellations: Art, Science and Society, 14 July, 2003, Museum of Contemporary Art, Sydney, pp. 91 - 95. ISBN 1921034122 (2006) [Refereed Conference Paper] 
Design
Smith, John, Tidal Zone: an exhibition of contemporary furniture and objects, Design Centre Tasmania, Design Centre Tasmania touring regional galleries (2008) [Refereed Designs] 
Major Creative Work
Haddon, N, Migratory Aesthetics: Heterochrony as painting, University of Tasmania, The Academy Gallery, Tidal Waters, Brook Street Pier, and Hadley's Orient Hotel (2018) [Published Creative Work]
Bleach, L, Phase Transition, Dark MOFO, MONA, The Hobart Penitentiary, Hobart (2018) [Other Exhibition]
Haddon, N, Painting the Colonial Folly, Academy Art Gallery, Bett Gallery, Tasmanian Museum and Art Gallery, The Glover Prize Exhibition, Hadley's Art Prize Exhibition, and Galerie Pom Pom (2017) [Published Creative Work]
Hogan, J, Stain of Blackening Plumes, Ten Days on the Island, Hobart, Tasmania and Freemantle, WA (2017) [Published Creative Work] 
Haddon, N, New Works, This Is No Fantasy, 'This Is No Fantasy', Melbourne, Australia (2016) [Published Creative Work]
Evans, JD and Archer, JL and Ehart, R, Timeless Stories, Waratah Wynyard Council, Goldie Street, Wynyard (2016) [Published Creative Work] 
Juliff, TD, Translating Michelle Nikou's objects, Heide Museum of Modern Art, Heide Museum of Modern Art, Benella Art Gallery, Cairns Art Gallery, Anne and Gordon Samstag Gallery of Museum of Art University of South Australia, Coloundra Art Gallery, Western Plains Cultural Centre, 1, pp. 74 (2016) [Published Creative Work] 
Haddon, N, Wormhole, Bett Gallery, Bett Gallery, 1 (2015) [Published Creative Work] 
Haddon, N, After the Burn, Mt Nelson (a new landscape emerges), Art Gallery of New South Wales, Fleurieu Biennale, Art Gallery of New South Wales, Fleurieu Biennale (2013) [Other Exhibition] 
Haddon, N, 'Grafted Landscape (West Hobart)' in the Glover Prize 2012, The John Glover Society, Evandale, Tasmania, pp. 1 (2012) [Published Creative Work] 
Haddon, N, 'Wear No. 4' in Theatre of the World, Museum of Old and New Art, Berriedale, Tasmania, 1, pp. 1 (2012) [Published Creative Work] 
Haddon, N, Putting Out the Fire (with gasoline), Fascinator (three dresses), Lost (green), Lost (pink), Putting Out the Fire (with geometry), The Hunter (NH), Art Platform Los Angeles, Santa Monica, California, pp. 6 works (2012) [Published Creative Work] 
Norrie, H, Sea Stories, Carnegie Gallery, Hobart City Council, Hobart, Carnegie Gallery, Hobart (2012) [Curated Exhibition] 
Haddon, N, the black mirror, the basement, the hunter, the studio, Inflight Gallery, Hobart (2012) [Published Creative Work] 
Bleach, L, Local Colour, Devonport Regional Gallery, Devonport Regional Gallery, Tasmania, 1 (2011) [Published Creative Work] 
Ozolins, BT, Codex, Hobart City Council, Carnegie Gallery, Hobart (2009) [Published Creative Work] 
Parr, GG, Storylines, Criterion Gallery, Criterion Gallery, Hobart, 1, pp. 17 works (2009) [Published Creative Work] 
Langridge, CF, All Through the Night; Counterfold-Conformation; Minor Ecstatic Swoon; Doubts , Contemporary Art Services Tasmania, CAST Gallery, North Hobart (2008) [Published Creative Work] 
Frost, RE, Bell Jar, Salamanca Arts Centre, Tasmania, Australia, pp. 1 (2008) [Published Creative Work] 
