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Alarming the heart: costume as performative body-object-event

Citation

Hannah, D, Alarming the heart: costume as performative body-object-event, Scene, 2, (1-2) pp. 15-34. ISSN 2044-3714 (2014) [Refereed Article]

Copyright Statement

Copyright 2014 Intellect

Official URL: http://www.intellectbooks.co.uk/journals/view-Arti...

Abstract

The word ‘costume’, like ‘design’, connotes both artefact (noun) and action (verb), highlighting costume design as an active practice and activating object, capable of dynamically intervening between the body and space. This article looks to the affective and effective impact elicited by highly performative quotidian garments outside the theatre and how, linked to ancient mythology, human history and current sociopolitical events, they have been critically adopted for live performance. Focusing on the universally beguiling red dress, referred to by Anaïs Nin as capable of ‘alarming the heart with the violent gong of catastrophe’, the costume is discussed as a spatial body-object, disrupting and charging social environments to reveal their ‘evental’ nature: calling up monumental moments, productive aesthetic encounters and multiple daily experiences. This reiterates the complexity of our contemporary condition, in which we cannot separate the theatrical from the sociopolitical: something Jon McKenzie maintains could be understood through the critical tool of ‘performance design’ – a constructive means of drawing upon and critiquing the proliferation of manifold events played out in the new century. Referencing my own research-informed practice (created and often articulated in collaboration with choreographer/dancer, Carol Brown), this article will theorize costumes as spatial body-objects as well as active and activating agents that are integral to complex spatiotemporal webs, particularly in relation to our highly mediated reality.

Item Details

Item Type:Refereed Article
Keywords:performativit,y scenography, event-space, performance design, costumes
Research Division:Studies in Creative Arts and Writing
Research Group:Performing Arts and Creative Writing
Research Field:Drama, Theatre and Performance Studies
Objective Division:Cultural Understanding
Objective Group:Arts and Leisure
Objective Field:The Performing Arts (incl. Theatre and Dance)
Author:Hannah, D (Professor Dorita Hannah)
ID Code:100712
Year Published:2014
Deposited By:Tasmanian College of the Arts
Deposited On:2015-05-26
Last Modified:2015-09-09
Downloads:0

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