Number of items: 9
| Conference Publication |
|---|
| Walch, M, Materia Prima: The Rough Guide, Tangible Means: Experiential Knowledge Through Materials (ESKIG 2015), 25-26 November, Design School Kolding, pp. 311-30. ISBN 978-87-90775-90-2 (2015) [Refereed Conference Paper] |  |
|
| Major Creative Work |
|---|
| Haddon, N and O'Connor, R and Walch, M, Hackable Animals, Painters Guild of Hobart, Good Grief Studios, Hobart (2020) [Published Creative Work] | |
|
| Walch, M, The Lineage of Eccentricity I, Nellie Castan Gallery, Melbourne, 1, pp. 30 (2011) [Published Creative Work] | | |
| Walch, M, e-How in Conceptual, Contemporary Art Services Tasmania, CAST Gallery, Hobart, pp. 1 work (2010) [Published Creative Work] | | |
| Walch, M, Into the Wild Wood 1, 2 & 3; Tahune, Art Gallery of New South Wales, Art Gallery of New South Wales, Sydney (2010) [Published Creative Work] | | |
| Walch, M, Megan Walch in Primed: New Painting i nTasmania, Academy Gallery, SVPA, UTAS, SVPA, Launceston, pp. 13 works (2010) [Published Creative Work] | | |
| Walch, M, Verge, Nellie Castan Gallery, Nellie Castan Gallery, South Yarra, Victoria, pp. 10 works (2010) [Published Creative Work] | | |
| Other Creative Work |
|---|
| Walch, M, The convulsions of a large gumtree with vapour trail near Tea tree Rivulet, Tasmania, Glover Prize Tasmania, Evandale, pp. 1 (2011) [Representation of Original Art] | | |
| Walch, M, Saint Mary's Bushfire in The Glover Prize for Landscape Painting, John Glover Society, Evandale, Tasmania, pp. 1 work (2010) [Representation of Original Art] | | |
This list was generated on Tue Sep 28 06:20:40 2021.
