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Future spaces in contemporary Australian art: The law of proximity, overexposure and the city

Citation

Wise, CJE, Future spaces in contemporary Australian art: The law of proximity, overexposure and the city, Continuum: Journal of Media & Cultural Studies, 23, (6) pp. 937-954. ISSN 1030-4312 (2009) [Refereed Article]

Copyright Statement

Copyright 2009 Taylor & Francis

DOI: doi:10.1080/10304310903294747

Abstract

This paper addresses Paul Virilio's notions of the 'overexposed city' and 'the law of proximity' in relation to contemporary Australian art practice in order to investigate the current cultural imagining of the 'future spaces' of the city. In one sense updating the cliche that a painting offers a window on the world, this paper substitutes recent art works by contemporary Australian artists for Virilio's 'door without a city'. In attempting to discern the status of urban architecture in relation to the exponential development of technology, Virilio identifies 'a transmutation of representation' that he discusses in terms of film: 'Here, more than anywhere, advanced technologies have converged to create a synthetic space-time.' The art works selected in this paper serve to chart this filmic 'transmutation' from a geographical to a temporal representation of space as motion, where 'the living and the living dead merge to the point of delirium'. © 2009 Taylor & Francis.

Item Details

Item Type:Refereed Article
Research Division:Studies in Creative Arts and Writing
Research Group:Visual Arts and Crafts
Research Field:Fine Arts (incl. Sculpture and Painting)
Objective Division:Cultural Understanding
Objective Group:Arts and Leisure
Objective Field:The Creative Arts (incl. Graphics and Craft)
Author:Wise, CJE (Professor Kit Wise)
ID Code:100179
Year Published:2009
Deposited By:Tasmanian College of the Arts
Deposited On:2015-05-06
Last Modified:2015-06-15
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