Haddon, N, Broken, Criterion Gallery, Hobart (2008) [Published Creative Work]
Stephenson, DM, David Stephenson Photographs, O'Sullivan Art Gallery, Regis University , Denver, Colorado, USA (2008) [Published Creative Work] 
Woods, EJ, Landscapers, State Library of Queensland & touring (2008) [Published Creative Work] 
Parr, GG, Meanwhile in New York, Tasmanian Museum and Art Gallery, Tasmania, Australia, 1, pp. 1 (2008) [Published Creative Work] 
Bleach, L, Municipality, Kings Artist Run Initiative (2008) [Published Creative Work] 
Bleach, L, Nature is a Language Can't You Read, Contemporary Art Services Tasmania, Tasmania, Australia, pp. 1 (2008) [Published Creative Work]
Ozolins, BT, Orb: Deep Water: The Truth: Clouds: Stain, Plimsoll Gallery, Hobart (2008) [Published Creative Work] 
Bleach, L, Revue des Deux Mondes, Inflight Gallery (2008) [Published Creative Work] 
Stephenson, DM, Star Drawings, John Buckley Gallery , Melbourne (2008) [Published Creative Work]
Parr, GG, Timeless Matters, Mornington Peninsula Regional Gallery, Tasmania, Australia, pp. 1 (2008) [Published Creative Work] 
Langridge, CF, Aspiration, Port Arthur Historical Site, Tasmania, Australia, pp. 1 (2007) [Published Creative Work] 
Bleach, L, Circumnarrative, Long Gallery, Salamanca Arts Centre, Hobart, pp. 3 (2007) [Published Creative Work] 
Vella, JM, Freestyle, Contemporary Art Services Tasmania, Hobart, pp. 1 (2007) [Published Creative Work] 
Bleach, L, Reserved, Port Arthur Historical Site, Port Arthur, pp. 1 (2007) [Published Creative Work] 
Parr, GG, Settling Green, Gold Coast City Art Gallery, Gold Coast, pp. 1 (2007) [Published Creative Work] 
Haddon, N, Stranded (seed), Bendigo Art Gallery, Bendigo, pp. 1 (2007) [Published Creative Work] 
Langridge, CF, Uplift; Augusto; Putti Clouds; Deaths, British School at Rome, Rome, pp. 4 (2007) [Published Creative Work] 
Robinson, JH, Annie is a Bunyip, Entrepot Gallery, Entrepot Gallery (2006) [Published Creative Work] 
Fisher, RP, Coil; Binary Excursion, Tasmanian Museum and Art Gallery, Hobart, pp. 2 (2006) [Published Creative Work] 
Vella, JM, Marks Made, Canberra Contemporary Arts Space (CCAS), Canberra, pp. 1 (2006) [Published Creative Work] 
Langridge, CF, Meant to Be, Werribee Park , Melbourne, pp. 1 (2006) [Published Creative Work] 
Parr, GG, Vertebrae Eye, Gold Coast City Art Gallery, Gold Coast, pp. 1 (2006) [Published Creative Work] 
Parr, GG, Binary Ignition, Gold Coast City Art Gallery, Gold Coast, pp. 1 (2005) [Published Creative Work] 
Vella, JM, Nocturnal, Kelly's Garden, Salamanca Arts Centre, Hobart, pp. 1 (2005) [Published Creative Work] 
Haddon, N, Patch no.1 & 3 , Group Material - Tasmanian Museum and Art Gallery, Hobart (2004) [Published Creative Work]
Walch, MB, Six traces in far dimensions: Re-mapping Tasmania, Department of Fine Arts, Bangladesh Shilpakala Aca, Bangladesh, pp. 1 (2004) [Published Creative Work] 
Vella, JM, The House of Silverfish, Woolmers Estate, Longford, pp. 1 (2003) [Published Creative Work] 
Other Creative Work
MacDonald, A, Recast the victims and villains, Replay the scene, and Rebuild the stage, Landscape and Memory: A nation imagined, Toowoomba Regional Art Gallery, Toowoomba, Qld, pp. 3 (2018) [Minor Creative Work]
