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This body of paintings presents a disjunctive, seemingly haphazard array of pictorial references that are derived from multiple historic periods. This includes an image of HG Wells on a bicycle, a placard holding Bible salesman circa 1890, an engraving of a recumbent Eve in the Garden of Eden and the imaginary future ruins of London. This assortment of subjects is complimented by a set of different painting techniques which include commercial digital printing on spray painted grounds, refined hand painted detail and loosely expressive gesture. Whilst these divergent depictions create a turbulent, non-linear temporal dimension they are nonetheless held together in a field of highly saturated, unworldly colour. The differing historic imagery combined with a wide variety of material application offers an alternative view of how the time of migrant experience (Bal’s ‘heterochrony’) might be rendered on the stationary, flat surfaces of painting.

Item Type:	Published Creative Work
Keywords:	Tasmanian painting, migratory aesthetics, Tasmanian landscape painting
Research Division:	Creative Arts and Writing
Research Group:	Visual arts
Research Field:	Fine arts
Objective Division:	Culture and Society
Objective Group:	Arts
Objective Field:	The creative arts
UTAS Author:	Haddon, N (Dr Neil Haddon)
ID Code:	127808
Year Published:	2018
Deposited By:	Office of the School of Creative Arts and Media
Deposited On:	2018-08-16
Last Modified:	2021-11-11
Downloads:	57 View Download Statistics