File(s) under permanent embargo
Extreme Music for Extreme People? Norwegian Black Metal and Transcendent Violence
chapter
posted on 2023-05-22, 14:13 authored by Phillipov, MHeavy metal is now over forty years old and has developed into a diverse and multi-faceted genre. Wherever it is found and however it is played, metal's fascination with transgression has often meant it has been embroiled in controversy. Controversies surrounding the alleged connection between heavy metal and, variously, sexual promiscuity, occultism and Satanism, subliminal messages, suicide and violence have made heavy metal a target of moral panics over popular culture. Metal has variously embraced, rejected, played with and tried to ignore this controversy and it remains irrevocably marked by its controversial, transgressive tendencies. This anthology provides a thorough investigation of how and why metal becomes controversial, how metal 'scenes' are formed. It examines the relationship between metal and society, including how fans, musicians and the media create the culture of heavy metal. This chapter focuses on the events of the Norwegian black metal scene in the early 1990s, a period in which violent aesthetics in metal music became explicitly and deliberately articulated to real acts of violence. Concentrating on the musical and criminal activities of the band Emperor, the author suggests that the group’s success was, at least in part, the result of members’ simultaneous promotion and disavowal of their involvement in violent crime.
History
Publication title
Heavy Metal: Controversies and CounterculturesEdition
1stEditors
T Hjelm, K Kahn-Harris and M LevinePagination
152-165ISBN
9781845539405Department/School
School of Social SciencesPublisher
Equinox Publishing Ltd.Place of publication
Sheffield UK, Bristol USAExtent
14Rights statement
Copyright 2013 Equinox Publishing Ltd.Repository Status
- Restricted