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Unfinished Business: craft and revivification


Hall, K and Finlayson, M, Unfinished Business: craft and revivification, Craft and Design Enquiry, (6) pp. 61-73. ISSN 1837-445X (2014) [Refereed Article]

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Reactivating incomplete and discarded domestic craft projects is an exploration of how such objects can mediate between presence and absence. Contemporary creative work that gathers and reclaims the unfinished projects acknowledges, extends and plays with their rich materiality as well as the dormant stories embedded within them. Using unfinished objects can be a way of speaking to loss and absence, and an assertion of the presence of other voices in the act of repurposing. A material dialogue, created through the trace of the hand and the repetitive labour of crafting, emphasises the potential within these discarded objects. The tension between the implied presence of the first maker and the displacement of the past through revivification is the entry point to nostalgia, a label that implies both being out of place as well as out of time. While nostalgia is often seen as an innately conservative practice, functioning as a reductive stand-in for the richness of the past, we take up Svetlana Boym’s (2001) argument that the impossible longing of reflective nostalgia can be productive, humorous and utopian. This essay explores the interplay of past and present in the process of finding, remaking and repurposing.

Item Details

Item Type:Refereed Article
Keywords:craft, unfinished, nostalgia
Research Division:Creative Arts and Writing
Research Group:Art history, theory and criticism
Research Field:Art theory
Objective Division:Culture and Society
Objective Group:Arts
Objective Field:The creative arts
UTAS Author:Hall, K (Dr Karen Hall)
UTAS Author:Finlayson, M (Ms Mae Finlayson)
ID Code:97452
Year Published:2014
Deposited By:School of Creative Arts and Media
Deposited On:2014-12-17
Last Modified:2018-03-13

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