eCite Digital Repository

Author: Carter, D (Dr Dave Carter)

Number of items: 25

Journal Article
Ballico, C and Carter, D, A state of constant prodding: Live music, precocity and regulation, Cultural Trends, 27, (3) pp. 203-217. ISSN 0954-8963 (2018) [Refereed Article] 
Whiting, S and Carter, D, Access, place and Australian live music, M/C Journal, 19, (3) pp. 1-4. ISSN 1441-2616 (2016) [Refereed Article]
Carter, D, Errata Erratum: Remixing Experimental Music, Musicology Australia, 36, (1) pp. 1-12. ISSN 1949-453X (2014) [Refereed Article] 
Carter, D and Rogers, I, Fifteen Years of Utopia': Napster and Pitchfork as technologies of demoncratization, First Monday, 19, (10) pp. 1-12. ISSN 1396-0466 (2014) [Refereed Article]
Carter, D, Sketching the Lao Music Industries, The Malaysian Music Journal, 3, (1) pp. 32-47. ISSN 2232-1020 (2014) [Refereed Article]
Carter, D, Reich Remixed: Minimalism and DJ Culture, Context: A Journal of Music Research, (37) pp. 37-53. ISSN 1038-4006 (2012) [Refereed Article]
Carter, D, Surface Noise: A Cagean Approach to Electronica, Popular Musicology Online pp. 1-10. ISSN 1357-0951 (2009) [Refereed Article]
Conference Publication
Carter, D, Well Past Time: Notes on a Musicology of Audio Recording Production, Art of Record Production conference 2005., 2005, London (2005) [Refereed Conference Paper] 
Contract Report, Consultant's Report
Carter, D, Profile of the Tasmanian Music Industries, Music Tasmania, Australia (In Press) [Consultants Report]
Carter, D and Muller, P, The Economic and Cultural Value of Live Music in the Northern Territory, MusicNT, Darwin, NT (2018) [Contract Report]
Carter, D and Muller, P, Value of 2SM Artspaces in Sydney Final report, Cit of Sydney, Australia (2016) [Contract Report] 
Carter, D and Muller, P, Value of Live Music In Sydney Final Report, Cit of Sydney, Australia (2016) [Contract Report] 
Carter, D, The Economic and Cultural Value of Live Music in Australia 2014, The National Live Music Office, Australia (2015) [Contract Report]
Carter, D, Online Marketing Research Paper, Griffith Univeristy and Queensland Conservatorium (2009) [Contract Report]
Major Creative Work
Perren, C and Carter, D, Cults by Nonsemble EP Production, Sugarrush Records, Brisbane (2017) [Recorded Creative Work]
Miller, D and George-allen, S and Roche, T and Mackenzie, K and Carter, D, Death is a Miracle + Classics EP Prodcution, Tym Records, Brisbane (2017) [Recorded Creative Work]
Carter, D, The Shadows Calling, Mona, Dark Mofo / Detached Gallery, 1 (2015) [Published Creative Work] 
Carter, D, Changing Light, Independent (iTunes / etc.), Online / Radio (2013) [Recorded Creative Work] 
Carter, D, Flood Plains, Bandcamp / Independent, Online / Brisbane Festival / Melbourne Fringe Festival (2013) [Recorded Creative Work] 
Other Creative Work
Salter, B and Carter, D, Ben Salter - Back Yourself: Recording Production, Australian Broadcasting Corporation, Australia, pp. 10 (2017) [Minor Creative Work]
Rogers, I and Miller, D and Gillies, A and Carter, D, I Hate Myself And I Want To Live, No Anchor, Australia, pp. 8 pieces (2016) [Minor Creative Work]
Carter, D, Mary Meets Mohammad Soundtrack, Warratah Films, International Cinema Release (2013) [Minor Creative Work]
Other Public Output
Carter, D, Snoop, Dre, Cypress Hill: How hip hop went mainstream and embraced weed in the 1990s: Interview with Paul Donoughue, ABC News, Australian Broadcasting Corporation, Australia, 21 September 2018 (2018) [Media Interview]
Carter, D, First half hour - 13th August, 2015. Illegal firearms, live music & swooping magpies, 612 ABC Brisbane, Australian Broadcasting Company, Australia, 13 August (2015) [Media Interview]
Carter, D, Re-emergence of cassettes as a music consumption format, 936 ABC Hobart, Australian Broadcasting Company, Australia (2015) [Media Interview]

This list was generated on Thu Oct 18 21:44:41 2018.