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Ambiguous (by) nature: writing Baba Yaga and the Tasmanian Devil
In order to provide some context for the following excerpt from my novel-in-progress, “The House on Legs,” let me first share some thoughts about the reasons one might choose to reinvent Baba Yaga, the witch-crone of Russian and Slavic folk tales, as a wildlife warrior in Australia’s island state of Tasmania. Generally, it is accepted that Baba Yaga’s signature trait is her profound ambiguity. Straddling such binaries as good/evil, natural/supernatural, human/nonhuman, she is a character famous for her unpredictability. Should a heroine or hero approach her house on legs, she may help them in their quest. Or, she may attempt to eat them up. Contradiction is a key component of her reputation, and the same can be said of Tasmania, Australia’s island state, and also of that island’s wildlife icon, the Tasmanian devil.
History
Publication title
Interdisciplinary Studies in Literature and EnvironmentPagination
1-12ISSN
1076-0962Department/School
School of HumanitiesPublisher
Oxford University PressPlace of publication
United StatesRights statement
Copyright 2019 The AuthorRepository Status
- Restricted