MacDonald, AJ, Drawn Together: An exhibition of life drawing works from Tasmanian teachers and their students, Little Space Gallery, Australia, pp. 3 pages (2017) [Catalogue]
Haddon, N, We bring our own fires, UTAS, Ten Days on the Island, Domain House, Hobart, pp. 9 paintings (2017) [Representation of Original Art]
Haddon, N, We bring our own fires in Remanence', Ten Days on the Island exhibition, Domain House, Hobart, pp. 9 (2017) [Representation of Original Art] 
MacDonald, AJ, Meandering, University of Tasmania, Academy Gallery, pp. 2 (2015) [Representation of Original Art]
Norrie, H and Kimberley, J, Oculus: Jonathan Kimberley, Dick Bett Gallery, Hobart, pp. 1 (2011) [Catalogue]
Malor, D, 'Painting the passionate life' catalogue essay, Kit Hiller Survey Show, Burnie Regional Art Gallery, Burnie, pp. 8 (2010) [Catalogue]
Vella, JM, Blind, Tasmanian Museum and Art Gallery, Hobart, pp. 1 (2009) [Acquisition] 
Vella, JM, Fit - 7_ _ _; Status Free Vehicle, Moonah Arts Centre/CAST, Hobart, pp. 2 (2009) [Representation of Original Art] 
Vella, JM, Hobart Portrait Group: Life Drawing Session (version II), Museum of Contemporary Art (MCA), Sydney, pp. 1 (2009) [Representation of Original Art] 
Wood, DE, How to Domesticate a Pirate, Sydney University Press, Sydney, pp. 3 (2009) [Minor Creative Work] 
Vella, JM, Poleposition, Clarendon House, Evandale, pp. 1 (2009) [Representation of Original Art] 
Woods, EJ, Public Notice, Salamanca Arts Centre, Hobart, pp. 2 (2009) [Representation of Original Art] 
Vella, JM, Spatial Origami, Queen Victoria Museum and Art Gallery, Launceston, pp. 1 (2009) [Representation of Original Art] 
Vella, JM, The New Black, Criterion Gallery, Hobart, pp. 1 (2009) [Representation of Original Art] 
Zika, P, Cornucopia 1 (1998); Cornucopia 5 (2000); Cornucopia 6 (2000) , Glen Eira City Council, Melbourne, pp. 3 (2008) [Representation of Original Art] 
Langridge, CF, Eternal Recurrence, Plimsoll Gallery, University of Tasmania, Hobart, pp. 1 (2008) [Representation of Original Art] 
Glade-Wright, RE, First Light : Tim Moss, University of Tasmania; Newnham Gallery, Launceston, pp. 4 (2008) [Catalogue] 
Haddon, N, Glister No.1, Inflight Art, Hobart, pp. 1 (2008) [Representation of Original Art] 
Davis, JG, Implicate Order, Perth Institute of Contemporary Arts, Perth, pp. 1 (2008) [Representation of Original Art] 
Haddon, N, Now More Than Ever, Criterion Gallery, Hobart, pp. 1 (2008) [Representation of Original Art] 
Haddon, N, Reciclar, Plimsoll Gallery, University of Tasmania, Hobart, pp. 1 (2008) [Representation of Original Art] 
Vella, JM, Scape, Arts@Work/ Hydro Tasmania Consulting, Hobart, pp. 1 (2008) [Acquisition] 
Vella, JM, Scape, Arts@Work/ Hydro Tasmania Consulting, Hobart, pp. 1 (2008) [Acquisition] 
Wood, DE, The Arabesques of Paradox, Island Magazine, Hobart, pp. 7 (2008) [Minor Creative Work] 
Wood, DE, The Housewife, Affirm Press, Mulgrave, pp. 11 (2008) [Minor Creative Work] 
Parr, GG, The Scientific Artist, Plimsoll Gallery, University of Tasmania, Hobart, pp. 1 (2008) [Representation of Original Art] 
Haddon, N, Vestigial (40), National Gallery of Victoria, Melbourne, pp. 1 (2008) [Acquisition] 
Robinson, JH, Annie is the Bunyip, Smith St Cafe, Hobart, pp. 2 (2007) [Representation of Original Art] 
Robinson, JH, Annie Saw the Bunyip #1, Long Gallery, Salamanca Arts Centre, Hobart, pp. 1 nine panel print (2007) [Representation of Original Art] 
