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The Quintessence Project: re-envisioning mediæval music through the lens of electroacoustic technology
Citation
Thomson, H, The Quintessence Project: re-envisioning mediaval music through the lens of electroacoustic technology, Context: A Journal of Music Research, (25) pp. 77-81. ISSN 1038-4006 (2003) [Refereed Article]
Official URL: https://cpb-ap-se2.wpmucdn.com/blogs.unimelb.edu.a...
Abstract
The process has taken various unexpected directions, from the investigation of the history of Gregorian Chant performance practice, to an examination of video tracking hardware and software even though Quintessence Project was originally conceived as a way of solving a set of performance problems. The project is an attempt to hybridise all such interests and also, an attempt to address real and perceived issues that exist for both contemporary and early music performance practice as they currently stand.
Item Details
| Item Type: | Refereed Article |
|---|---|
| Keywords: | electroacoustics, gregorian chant, new music, classical music |
| Research Division: | Creative Arts and Writing |
| Research Group: | Music |
| Research Field: | Music composition and improvisation |
| Objective Division: | Culture and Society |
| Objective Group: | Arts |
| Objective Field: | Music |
| UTAS Author: | Thomson, H (Ms Quin Thomson) |
| ID Code: | 148199 |
| Year Published: | 2003 |
| Deposited By: | Office of the School of Creative Arts and Media |
| Deposited On: | 2021-12-10 |
| Last Modified: | 2021-12-22 |
| Downloads: | 0 |
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