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Music and Cross-Cultural Exchange in the Art of Tom Roberts, Arthur Streeton and James McNeill Whistler
journal contribution
posted on 2023-05-17, 20:58 authored by Arabella Teniswood-HarveyArabella Teniswood-HarveyInfluenced by the American-born, London-based artist James McNeill Whistler, the Australian painters Tom Roberts (1856–1931) and Arthur Streeton (1867–1943) cultivated an interest in music and in Asian and exotic motifs as their subject matters. Their use of musical titles and a compositional approach fashioned by Japonisme demonstrates their deliberate alignment with both the British aesthetic movement and French impressionism as well as their participation in the wider, international context of cross-cultural aesthetic exchange. Questioning whether there was ever a direct cultural exchange between East and West (perhaps stimulated by the participation of Asian countries in the International Exhibitions held in Melbourne in 1880 and 1888), or simply a desire on the behalf of Australian artists and their public to follow the fashions set by England and Paris, explored is the meaning of—and reasons behind—the frequent association of music and exotic cultures in the Australian art of this period.
History
Publication title
Music in Art: International Journal for Music IconographyVolume
38Issue
1-2Pagination
89-99ISSN
1522-7464Department/School
School of Creative Arts and MediaPublisher
Research Center for Music Iconography, City University of New YorkPlace of publication
United StatesRights statement
Copyright 2013 Research Center for Music IconographyRepository Status
- Restricted