Haddon, N, Wear No.4, Tasmanian Museum and Art Gallery, Hobart, pp. 1 (2007) [Acquisition] 
Fisher, RP, Button Seat, Design Centre of Tasmania, Launceston, pp. 1 (2006) [Acquisition] 
Parr, GG, Place, 1983, Plimsoll Gallery, University of Tasmania, Hobart, pp. 1 x 6 panel (2006) [Representation of Original Art] 
Vella, JM, Placemats: a series of fundamental floors (version II), Academy Gallery, Launceston, pp. 1 (2006) [Representation of Original Art] 
Fisher, RP, Point; Stack; Steps, Plimsoll Gallery, University of Tasmania, Hobart, pp. 3 (2006) [Representation of Original Art] 
Vella, JM, Skidmarks, Conical Inc., Melbourne, pp. 1 (2006) [Representation of Original Art] 
Haddon, N, Survivor - Erase Me, Gold Coast City Art Gallery, Gold Coast, pp. 1 (2006) [Acquisition] 
Walch, MB, Utah Tanks, West Lyall Open-Cut, MT Lyell, Tasmania, PLimsoll Gallery, University of Tasmania, Hobart, pp. 1 (2006) [Representation of Original Art] 
Haddon, N, Arbour No.3 (Shack Head), Tasmanian Museum and Art Gallery, Hobart, pp. 1 (2005) [Representation of Original Art] 
Dixon, GA, Convict Badge #1, Paper Clipping, Plimsoll Gallery, University of Tasmania, Hobart, pp. 2 (2005) [Representation of Original Art] 
Langridge, CF, Final Cause, Plimsoll Gallery, University of Tasmania, Hobart, pp. 1 (2005) [Representation of Original Art] 
Haddon, N, Panel (Idol), Perth Institute of Contemporary Arts, Perth, pp. 1 (2005) [Representation of Original Art] 
Fisher, RP, Pulse, Academy Gallery, Launceston, pp. 1 (2005) [Representation of Original Art] 
Haddon, N, Support - Running Scared & Reconstituted No. 1 (running Scared), Letitia Street Studios, Hobart, pp. 2 (2005) [Representation of Original Art] 
Haddon, N, Survivor (Graft), InFlight Art, Hobart, pp. 1 (2005) [Representation of Original Art] 
Haddon, N, Desabordamiento No.1 & Purblind No.1, Plimsoll Gallery, University of Tasmania, Hobart, pp. 2 (2004) [Representation of Original Art] 
Walch, MB, Anamorphic Landscape, Claremont College, Hobart, pp. 1 (2003) [Acquisition] 
Vella, JM, GE 40 Watt, Academy Gallery, Launceston, pp. 1 (2003) [Representation of Original Art] 
Parr, GG, Queenstown, MT. Lyell Mining C. and Railway Offices, Penghana Rd, Queenstown, Queenstown, pp. 1 (2003) [Representation of Original Art] 
Smith, PG, Tripping the Light Fantastic: When Art and Science Converge, Craftwest, Perth, pp. 35 (2003) [Catalogue] 
Parr, GG, Air Born, Plimsoll Gallery, University of Tasmania, Hobart, pp. 1 x 3 panel print (2002) [Representation of Original Art] 
Vella, JM, Family Ties (Wetspot), Moores Building, Fremantle WA, pp. 1 (2002) [Representation of Original Art] 
Langridge, CF, Half a Day Off Per Week in Summer; Press Cloth; The Workers in the Jam Room Were Mainly Women, Salamanca Arts Centre, Hobart, pp. 3 (2002) [Representation of Original Art] 
Langridge, CF, In Memory; Almost, Plimsoll Gallery, University of Tasmania, Hobart, pp. 2 (2002) [Representation of Original Art] 
Parr, GG, Prismatic Sky, Bett Gallery, Hobart, pp. 3 (2002) [Representation of Original Art] 
Parr, GG, The National Picture 1985, Lake Macquarie City Art Gallery, Lake Macquarie, pp. 1 (2002) [Representation of Original Art] 
Thesis
Rees-Pagh, YD, Curiosities and Contradictions: (2007) [Masters Research] 
