137773-Uncanny parallels - Author's prepublication version.pdf (366.65 kB)
Uncanny parallels: Jennifer Kent’s The Nightingale, violence, and the Vandemonian past
Set in mid-1820s Van Diemen’s Land, The Nightingale depicts a dark and disturbing Tasmanian past populated with redcoats, convicts, Aboriginal people, and a few free settlers. Controversial scenes include the repeated rape of a young female convict, the murders of her husband and infant, and the rape and murder of an Aboriginal woman. Uncanny parallels can be drawn between the on-screen experiences of the white female lead, and the violence visited on the bodies of Tasmanian colonial woman Elizabeth Tibbs, her husband, and infant in 1826. After situating the film within its historical context, this paper provides a mimetic reading through elaborating these parallels. It interrogates key points of divergence between these fictional and historical accounts of women’s lives to explore what they reveal about gender, class, race, violence, and justice in colonial Van Diemen’s Land and its depiction in twenty-first century Australia.
History
Publication title
Studies in Australasian CinemaVolume
14Pagination
35-46ISSN
1750-3175Department/School
School of HumanitiesPublisher
Taylor & FrancisPlace of publication
United KingdomRights statement
Copyright 2020 Informa UK Limited, trading as Taylor & Francis Group. This is an Accepted Manuscript of an article published by Taylor & Francis Group in Studies in Australasian Cinema on 22/04/2020, available online: http://www.tandfonline.com/10.1080/17503175.2020.1756172Repository Status
- Restricted