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Playing the White Man: Ronald Merrick, Whiteness, and Erotic Triangles in Paul Scott's Raj Quartet
Citation
Crane, RJ, Playing the White Man: Ronald Merrick, Whiteness, and Erotic Triangles in Paul Scott's Raj Quartet, Journal of Commonwealth Literature, 39, (1) pp. 19-28. ISSN 0021-9894 (2004) [Refereed Article]
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Copyright Statement
Copyright © 2004 SAGE Publications
Official URL: http://www.sagepublications.com
DOI: doi:10.1177/002198904043284
Abstract
In his seminal Survey of Anglo-Indian Fiction Bhupal Singh suggests that ‘‘strictly speaking’’, the term Anglo-Indian fiction ‘‘means fiction mainly describing the life of Englishmen in India’’.1 Paul Scott’s Raj Quartet,2 which as Sabina Sawhney (amongst others) has noted, is ‘‘populated almost exclusively by the British’’, clearly fits this narrow definition of the genre. Sawhney goes on to suggest that Scott’s ‘‘monocular vision reinforces the Western European and North American prejudices of the relative importance of various peoples’’.
Item Details
| Item Type: | Refereed Article |
|---|---|
| Research Division: | Language, Communication and Culture |
| Research Group: | Literary Studies |
| Research Field: | British and Irish Literature |
| Objective Division: | Cultural Understanding |
| Objective Group: | Communication |
| Objective Field: | Languages and Literature |
| UTAS Author: | Crane, RJ (Professor Ralph Crane) |
| ID Code: | 32358 |
| Year Published: | 2004 |
| Deposited By: | English, Journalism and European Languages |
| Deposited On: | 2004-08-01 |
| Last Modified: | 2010-06-18 |
| Downloads: | 1 View Download Statistics |
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