Fisher, RP, A Sculptural re-interpretation of aspects of European two-dimensional visual art in the period 1910 - 1940 (2006) [PhD] 
Other Public Output
Haddon, N, Critical practices: Integrating ideas and practice, NiTRO: Non Traditional Research Outcomes, The Australian Council of Deans and Directors of Creative Arts, Australia, 24 august 2018 (2018) [Magazine Article]
Haddon, N, Hadley's Art Prize 2018: Interview with Olivia Hicks, WIN News Tasmania, WIN Network, Hobart, 20 July 2018 (2018) [Media Interview]
Haddon, N, Hadley's Art Prize: Interview with Joel Rheinberger, Evenings with Joel Rheinberger, Australian Broadcasting Corporation, Hobart, 23 July 2018 (2018) [Media Interview]
Haddon, N, Tasmanian artist wins Hadley's Art Prize with War of the Worlds-inspired painting: interview with ABC Tasmania News, ABC Tasmania News, Australian Broadcasting Corporation, Australia, 20 July 2018 (2018) [Media Interview]
Haddon, N, The War of the Worlds-inspired artwork that just took home a $100,000 prize: Interview with Eddie Ayres, The Hub on Art, Australian Broadcasting Corporation, Australia, 1 August 2018 (2018) [Media Interview]
Haddon, N, ABC TV News, The Glover Prize 2008, Hobart, 7 March 2008 (2008) [Media Interview] 
Haddon, N, ABC TV Stateline, Interview on art practice, Hobart, 3rd October 2008 (2008) [Media Interview] 
Bleach, L, Companion Planting, Artlink, Artlink Australia, Adelaide, 28, 3 (2008) [Magazine Article] 
Haddon, N, Fleurieu Biennale, Analgesic Landscape (NW Tas), McLaren Vale, SA (2008) [Award] 
Ozolins, BT, Inaugural QANTAS Contemporary Art Award (2008) [Award] 
Woods, EJ, New Work Grant, Australia Council (2008) [Award] 
Woods, EJ, Professional Development Grant, Arts Queensland (2008) [Award] 
Bleach, L, Professional Development Grant, Arts Tasmania (2008) [Award] 
Bleach, L, Revue des Deux Mondes, Landscape Architecture Australia, Architecture Media, Port Melbourne, 119 (2008) [Award] 
Fisher, RP, Sculpture: Fred Fisher, Object, Australian Centre for Craft and Design, Surry Hills, NSW, 1, 55 (2008) [Magazine Article] 
Haddon, N, The Glover Prize 2008, Purblind (Opiate), Tasmania (2008) [Award] 
Fisher, RP, Dean's Commendation for Outstanding Doctoral Thesis (2007) [Award] 
Vella, JM, John Vella, Studio: Australian Painters on the Nature of Creativity (2007) [Award] 
Woods, EJ, New Works Grant, Arts Tasmania (2007) [Award] 
Haddon, N, Survivor (Del Tynk Flynn Gyp) (2006) [Award] 
Parr, GG, The National Picture; Place II; Lake Pedder 1973, Tasmanian Visions, Polymath Press, Sandy Bay, TAS (2006) [Award] 
Rees-Pagh, YD, Cosmogenesis 2, 2005; From Ancient Tides, 2005; , Novosibirsk, Russia (2005) [Award] 
Ozolins, BT, Dean's Commendation for Outstanding Doctoral Thesis (2005) [Award] 
Haddon, N, Scrape No. 1, Poimena Gallery, Launceston, TAS (2005) [Award] 
Rees-Pagh, YD, Ambient, 2002, Novosibirsk, Russia (2003) [Award] 
Walch, MB, Mining the lunar beauty of Queenstown - the stereoscopic photography of Martin Walch, Space - ABC Arts online, Australian Broadcasting Corporation, Sydney NSW, May 2003 (2003) [Media Interview] 
Vella, JM, New Work Grant (established), Australia Council (2003) [Award] 
Vella, JM, Arts industry grant, Arts Tasmania (2002) [Award] 

This list was generated on Thu Oct 17 02:50:15 2019.