Artaud’s pronouncement at the end of To Have Done With The Judgment of God called for a new kind of body, one in which the pain of life would ‘BURST OUT’ (Artaud, 1992: 324), to recreate both theatre and society with the force of an exorcism. The echo of Artaud’s scream in 1948 has been heard ever since, his influence setting the stage for avant-garde performance practice and theory through to the present day.

Item Type:	Refereed Article
Keywords:	butoh dance, Antonin Artaud, Tatsumi Hijikata, Deleuze and Guattari, death, darkness
Research Division:	Studies in Creative Arts and Writing
Research Group:	Performing Arts and Creative Writing
Research Field:	Drama, Theatre and Performance Studies
Objective Division:	Cultural Understanding
Objective Group:	Understanding Past Societies
Objective Field:	Understanding Asia's Past
UTAS Author:	Hornblow, M (Dr Michael Hornblow)
ID Code:	114074
Year Published:	2006
Deposited By:	Architecture and Design
Deposited On:	2017-02-03
Last Modified:	2017-05-09
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